"China Expeditionary Force" on the screen History "breakout" (figure)

Fengyi plays Sunliren wonderful scene Yuo Hong Korea Trung Fengyi Liu Xiaoning decoration xiexiaozhang Xu Yongge decoration Dian (click Small map to see the big picture) Click here to view other pictures Sina Entertainment news February 22 "China Expeditionary Force" also landed in Jiangsu and Yunnan two big TV. This is the positive battlefield of anti-Japanese history, the first time in the form of epic, drama, Panorama in the national screen.　　Without the mask of ideology, Luo Zhuoying, Yuming, Sunliren, Dian and other Kuomintang officers who had made great contributions in the anti-Japanese War, were presented to hundreds of millions of spectators as close as possible to their true face. The origin of creation: The Forgotten Cemetery "China Expeditionary Force" historical background: From 1942 to 1945, in order to support the British Army in the Burmese colony against the Japanese Imperial army, defending the southwest China's only supply line of Burma Highway security, The ROC government, which has joined the Allied forces, has dispatched nearly 300,000 teams to Myanmar two times and has cooperated with the British and American troops in the fight against the Japanese. After the great rout of the first expedition, before and after paying the cost of more than 100,000 casualties, the Chinese expeditionary Force wiped out the western Yunnan, Myanmar Japanese elite, Triumph glory. China's first truly modern force, equipped and trained by the United States, was also born in the expedition. This is the Sino-Japanese War since the first time the Chinese military to go abroad to fight, is the Chinese military in the international battlefield with tears of blood written on the brilliant, but also from the stalemate stage to the beginning of the counterattack stage.　　But the tragic and tragic casualties of the unprecedented. Chief producer Zhangli's move to make such a TV show began 11 ago. At that time, CCTV reporter, she went to Tengchong interview, inadvertently walked into the water Bank of the Memorial Cemetery.　　This is China's largest and most complete preservation of the war period of the positive Battlefield Memorial Cemetery, July 7, 1945 completed, in honor of the Chinese Expeditionary Force 20th Regiment to conquer the Battle of Tengchong soldiers and built. In 2005, Zhangli as the producer of "The Past in western Yunnan" in CCTV eight sets of broadcast, this is the first CCTV, positive reflection of the West Yunnan War, and the Chinese Expeditionary Force into the history of the war is as the drama unfolds in the background. Almost at the same time, Zhangli began to prepare her "Western Yunnan Trilogy" of the Second "western Yunnan 1944", the Chinese expeditionary Force in the fight against the decisive battle in the West Yunnan Big counter-offensive was positively launched, the National Army and soldiers became the protagonist of the story rather than the background.　　"West Yunnan 1944" in early 2010 also in the CCTV eight sets of prime time broadcast. "It's like a curve to save the nation. "Talking about the first two parts of the western Yunnan theme, Zhangli blushes the first two test water, in a way is also waiting for the public opinion broadcast environment gradually improved and relaxed."　　And now is the time to launch a play for the Expeditionary History Monument, will be the battlefield of the Yunnan-Burma India, the cause and consequences, will last 3.5 of the Chinese Expeditionary Battle history Panorama presented. The sensitive yardstick expresses the Kuomintang front battlefield to discuss with the writer for the first time, the producer side put forward "the International View", "the omni-directional national anti-Japanese War big pattern" request. This is "YunnanThe progressive logic of the West trilogy. The play is in the main content of the positive battlefield of the Kuomintang, at the same time, the Communist Party's contribution to the anti-Japanese War and the popular anti-Japanese enthusiasm can not be neglected. The bloody battle on the front line of Yunnan-Burma printing battlefield, the corruption of the wartime capital Chongqing and the popular hardship and persistence of the people in Tengchong, the formation of the structure of "China Expeditionary Force" series "product" zigzag large frame.　　The last two parts are to support the battle from the function, the battlefield of the full spread of the play. The writer Qiu to take half a year, in the historical material heap to choose a let oneself convinced "red" clue: from the Chinese Expeditionary Force first into Burma, to the expeditionary force this period of history, Communist Party mouthpiece "Xinhua daily" published a total of the Sino-Burmese Indo-Japanese War report, communication altogether 680.　　Qiu to feel, to objectively present the history of the Expeditionary Force, the "red line" must also be the test of historical facts, and "Xinhua daily" Did all the traces can follow, so a communist field female reporter "Hanshaoying" image emerged. As a hero of Dian and Sunliren in the past domestic shooting war drama, there is a difficult to deal with the content is "failure." Our army, with its astonishing will, extraordinary ingenuity and indomitable spirit, can always "win the end".　　And this time to expand the span of more than three years of two expeditions, several battles, "China Expeditionary Force" did not evade the real existence of failure. The expeditionary force first entered Burma, despite the battle with ancient Schwarzenegger Zujizhan, Ren Yan Relief War, Taunggyi recovery War, and other battles victory, but because the allies of the British Army, the disagreement and the decision of the high opinion of the difference and command error, finally "like a busy, help troupe", in the Japanese siege, made a tragic sacrifice　　, part of the climb over savage mountain difficult to return, another part of the withdrawal to India, dependant. Whether the director Dong Yachun or the writer Qiu right admits that in the discussion of the causes of failure, reflect on the level of war, the shooting of the frontal battlefield theme more easily open hands.　　The Chinese Expeditionary Force intentionally in the script content and the lens clip, all will the front soldier's sacrifice senseless and the rear official's corrupt and the corruption to compare. But at the same time, the KMT's senior generals Luo Zhuoying, Yuming, and so on, almost the first time on the mainland television screen with a positive image, rather than the usual "Shing" role in the film and television dramas. Dian and Sunliren, but also a lot of the play in the tough guy, hero.　　Qiu said, for these real appeared in the top of the military, he tried to "action dialogue as far as possible to comply with historical facts." Solemn and stirring history to leave the battlefield real job in the Bayi film studio Dong Yachun director, before taking a lot of main melody works, like "Yan ' an ode", "Army", "liberation", "Zhou Enlai in Chongqing" ... "China Expeditionary Force" is his first time to participate in the war against the Kuomintang positive battlefield theme creation. This is a fresh experience. "There is the past to shoot the theme of the theme can not feel." Speak more thoroughly. "Dong Yachun said. And he grasps the creation bottom line is: "The negative thing, again writes cannot break throughFront, or to the positive things primarily. You can't write anything in the dark. The first invasion of the expeditionary force to the frustration of the audience emotionally depressed to the extreme, to the second Myanmar north of the victory of the attack will push the mood to climax. In the solemn and stirring history, always give people hope. "The expedition's journey itself is legendary, encompassing almost all the battlefield forms of war." "Ren Yan Rescue the British troops that battle, is a typical mountain warfare, with the ancient defense is a city Zujizhan, the final Michina is the city, the middle of the North Myanmar retreat is pure jungle warfare." "The writer Qiu gave a show of several types of battlefield in the script," he said. "Too many viewers abhor the drama of war. "So I've studied tactics a lot," says Qiu. I write in the script, each battle has a clear tactical objectives, tactical process, the main characters of the tactical movements are normative, reliable.　　"They are trying to create a" reality in the trenches, "they say, to avoid creating an atmosphere like many of the previous domestic war movies and television dramas. "The more I wrote later, the more I felt that my writing was a bit out of the box," Qiu said. After finishing the play, I became more low-key. "He knew, left a regret," but, I am very sincere to do my best. "jzb/