Analysis of design works with density and size contrast

Source: Internet
Author: User
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Design people to meet demand through design. Whether we carry out advertising, logo, packaging, layout and other design, or in order to create a beautiful life work environment for the graphic art design, without exception will involve the picture of creativity, composition and performance technology and other basic issues.

When we convey the meaning of design through visual expression, we should first seek the different sense of space, then seek the best performance means, combine the two organically, and the successful works will be born.

This paper Relen with us to discuss the related in formal aesthetics density contrast, size comparisonOf the graphic design points. Hope to encounter the failure of the works of friends, can be inspired by the finishing touches of the pen to amend their works, the success of the work was born.

The following two pictures are very simple graphic works, can be made into large size wallpaper, can also be used to put on the Web page fooled cover. Although looks very simple, but the effect is good, the picture is rich, the color is neat. To create a simple and reasonable work, formal aesthetic knowledge is necessary, which is also the basis of visual design.

First, the density contrast

We carefully look at the following two pictures, sparse and dense is completely different from the two kinds of temperament.

"Dense" relationships give people a sense of nervousness, suffocation and thickness. And the "sparse" relationship gives people a sense of space, ease and sense of order. These 22 kinds of relationships interact to create a harmonious atmosphere. If there is only one emotion in the picture, it is easy to form too monotonous and lack of change in the work.

There is sparse and dense, can produce rhythm, rhythm and more situation, have a change, also has the individuality characteristic.

Two size comparison

Size contrast refers to the composition method that uses different scales of image to contrast. In addition to the image size of the contrast relationship, quantity, can also create a comparison of the approximate size of the relationship.

The size of the contrast can produce a visual divide. The sight of people is easily attracted by large objects, or by dense objects. In a way, dense objects are equated with large objects.

The visual drop is dynamic, that is, when you first see the Big object in the picture, the line of sight moves to another location. The big object is the center of gravity of the picture. When typesetting, pay great attention to the direct relationship between "big" objects and "big" and "small".

Looking at the following two graphs, Relen not only used the size contrast, but also applied to the density contrast. The result of the addition of the two is amazing. These graphic works,

From this we can see that the skills of a simple graphic design works, can also be beautiful and creative. Relen suggests that readers be able to do some exercises about the contrast of density and size in person. These are the most basic typography techniques in formal aesthetics. For the first contact with the visual design of friends, even know the size contrast and density contrast, may not be able to design a harmonious work, here also involves some creative and picture balance problem. Welcome to your own not very satisfied and do not know how to modify the work sent to the design of the online reader's mailbox , Relen will be explained in the article.



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