PS Master to draw the scene of the popular fall

This painting is the Dark Queen finally destroyed the Lich King, after years of revenge of the road came to an end, the Queen lost herself to fall under the ice fortress, dead scene. The picture is very dark and light, only a small part of the Queen's side face and hair, with a large area of cold dark side with very little faint warm light.

　　Drafting composition and light and shadow control

Drafting more casual, with PS with the hard edge brush wet edge, set the value of: Opacity 100%, Flow 50%, a large area set the proportion of the head and screen position.

Figure 01

Among them, light and shade is the most important, so the first and foremost is to put these objects each other's projection, lighting are shown. The skin is the PS with the soft side brush (opacity 60-80%, flow 50%) first roughly to the face to the neck space, draw a general light and shade relationship.

In addition to determining the position of the composition, the control of light and shadow has become a very important part of the screen to stay "white" and "light gray" is probably the whole picture of the 15-20%; Black "has 15-20%, the remaining 60-70% are different degrees of" ash. " The light is very small, so precious, need light to want to let everyone pay attention to the key parts, so bright not much, are concentrated in half of the face, heavy color focus on the facial features and other shape transfer surface, increase the brightness of the contrast, so that the intensity of the whole painting from the light point passed to the screen four weeks.

　　Refine and shape the volume sense and the general details

Figure 02

Color is a sketch of the color method, before entering the stack before the need to refine the sketch before, the main center of gravity is still placed in the shape of the volume and explain the general details of the excessive light and shadow. Some metal parts reflect a strong light in a very dark environment, and the finer details of these materials require attention. Because it is very close to the screen, so the structure of the hair interspersed with each other need to be divided into many groups to draw.

　　A laminated depiction of the skin of a person with a transparent color

Figure 03

When the sketch is about 50%, it starts to fold. The brush used for the stack color is the soft side brush, which is set to: Opacity 60%, Flow 50%.

A new layer-overlay properties, choose a gray purple, probably in the HSB slider s and B are 50 or so, stacked on the basis of the color (the beginning I have not set the color of the light when the purple tone can be considered as light can also be considered a shadow). and lower layer opacity to (50-70%).

B is also superimposed on a slightly gray point of yellow and relatively warm pink to the character's light surface, corresponding in the dark, superimposed different bias of the cool color (gray blue violet, red purple). Basically, the first part of my color is based on the complementary relationship to choose, solid color (similar to the eyes of the red, etc.) is in the light and shade of the color based on color, in this step I will be in the light and the dark stacked several layers, some of the main, very positive face, will be painted with a large brush, some dark color of the faint warm, etc. will be "point stack" ( Just click with the brush to keep the light scattering.

C in order to make the light more intense, the use of superposition is difficult to fully achieve, in the basic stack, I will use the layer attribute "color dodge" to strengthen the light and shadow. On the left side of the position to the face of the characters, with a very bright red, set the brush value of 20% opacity, vigorously from the left to the bottom of a light irradiation trajectory, and then reduce the layer opacity 40%-50%, the same point overlap local warm.

When the light is very strong, hit on the character skin will produce a certain penetration, similar to the palm of the flashlight on the top of the red color, I usually in the nose, bottom of the lower lip, and so on, backlight gray face with red and transparent colors.

　　Deeply portray the picture and express the true logic

Figure 04

We have the basis of the light and warm and cold after the completion of the stack color, the following is the details of the description of time. Portray me is also soft, hard side 2 brush alternating, opacity set to 60%-80%, when depicting metal will use the wet edge of 100%, mainly through the "polishing" method to carry out.

For example, a small group of hair from the middle light to four weeks a little darker, I will be in the color of the stack color B brighten, s to gray, emphasis on the corresponding bright surface, and then by absorbing nearby colors, and then run around (because the brush is transparent, so each suction before the color of the painting will be darker and more gray, so as to draw over the surface, Rather stupid but retains a great amount of strokes).

Figure 05

Figure 06

Most of the depiction will be on the dark reflection of the light, the absorption of light to turn gray, a color run to the second color. Even under the surface there are cool colors, such as hair yellow in accordance with the turn of the face to produce the corresponding gray yellow and purple and so on, so that each detail is more consistent with the real logic.

　　Detail Description Performance Texture

Figure 07

In this step you will add more detail and material performance, for example, from the reflection of the material (the hair will absorb a lot of light, so even in the case of direct exposure to the extremely bright surface is still less, but also will distinguish a few very bright and exquisite hair, metal reflective light and steel quality will have more "mirror" effect, Bright and dark are obvious; the dark objects in the environment are reflected in steel armor and earrings.

Add fallen roses and the above supporting role (with life to save the Queen's former Lich King servant), in a very dark environment to deal with high light is very attention to brightness, while the subjective strengthening of the skin of a supporting role.

Figure 08

Figure 09

Figure 10

Figure 11

Figure 12

Figure 13

　　Finally adjust the light and the overall color grasp

Then according to the needs of the screen, with color fade to the dark part made a bluish reflection, plus some particles and dust into space, it was completed.

Figure 14

　　Experience

1, in a picture, there is a shadow of light, light does not have to be more, playing on the position, less light than more light than more tension; projection and reflective reinforcement can avoid the painting tightness.

2, laminated color, through the warm and cold to determine the picture adjustment to consider the inherent color, because the inherent color is based on the light source color, environmental color before the appearance of the basic hue, so that coloring more natural comfortable.

3, material details and other subtle light and light performance will become the highlight of the screen, do not ignore, but also need to see the whole to draw, not the penny.

The painting is drawing a second edition, and you will see the whole body of the Queen lying on the ground. It is more difficult to change a picture than to draw a picture, have the opportunity to share with you, very happy to share my painting steps, because of their own drawing record steps are relatively few, so some of the methods, such as the elaboration is not clear enough please forgive me.

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