Xiongkuo Sea, the most embarrassing agent, is one of his most anticipated roles so far, Zhang Jia said. South all decrypt "borrow gun" inside have spoilers, carefully read South All reporter Zishing intern Yiao Yao Chen Lilu Director Jiang said male a bear wide sea has five layers, it shows the rich level of this figure. The pros and cons of Zhang Jia have tried a lot of veteran actors in the face of the Xiongkuo Sea, opening up the biggest challenge in his career. How to handle the characters, how to change in three or four of faces every day, how to bring out the most steadfast faith and the deepest sadness in embarrassment and humor? Zhang Jia to the role of the greatest effort, tired to the extreme. Xiongkuo Sea, the most embarrassing agent, is Zhang Jia's most anticipated role so far. And let Zhang Jia translation Most tired is emotional sacrifice. His family life is the most moving part of the netizens ' view. His wife book, a woman of temperament and beauty coexist, once was the wrist on the drum stage. Because marry Bear broad sea, no longer publicity, gan do housewife, cook rice soup. Face the dilemma of life, no regrets. Eventually had to restructure his outfit to make a living. Unwilling to let his wife displaced Xiongkuo sea despite the surface of silence, but the eyes are helpless and sour. Finally, the Japanese tried to use Mrs Bear to force him to abandon the assassination plan, the book really with eyes to her husband farewell, with words forced the Japanese fired, blood splashed in the chest of Xiongkuo sea, he watched her die in his arms, shed countless tears, look up. The first full collapse of the Xiongkuo Sea, which kept smiling under the oppression of many lives and work. The scene by the audience as "the most warm, most worried, most sad, most touching, the most shocking" one. In the face of such a brutal choice, Zhang Jia, as an actor, must force himself to face it. Zhang Jia recently accepted the exclusive interview with reporters in south, a spit for the role of those who pay the hardships. "One of the most complicated characters ever." Southern Metropolis Daily: Xiongkuo Sea The role of the shape of a certain degree of difficulty, you initially dare to connect and hesitate between the two? Zhang Jia: In fact, there is no such psychological pressure. The more difficult the role, the more the actors can not adjust themselves, the more creative impulse. I think I can write the character like this, I must go to the show to him. Nan du: The play is not a strong melodrama, it can provide to you, and the usual script can provide you, is not the same. You may need to create more things yourself? Zhang Jia: Yes, there must be a lot of communication with the Director. From the group, to the play in the preparation process, almost every day to trouble the director, there will be such a thought, the character will have such a understanding. In fact, a lot of times I get a script, I probably know what I'm dealing with. But Xiongkuo sea this role is difficult, will feel how to deal with such a character, how to grasp this degree? Also in the prophase did a lot of work. In fact, when I was talking to the director, I said that the point I was thinking about was that I played five different people with you. Xiongkuo face different people have his different mentality outNow。 To the end of the pole, climax, he came out a bright man. He concentrated on one point and broke out. It shows a revolutionary with firm belief, with optimistic attitude and humanistic solicitude. Return to the familiar state of a hero's state. This person is probably a combination of many of my plays. Nancy: Is this the most complicated character you've ever played? Zhang Jia: Yes, but also very tired, the most tired of a person. For example, it is a decent face to play the scene today, and the next play is another teasing face. To constantly adjust their state, so the script to keep following. Other play you may be prepared to be a character, but the play in one day to shoot three kinds of four states, as if three or four different characters played. South: Xiongkuo Sea is a folk art background of a character, I see you in the play has crosstalk style of the name, there are many garrulous, how to prepare? Zhang Jia: In fact, I did very unprofessional. But I found him a particularly good excuse is that he was driven out of the door. Go out early and say you are not the material to eat this bowl of rice, you do not do this line. But because of this background, in the normal life, he has a very poor place, there are the language characteristics of this occupation. It's all about the back, just a little back. Nan du: This character, also see you walk the most loose state and the most exultant expression. Zhang Jia: In fact, this character, must be grounded. I walk because my waist has some problems, will be a little sway, usually some of the play inside I will deliberately collect, but this play, I deliberately put it down. Relax and go, I give him a form. On the face, he sometimes exaggerated, such as poor with others, he sometimes behaved is too not stable. "I will also envy those gorgeous agents," South: This character lives in a lot of trivial difficulties and anxiety, you will also be caught in anxiety? Zhang Jia: He met a lot of difficult things that he had to meet. Many may have been solved by him. He is in fact very optimistic. But he has a lot of anxious time, I will also enter into that state inside. I'm going to be very tired. Sometimes I envy those gorgeous agents. But we are not describing this level is not the bottom of the lurk, there are really more than his bottom, but we do not show. We don't even have to go to the middle and lower levels ... We have also read some information, the underground workers were mostly in the middle and lower levels, life is very poor. are working, holding a meager salary, not only to support the family, but also to find funds to do some work. South: The audience will feel the family drama of Xiongkuo Sea is very touching. Especially when he and his wife are separated from each other. Zhang Jia: Yes, special abuse. I can not bear to see that the script book really sacrificed that paragraph, and went straight into the character state. This thing is not acceptable to me, I force myself to understand it. He loves the family very much, loves his daughter very much, loves his wife very much. When the book really says: "The Bear family surrendered notIf you want us to die, you go to Furuan, and you want us to die decent, you go and shoot that gun. If you can not put the child, kneel here one, I lead the children, and so met me to her, the next life safe. "He knelt down, and that was his choice, and must choose to sacrifice because he was not alone." What kind of pain is this? So it was really a relief when the film was finished, and I told the director, "No matter what, I gave you the finishing act." User first comment "less than the 30th episode does not know where the boiling point" "borrow gun" quality in the end how? At present, the opinions of the netizen is a matter of opinion. Whether will continue Jiang previous work "latent" the hot, we wait and see. "Borrow gun" is already a very good work, it and "latent" is completely two different types of film, there is basically nothing comparable between them. (Jailbreak frog) "Borrow gun" to do spy war field of "Deer Ding kee." Top comedy, farce, amuse. Central drama, with a seriousness. The lower part is the tragedy, the Zhuang drama, the suspense drama, the heroes drama, the hero is strong! Favorite "French recitation Li Sao" that sentence, tease to turn! (Gemini) Honglei latent is well-off, wuxiubo latent is rich, Zhang Jia translation latent is embarrassed. It is this embarrassing embarrassment that reveals the value of faith. From this point of view, "borrow gun" is successful. (fish in rivers and lakes) "latent" like a high IQ situation spy drama, "Borrow Gun" is like Sina this year's stock price, the story is solid, with the plot to advance, full of imagination space, not to the 30th episode does not know where the boiling point ... I like the Yan Yan dress, and the Japanese actors are very good! Near truth and logic have the sense of righteousness. (Zhang Amu)
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