Master the equipment on hand to teach you how to improve the level of mobile photography

Now mastered the mobile phone is a 800w pixel lens, will be photographed and will not take pictures of the effect of the difference is particularly obvious. Tell you how to make a better photo with a case study of the later great god Ye Ming?

Description
1. All pictures of this answer, except special statements, are taken using iphone 6.
2, all the post-processing is through the provocative map app.
3, the text of all the pictures are in two hours to complete the shooting, the important is the contrast, not demanding quality, thank you.

Mobile photography is different from camera photography, its more casual, the restrictions of the equipment is also larger, there is not too much technical stuff, more is to rely on composition and creativity to win.

So:

One, less is more

I always thought it was one of the most classical laws of photography.

For beginners, understand this sentence can quickly make a satisfactory work.

As a veteran, understand this sentence can open the door to master.

In the first contact with photography, the topic is not clear enough is a big problem, and by subtraction can quickly explain the clear topic.

After a deep understanding of photography, there is a theme is the basic skills, and how to use the fewest elements of the picture to frame a theme is the threshold of ascension.

Of course, "less" is just an expression of photography, this is not to say that the picture can only be "less", not "more", in fact, can be a complex picture of the elements of a reasonable arrangement, is also a very great ability.

As an example:

What will you do when you see this scene?

If you shoot like this, it's a pedestrian level, and you rub that.

Remember: less is more!

It's too messy to be filmed:

Sculptures, buildings, buildings in the distance, flooring, green belts ...

If you have mastered some of the rules of composition, this may be the case:

It is obvious that a certain level of photography can be seen.

Through the angle of view, directly the ground buildings, floors and other elements to exclude, only the sculpture, Green Belt, the sky, at the same time for the active picture, but also joined a person.

But if it's a more mature photographer, it might be:

The picture is taken by the camera

On the basis of the above, the green belt is excluded, only the sky and sculpture are preserved.

The process of change is this:

Sculpture, Sky, green belts, buildings, buildings in the distance, floors.

Sculpture, Sky, green belt.

Sculpture, the sky.

And the change in the picture is the picture.

Simplify and simplify, less is more.

So, when you're taking a picture, be sure to think about it:

Could it be a little less, a little bit less?

Two, a little bit lower

What do you do when you face such a scene?

If you do it like this, it can only be said.

Smooth horizontal line, three-point composition, extension lines, also qualified.

But if it's a mature photographer, it might be:

1, by pulling down the position of the camera, so that the reflection of the surface more strongly, resulting in a more intense symmetry effect.
2, through cutting, manufacturing wide-angle visual effect.
3, electric car is the finishing touch of the pen.
4, through the vertical flip, there is an electric car will sail to the cloud effect.

Again, for example, this scenario:

If the above, still belong to the great, not much bright spot, but it seems that anyone can shoot out.

At this time, we use:

1, by pulling down the position of the camera, let the water occupy a larger position (perspective relationship), thus forming a more intense visual impact.
2, the manufacture of water ripples (in order to arouse ripples, my feet constantly in the water), so that the picture form a more water texture.
3, through cutting, to create a better visual effect (16:9).
4, through the lens correction, the production of exaggerated visual effects.
5, by reducing the vehicle, strengthen the screen center of gravity.

It's going to be different.

Three, rhythm and rhythm

What is rhythm and rhythm?

In short: Ordered repetition under uniform features.

For example, this picture:

It has no rhythm.

There is no "unified feature", and there is no "ordered repetition".

But we have a rhythm to shoot like this.

Unified Features: Lines
Ordered repetition: gradients

You can also look for a crossover rhythm:

Another example:

It's rhythmic, but it doesn't have a strong sense of rhythm.

We shoot from the bottom up:

This picture has a tribute to the factor.

So the rhythm is stronger.

Four, close to the slightest

Sometimes, we get closer to the phone, not just for macro, or to blur the background (in fact, the ability of the virtual is very limited), but to:

Better observe the objects being photographed.

Come near you will find that there is such a big world!

This picture is also taken by a cellphone.

OK, before taking a picture, think of four things:

One, the picture element is not a bit less, a little bit less?

Second, is there a picture element that can form a rhythm?

Third, whether the mobile phone can take a little lower.

Four, whether the mobile phone can be close to a bit.

Again, all the pictures in the text only took two hours to shoot, the level of the high and low will not bother everyone to evaluate, the important is the contrast!

Reprinted from http://academy.fengniao.com/532/5324722_all.html#p5324722

Master the equipment on hand to teach you how to improve the level of mobile photography