Speech level singing is a cutting-edge teaching method that has become popular in the United States in recent years. Starting person Seth Riggs
It was originally a singing speaker, because I did not care about the present education in the United States, but I had a set of creative methods. As a result, I learned the world (in the United States, all of them are available .) His students have the stars of the famous Community (such
Madonna, Stevie Wonder, Faith
Hill), there are many Song courts in the United States singing better than others, there are also hundreds of elders, jazz, village music, there are different hierarchies. Seth
Riggs has been around for over 70 years, and the voice is still very strong. The voice is easy to control, and you can also sing a high-pitched whistle.
Popular Singing Method I admire: Introduction and discussion of American speech level singing
(Original: lambauman)
Basic concepts of SLS:
1. The so-called speech level singing actually refers to the fixed head of the throat, and the throat should be released, just as when talking.
2. When singing a high note, the hairband should be used together, and the force on the throat should be used, and the muscles outside the throat should not be used hard at all.
3. Bridge (BRIDGE) is a typical site in Italian passagio. It changes every time a region is reached. The number of male men's breasts is around E1, And the breasts are mixed with both heads. Second Region
Around A1. Then, each E and A has a vertex. Female ranking 1 was found in male ranking 2, namely A1 and chest ranking 2. The second sector is E2, and the mixed growth occurs. And then every E
And A has a token. If you want to install music in the upper-right corner, the upper-right corner is required, and the vowels become narrower (Not darker ).
Merge into method:
1. Body: groose. (Many people will. Don't try hard, just give it a try .)
2. Body: Bubble lips: mouth up, put the two forefoot fingers at the corner of the mouth, two or three public points, pull up, then blow the air, so that the lips beat, sound like a horse. Use this bubble lip to blow music. When the tweeter is over, you can get down, so you can have a much lower stress.
There are a lot of advantages in this area. You can set up your throat and muscles on your face, touch your belt, remove the stress from your throat, And Then enjoy your breath, display the audio domain.
3. Body: Tongue and tongue. I can't beat this guy. So it cannot be solved...
4. Refer to the following link: nay. The nay word in English helps to link nay. Use nay to sing Do Me fa do1 do1 do1 do1 fa me
Do sounds, singing after every half-litre, then starting and ending, and then singing back. There are many (especially male) people who have used this notebook to solve the issue, and the music domain has risen high.
. Note that the voice should be on the front, and at the beginning, it should be accompanied by a nose, which is helpful for over-peak periods. When you are familiar with it, you can merge the voice.
5. Open the throat: Mum. The English mum helps reduce the throat position. Singing is the same as singing a song. Note that when you sing, a silly voice will be taken to enable the inner part of your mouth. (This text is quite clear. Please wait for another example .)
6. Use the no character to sing the song. Because the vowels of the English no word are narrower than those of the upper half, the upper half can be taken. (A narrow vowel will bring the voice to the beginning, while a broken vowel will bring the voice to the chest. Therefore, when singing a high-pitched song, keep the vowels narrow .)
7. Use nuuh (furious)
Sounds. In the above example, the narrow vowels bring the voice to the top, and in this example, that is, when the vowel is opened (that "ah" sound is to pull the vowel), it will make the chest become heavier than the upper and lower than the lower.
It is applicable to the popular and frequently-experienced architectures. Be sure not to pull the cursor from the beginning. At the beginning, the nu "Angry" sound should be kept in its head. After the voice station is disconnected, the vowel is opened ("ah" sound ). If it is too early, the voice is easy to break
.
8. Use a bubble lip to seek attention. Use the bubble lip to play the Do mi fa do1 (drag four beats) Fa Mi Do audio. When a Tweeter occurs, the speaker is moved up or down in a single tone. The bubble lip indicates the placement of the throat and face. If there is no audio, you can use this method.
9. Use the word Yeah to listen and sing so (drag seconds) Fa Mi Ra Do. when a speaker is being played, a speaker without a voice may be taken as a human-oriented speaker. The speaker can naturally pause (but cannot shake his throat !)
10. Use Mum to enable audio. The mum character can reduce the throat, which is the same as the limit 5, but not when the tweeting is delayed or added.
11. Sing so fa me Ra with English wee words
Do audio, from high to low. Wee is a very strong accent. When Wee is sung in a high tone, it will feel the whole voice. Singing wee in the Bass will also bring the upper-point headers to the chest. This is a consistent tone, and
It is helpful to make the speaker concentrate on penetrating power. (If wee cannot be sung, a person can add a G in front of it and turn it into a gwee "costume". This will help to bring the relevant information into the beginning .)
12. Sing "mum" to "muh. Singing ah easily changes to over-weight chest. when the music starts, the music band is very busy. However, if M is added to the front, it will help to sing this vowel over just a few points. The goal of this article is to enable students to perceive the heartbeat voice when Ah is on a high note.
13. Use a bubble to enable a high tone. Use a bubble to sing "M", slide the top of the chest, or slide the bottom of the chest. Be sure not to use a fake token. When sending a high-pitched message, it should be related.
Note: Place your finger at the junction of your chin and neck, swallow your saliva, and feel the muscles of the finger and move up. It is an action during swallowing. At this time, throat monitoring is related. Keep your fingers there and use the plain voice.
When I say a few words, I feel that my muscles are not moving. That is the correct issue. When we develop our speech, we should not talk about how high, how low, but how high, and how low our throat should be. When we talk, we should just use the stress of our throat.
The external force of the throat.
When making a sound bubble, you must always put your fingers on your chin and neck for self-observation. Make sure that the fingers are not moved !!!
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Popular Singing Method I admire: Introduction and discussion of speech level singing in the United States (Originally written by lambauman's sister) Basic concepts of SLS: 1. The so-called speech level singing means that the throat is stable, the throat is relaxed, and the State is as easy as it is when talking. 2. When singing a high note, the vocal cords should be closed, and the force on the throat should be used. The muscles outside the throat should not be used at all. 3. Bridge, that is, the change of the sound point, the Italian passagio. each change of the sound point, the resonance area will change. The first bridge of male voice is around E1, and the sound is mixed from the chest to the chest. The second bridge is in A1. After that, each E and A have a bridge. Female's first bridge lies in the second bridge of male's voice, namely A1. The second bridge is at E2. And then A has a bridge. To ensure a stable pass through the sound change area, the sound should be in front, and the vowel should be narrowed (not dimmed ). Exercise method: 1. Warm-up: Close your breath. (Many people will. It's just easy and coherent .) 2. Warm-up: Bubble lips: Close your mouth, put your fingers two or three centimeters away from the corner of the mouth, gently push up, then blow, so that the lips beat, making a sound like a motor. Use this bubble lip to blow scales. If the tweeter is tight, you can bend down to reduce the pressure. This exercise has many benefits. It can relax the throat, relax the facial muscles, touch the vocal cords, relieve the vocal cords pressure, adjust the breath, and expand the phoneme. 3. Warm-up: Tongue muttering. I can't beat anyone. So it cannot be explained... 4. Close exercise: nay. The English nay word helps to close the vocal cords. Use nay to sing Do Me fa do1 do1 do1 do1 fa me Do scales. after each round of singing, you can start singing, and then start singing. There are many people (especially male voices) who use this exercise to change their voice points and solve the problem of shutdown. The audio domain will rise immediately. . Note that the voice should be on the front, and the key nose should be added at the beginning, which is helpful for changing the sound point. After training, adjust the voice. 5. Open the throat: Mum. The English mum helps reduce the throat position. Singing Scales the same as an exercise. Note that when singing, it may sound silly and silly, which can be opened inside the mouth. (This text is hard to say clearly. Come back later .) 6. Use the word "no" to sing scales. Because the vowels of English no words are relatively narrow, you can place the sound with the first sound. (A narrow vowel will bring the sound to the head, and a horizontal vowel will bring the sound to the chest. So keep the vowels narrow when singing a high note .) 7. Use nuuh (furious) Music to sing scales. In the above exercise, the narrow vowels carry the sound with their heads, and in this exercise, the practice is to open the vowel (the "ah" sound is to pull the vowel ), this will make the chest sound heavier and more appropriate. Used in fashion and Broadway. Be sure not to pull the chart from the beginning. At the beginning, the nu "Angry" sound should keep its head sound. When the voice station is hidden, it should open the vowel ("ah" sound ). If it is opened too early, the sound is easy to crack . 8. Use the bubble lip to practice the vibrato. Use the bubble lip to show the Do mi fa do1 (drag four beats) Fa Mi Do scale. In a high-pitched tone, the tone is shaken up and down in a single tone. The bubble lips ensure relaxation of the throat and face. You can do this if there is no vibrato. 9. Use the Yeah word to practice the vibrato and sing so (drag for a few seconds) Fa Mi Ra Do. people who do not have a trembling sound can shake their throat as they trigger a long call. They can shake their heads until they start to shake their throat !) 10. Use Mum to practice vibrato. The mum character can reduce the throat position. This exercise is the same as practice 5, but it adds a Vibrato to the length during high-pitched periods. 11. Exercise head voice: sing so fa me Ra in English wee words Do scale, from high to low. Wee is a very heavy voice. When Wee is sung in a high tone, it will feel the whole voice. Singing wee in the Bass will make the chest sound resonate with the nod. This is a consistent tone, and It is helpful to concentrate the sound on penetrating power. (If you cannot sing wee, you can add g in front and change it to gwee "old clothes". This will help you close the vocal cords and open your head .) 12. Sing mum and convert it to muh. When Singing ah, the vowel easily exists and becomes too heavy in the chest. It is difficult to close the vocal cords when changing the sound. However, if M is added in front, it will help to sing this vowel and change the sound. The purpose of this exercise is to familiarize students with what they should feel when Ah is playing a high-pitched voice. 13. Use a bubble to enable a high tone. Use a bubble to sing "M", and slide the top of the chest or the bottom of the chest. Do not use false comments. Close the vocal cords when the tweeter is high. Note Purpose: Place your fingers at the junction of your chin and neck, swallow your saliva, and feel that your muscles are stretching and moving up. It is the action of swallowing, and the throat is closed. Keep your fingers there and say it in a calm voice A few words, I feel that the muscle is relaxed. That is the correct voice state. When we speak, no matter how high or low we sing, we should keep our throat relaxed when we speak. We only use the face of the throat, no throat. The external force of the header. When doing bubble sound exercises, always put your fingers on your chin and neck to observe yourself, so that you can never relax !!! |