Exclusive Dialogue Director Zhou Xiaowen: "Late marriage" focus on social reality

Director Zhou Xiaowen (middle) led the film actor photo dialogue notes he is 50 after the director, and Zhang Yimou, Chen Kaige from the same gate, he said he never pick theme, so both can shoot "Tianlong eight" can also film "Late marriage." As a reflection of the social reality of the "Spotlight" type of work, the TV series "Late Marriage" together with the director Zhou Xiaowen himself and the creative team to the current "leftover" topic of the collective interpretation, he looked forward to using such a social warning record of the work of the society sounded a wake-up call, so that the audience　　Liu/Wen appreciation of "leftover women" there is a TV show warm Sina Entertainment: you to the "late marriage" in the definition is "Saint + Sheng female + sheng female", why so to define? Zhou Xiaowen: When I know to shoot a leftover TV drama, I have been thinking, I wonder how the female is caused? Why do many people become leftover? The Saint is too sacred, is put herself too high, old feel very great, think men are not good things. The second kind of Shengju is exuberant, ask for too much, ask a man to have a degree, also must have ability, both economic strength, also have noble character, this is too exuberant. The third win is competitive. More difficult than those who laugh and laugh. Three sticks on the left. But I have always wanted to express in this drama is not bad, married out is not necessarily good, people will change, in such a change, still feel inferior to marry it.　　Leftover is not a derogatory term, is an enviable performance.　　Sina Entertainment: Put your ideas into the TV series, in fact, the word is holding the appreciation of the attitude? Zhou Xiaowen: I tease this into a sonata, preceded by a show, in the middle of the expansion of the department, followed by the reproduction. There may be some CLS paragraphs in the middle.　　The heroine in the middle of a period of time do not want to get married, feel that this is very good.　　Sina Entertainment: Give such a few plot some very warm show? Zhou Xiaowen: I remember there was a play, Mijuan and her daughter said, we do not get married Ah, two individuals that scene are crying, the hint. That understanding, my mother felt that my daughter was Mom's toss into this very guilty.　　She also really can not stand, tired more than 20 years, responsible for five of people's things, Mijuan this character I particularly sympathize, they live particularly tired, I am also, 50 after special tired, Mijuan the feeling of 50 after put in, she showed up very freely.　　Sina Entertainment: Speaking of Mijuan teacher, many characters are very gentle, but this time she in the "late marriage" in the role, feeling very provocative? Zhou Xiaowen: This actor's plasticity is stronger, the ability is strong. I never use the word acting to judge actors, acting is nothing, acting is the first grade of art school, the second grade is not too much talk about this matter (laughter).　　To her such an old artist is not at all to eat the heart of the jobs.　　Sina Entertainment: What scene of her play let you move after the monitor? Zhou Xiaowen: There is a she in the factory, to go to a pension, the new accountant do not know her, she is with peopleHome to, people say don't know, she was angry, the original script in her butt sit on the ground, Mijuan feel unsuitable, that too shrew. Then we discussed, how to behave, how to play. The result at the scene I thought a trick, got a small short ark, just one detail. Actors, roles I hope to be in two directions, not one-way. I don't think Mijuan's role is who, she is a retired worker, two women's mother, as long as reasonable, comfortable on the line, but it must let Mijuan play comfortable.　　Mijuan, Chen as mother and daughter not to use the drama transformation of the mainland theme is very heavy Sina Entertainment: You before the "Tianlong eight" these ancient costume theme, now shoot this, many people say you take this transformation?　　Zhou Xiaowen: And every play I do is in transition (laughing), you see I took these plays, the first play is war, the second is the police, the third is female, recently made a film called "Lily" Write a girl's story, as long as I am interested, I will shoot.　　Sina Entertainment: In fact, this theme for Japan and South Korea, RTHK is very common, but the mainland involved in this topic is not much, you think is why? Zhou Xiaowen: I seem to have seen some Korean dramas, Taiwanese Idol plays are similar, but I feel different. We shoot "late marriage", anyway, we can not take off a layer of heavy and life more thick life texture, this involuntarily brought to life.　　I repeatedly told myself to entertain the public, this is a task, but the texture of life, that a heavy thing seems inevitable in the works will come out, as far as possible can not hide.　　Sina Entertainment: Do you think it is the inertial thinking of the mainland creators?　　Zhou Xiaowen: May be a sense of hardship, the experience of young people to bring some heavy things, involuntarily to think, involuntarily to find the root cause, I realized the problem.　　Sina Entertainment: In fact, like the film, to business to art, but also need a middle value. Zhou Xiaowen: When we try to make a thing very commercial, we are not going to be worthless or meaningless.　　Now there are some film and television workers, especially the director, I think there is a kind of artistic conscience can not disappear, become a businessman, the work is full of worthless, commercial interests is only one aspect. Show social reality has resonance is successful Sina entertainment: "Late marriage" want to express what?　　What do you want to convey to the audience? Zhou Xiaowen: I just want to take a life that looks familiar, after our creations presented to you, I feel that the works of art, regardless of the film, television is not the final completion of me, the viewer is not finished after reading, viewers after reading after thinking can be completed, is that sentence-1000 people have 1000 ideas.　　Inspired people's imagination, we have reached countless conclusions, this is OK.　　Sina Entertainment: In fact, this play to express the female remains is a common phenomenon of this era, is the product of this era? Zhou Xiaowen: The meaning is that it is closest to the people's lives, can not be near, we each have marriage, love, friends around, even if friends do not, neighbors experienced, this phenomenon is about everyone. "When, Guoda. "In the ancient days, today, people have made art words." In the past there is no such word, if the woman is not married, only one voice, is condemnation (laughter).　　Today is not so, to a age to marry not to go out, the outside people will not condemn, and even get the envy of others.　　Sina Entertainment: Social latitude has become higher? Zhou Xiaowen: The heroine in our play actually has a lot of dramatic things, in fact, these people really many, we are talking about the third party, the play of the Limanjuan can not accept, but the audience accepted, even his mother let that cheating man dead carry don't admit, this is the reality.