Deep dialogue yous Yuanzheng "iron and Steel" return to the Age of Innocence

Yuanzheng and yous yous face with a smile yous scratching their heads Yuanzheng two people are very tacit understanding two people to interview two people starring in the "Iron Age" (Click Small map to see the big picture) Click here to view other pictures dialogue notes: The "drama" in the circle of people, yous, he likes to chat characters, long speeches, excited abnormal, When you talk about your life, immediately Da Yu cold, not unwilling, but character. Played so many people worship the role of the gas field, he in the "Teahouse" back to the small, so as to cultivate a spiritual challenge to themselves. To "Steel Age", Chang Tierong's ups and downs and he was driven by the natural. Trained he is the kind of person who glows on the screen, beaming himself and his audience with a huge aperture. He bluntly Chang Tierong was a man he had waited for so long, not only because of the reality of the grounding in the Gao script, but also because the purity and cleanliness of that era was so scarce in today's society. He was on the screen manic, delicate, moved, emotional straightforward, and these insights, with the help of characters and stories, become vivid and real. At the end of the interview, he repeated the definition of the character--the blending of water and fire--which was accurate, perhaps seen throughout the show.　　Liu/Wen Sina Entertainment: There is an interview you mentioned, think still tielong body has civilian grassroots of life and toughness, but in my opinion, "steel years" his biggest feature is legendary, but because of the Gao script, he has the real ground gas. Yous: So to speak. As an actor, a lot of things need to be discarded in the FA. Life is often in the circle of painting, history is often a circle, but we stand at that point. Many people say that "art comes from life is higher than life" but the performance is ultimately to use your acting to restore life, we use the saying is that the ground. Chang Tierong This character, he is a real person, eat and drink, Ernvqingchang, very life. Without any of the overstating ingredients.　　I played for so many years of play, the most I know is to show the heart and a kind of heart feelings. Characters, Gao wrote very rich, emotional rich, experienced very rich, and his life scene is also relatively rich, there is the factory side, not appearance. I am more taboo on the appearance of things, I particularly like the courtyard of the play, the real people of the day, very real. The workers of that age were very pure in their devotion to the cause and work, the sincerity of the labor was very clean. Especially in today's social form, only clean things, can finally move the audience. The audience is the most demanding, the request is clean things. We wrote a lot of TV dramas, conspiracy, cunning. I have been playing for so many years, all of them have been verified, but the most touching thing I can do is the clean stuff.　　Steel workers are always associated with fire and water, and Chang Tierong back to life, more like water, reflecting something like water on his body. "Teahouse" in the Lifa I also said is a watery figure, want to let the wife and children have Shovo eat every day, can have books to read, no diseaseNo disaster, that society does not allow him, the last play he put a fire, finally broke out in old age is a kind of water and fire blending state.　　I've always felt that this kind of civilian character would be able to blend water with fire.　　Sina Entertainment: You have been looking for breakthroughs, just said, "Teahouse", Lifa is a try, little people, challenge you before emperors feeling, that this "Iron Age" in the feeling? Yous: I've always been a typed actor, and I'm not interested in any role I've played before. And I also know that this role let me play, a lot of people in the industry concerned, he can play? My favorite characters are often created in such a state. Fighting？ Nor (laughter), the act of creating things, there is no other than a surprise, if I am not enough surprises can not impress me, no creative desire, I do not play.　　I have always felt that there is a lack of such a role on the screen, which is the original intention of my creation. An actor can not wantong, I have always had such a purpose, I connect the role to play a unique one, I have to do a certain level. A lot of questioning is that he can play the image of workers? Chang Tierong A lot of personality characteristics, his identity is a worker. He had a bold, rough side, including his roughness. Yes, he is a character characterized by the dominance of soldiers and workers. He has a lot of ordinary people say open-minded, cheerful, competitive, now we speak, humorous things. I'm going to put him in a blank character I didn't play.　　We have a slogan in the theater, the actors want to change, but I always think you can do 10 sides is good.　　Sina Entertainment: We talk about the first two episodes, too legendary, Chang Tierong dead and alive, how did you see this? Yous: I may not be the same as you, I have been in the play for nearly ten years, my life and play inseparable from. I feel a good story, the story is to have legendary things, TV dramas are certainly inseparable from the legend. In particular, we have to say this thing, legends and legends are two concepts. Being legendary, Gao is impossible. It is legendary, too legendary, back to that time to tell the story. You want to ah, the smoke has not returned to start building new China.　　That era has legends, many legendary life stories, legends must be linked with people.　　Sina Entertainment: There are still tielong in the play of the wife of the grass and other people ran, Chang Tierong is a man ah, why let the leadership contrived ideological work to do it? Yous: Maybe your generation can't understand, not be able to fully appreciate the state of mind in that era. Standing in front of him to persuade him is his brigadier, is his superior leader. The army is an order, listen to the command, the soldiers see the commander, is that state of mind. The vision of the leader was more than that of the generation.　　The scene of persuasion was also added, and we realized that the problem was with the House teacher, who said he was doing it, and added a sheet of paper. Sina Entertainment: Chang Tierong said is a very rough person, the smelly Niang hangs in the mouth, but many times also has some very exquisite embodiment, how do you handle this kind of transformation？ Yous: I think is seamless, coherent things, the most touched me is, the play is still iron Dragon strong emotional color.　　To his wife before the feelings, they two together without estrangement, speak, no estrangement, seemingly or the couple, but no longer can not roommate and habitat. Sina Entertainment: So when the rough master tears, the tears must be the most touching, I read the impression of a few scenes, the most touching is the last one, the straw died, the portrait before, feel that before is suppressed, that, he broke, your performance in the tears are rolled, see the people are very bitter, that is saved a lifetime of tears?　　Want to show? Yous: I've been in that cabin for a long time before that scene, and actually, like you said, he's a character outbreak. After watching the whole play, you will find that he has a guilt for this woman, there is a strong attachment, it is an emotional backing, emotional man must be a child. I have been laying the groundwork for a long time, restrain the play, has been in the mouth, you have that understanding I feel very relieved, at least to read me. To be honest, the play was overloaded, overdrawn and tiring. (laughter) I can play slick, to play a little bit of thought, effortless, but this role is in my mind, in your life suddenly burst out, for the actor is particularly tired.　　This play, I can be very responsible to say that the character set is a tragic feeling, although there are a lot of comedy bridge and dialogue, but heavy and big sad exultation.　　Sina Entertainment: They and wheatgrass is not like a triangular love relationship, as you say, is a circle? Yous: In fact, I don't like to put a few people's relationship into a name, so that the story can not be set.　　I just feel that they experience a period of life, show them a period of unforgettable love, clean, love and hate are mercilessly, vigorous, regardless of the outcome. The relationship between him and the Yang Shoushan of the expedition is now a relatively new form of structure. What we forget on the screen is often the confrontation between the positive and the villain, the confrontation of the traitors, the confrontation of the heroes, the Battle of the good.　　There is no doubt that the wheat straw is a good man, three good people because of this in the era of such a legend to produce such a good and good people fight. The relationship between these two people is constantly changing, because there is no conspiracy theory between them, their kind of declaration of war, the fight, even if their competitive, there is a hint of contempt, very complex, are very frank. A spreading, open fight. They spent decades in an open fight, and finally became brothers for life. Because I am not too on the internet, a friend said incredibly online people say they are gay feelings, this is not enough to beat. (laughter) They enjoyed what ordinary people were supposed to enjoy in those days. When I saw the script, I thought it was a very scarce thing on the screen.　　We should have heroes, we should not be a little shy to praise these civilian heroes. Sina Entertainment: andSon Tiger between that, separation, is not also to their children's complex feelings added. Yous: Certainly will have the reference, understands those to be better, actually this drama age span is not very big, is I intentionally and for it, the person's performance also divided the different physiological age section, in different age section decomposition life different mood.　　I would like to extend it as far as possible in the limited bridge section, the old feelings forward.　　Sina Entertainment: What is the biggest sentiment after the play? Yous: The subject of each play is different, in addition to these professional things, life may not be vigorous, dream, can treat their friends and relatives, I think it is very good. Now the play, frankly speaking, Word-of-mouth and ratings win is particularly difficult.　　I only hope that after the play in the TV broadcast, people with different cultural backgrounds can see, can have some sentiment. Deep dialogue Yuanzheng: The role let me return to the pure dialogue notes: Some people say that Yuanzheng played Yang Shoushan and yous-shaped Chang Tierong compared with the man with a grounded, but Yang Shoushan too feminine. To this evaluation, Yuanzheng laugh, in his opinion, the role let him return to the age of innocence, he put the intellectual sour and generosity in the play one by one show, more in another way and yous together prop up the play. He said it was a tribute to the father, and if all the audience, not the age, can relive the status of that era, is success.　　Liu/Wen Sina Entertainment: How to look at the character of Yang Shoushan, he twisted in his mind, and very manly, many people say he is a man, a little feminine? Yuanzheng: I think people are talking about feminine things because I play, or they won't talk about it. That character, from my personal point of view, is not the case, the man has a very rough, like Yang Shoushan this type.　　There are also departments of the department, this is just two characters. In fact, I think the full House teacher provided a very thick things, very thick foundation, the character is very rich. We are in charge of doing well.　　A lot of things that I have collided with the state of Bao, two people can be happy cooperation, every day in a state of excitement.　　Sina Entertainment: Yous said, you are playing two good people confrontation, agree with this? Yuanzheng: Yes, the confrontation between the two good guys. Return to say, although he is Kuomintang uprising officer, but in yous play Chang Tierong heart, you are my defeated, I have to pressure you. Character, there is no wrong way. Yang Shoushan is an active personnel of Angang, without their uprising, Angang can not be successfully put into production. At the beginning of the audience at the time, yous play the emperor's performance, this performance with the past vision. In the middle of the fast, many of my friends said have entered the plot, like two of people wits.　　The play is actually a bit slow, and the audience has to be patient. Sina Entertainment: Is it too legendary?　　Just the enemy who married his wife? Yuanzheng: In fact, I think Gao dare to write has been a progress, the first fewWe have experts to discuss, some experts say this kind of writing gives them a revelation. Before the TV series often said to enter too slow, the front desperately to explain, the audience has not figured out. But it may be a coincidence that the audience is difficult to recuperate. It doesn't matter.　　Just look back. Sina Entertainment: Chang Tierong and Yang Shoushan Two opponents of the play props up the play, many people said that the play is a man's play, there are two impressive episodes, a Yang Shoushan monk Tielong in the pub drinking, to divorce.　　A Yang Shoushan death, said the two scenes. Yuanzheng: Pub that scene, he wants to fan me, that will also really measure good angle, but delete that slap is very real. Later, we do a program, the state of insurance that is actually a play, the director did not shout stop, that state is the state of mind.　　He's still guilty about the slap. Now, I think this is the act of trance, really nothing. The ice play was discussed for a long time and I was designing a river in the script. But from the beginning of the day it was very cold and the river was frozen. We'll carve the ice hole.　　I was talking to yous for a long time. He came running to save me should be, pushing the bike, but the ice is too slippery, no way, finally think of a recruit, he directly from the back of me, and then I do not move, frozen, he hugged me and cried, said you how stupid.　　Sina Entertainment: This character from beginning to end live very tangled? Yuanzheng: Yes, emotionally, unwilling to bow to say divorce, which is tantamount to giving up the straw. He didn't want to be a man who looked down, and he didn't want to get the upper hand. He and that woman marry, the beginning is to feel widows, too pitiful, they have no more love ah what, they are tied by fate.　　If you see the end, the straw has no money, he and Chang Tierong speculation to the country's wheat straw to make money for medical treatment, difficult period, Yang Shoushan the only pork to Chang Tierong, he gave the straw, and finally the straw forced them to eat, these three people is what relationship, in fact, is a relative.　　Sina Entertainment: That kind of pumping of the kind of passion and the simple strength of the workers, you can understand? Yuanzheng: I can understand, I have experienced the age of innocence. The other day I was driving and I was listening to the radio and I said to my lover, "now take a cab and give it back, that's Xie." Lei Feng did not, learn Lei Feng also to take money, very feeling, before we have experienced good things do not remember the era. In fact, this is a manifestation of social progress. I still hope to see the "Iron Age" can arouse many people's memories of innocence. 80 does not understand a lot of people do so, some young people in micro-blog to give me a message, said every night with the elderly to watch TV, just know how they were young, the original age is such. This is a very good phenomenon, so many people in the attention. This is for grandparents to see their young experience of a lot of life, but also want to give parents see their childhood experience. to grandchildren to see their grandparents, parents walk through life. To be honest, the play has a grand historical background, butMore is the description of the little people, the hero of this era does not use a tall and full way to write, but with small strokes to show. Sina Entertainment: Now a lot of work is emphasizing the spiritual aspects of things, you think this play?　　What is the embodiment? Yuanzheng: I do not believe that a play can change some people's philosophy, actually can think how much is how much, we feel that this subject is scarce, we go to shoot, may let the audience to have thinking, the function of entertaining is very strong. "Iron Age" I believe that the full House teachers do not want these things to educate the people, I want to salute as parents. This play everyone has the understanding of everyone, some people like to see jokes, bickering is very poor, some people like to see a spirit of the background of the Times, when the character gave him a lot of spiritual things, the specificity of the emotional is the spirit. Shuoyibuer to the country, the devotion of things belongs only to that time.