Adobe audition (cool edit) simple tutorial

Adobe audition, formerly known as cool edit, was acquired by an Adobe company that is more famous than adobe.

Let's talk about the software installation first, and unzip the compressed package directly. Click "_!" in the folder. Set "file, after execution, you can use it. The software is registered in Chinese.

Click here to download Adobe audition 2.0
Click here to download the audio plug-in

Plug-in installation. We recommend that you install these three plug-ins for later processing. You only need to continue the next step to install the plug-in.

The following describes the usage of aa2.0. This tutorial is very simple and only suitable for beginners, because aa2.0 is a powerful audio processing software. Here we will only briefly introduce the recording method and simple post processing.

Pre-Recording:

1. Open the software. In multi-track mode, right-click and select "insert-Audio ". In the pop-up Path box, select the accompaniment of the song you want to sing.

The recording control key of the 2-point 2nd track to make it shine. The recording control key is a red R.

3. Click the recording button on the upload page. The recording button is a red dot. Start recording. At this time, 1st tracks are accompaniment music, and 2nd tracks are input sounds from Mike.

4. After the recording is completed, press the stop button on the transmitter. After selecting the 2nd rail, click "edit" to enter the single track editing mode.

Post-processing:

1. Obviously mute the noise.

The first thing we need to do is to eliminate some obvious noise, such as the sound of the microphone accidentally before singing, or the air flow of breathing during the accompaniment...

Select the band you want to mute, right-click and select "mute ".

2. Noise Reduction.

Noise reduction mainly deals with the current and Environmental Noise of the microphone.
Enable the microphone recording without making any sound, so that the microphone can record the ambient noise and current. You don't need to record it for too long. It takes 3 or 4 seconds.

A. Select the noise sample you recorded in "edit" mode. Select "effect-restore-noise reduction ". The noise processing plug-in is displayed.
Click "collect preset Files" to start noise analysis. Click "OK ".

B. Select the audio band of the song you sing. Then "effect-reply-noise reduction ". The noise processing software is displayed.
Adjust the noise level to 25. It is too small to reduce noise, and too large to make the sound distorted.
Click "OK" to start noise reduction.

 

C Repeat Step A. It is important to note that the waveform of the "collection preset file" must be handled by step. In this way, the recorded voice can be accurately reduced by 2nd times.
If you are not satisfied with secondary noise reduction, you can perform the operation for 3rd Times. But usually twice is enough.
If your mike is good, the noise is low, and you think it is too troublesome to reduce noise, this step can be omitted.

Plug-in applications:

After "mute" and "Noise Reduction", we need to use the installed plug-in for post-processing.
In the single-track editing mode, select "effect-Refresh effect list ". The software will automatically search for the plug-in you have installed.
After the search is successful, click "effect" and a list of plug-ins is displayed in the Red Square Box.

1 bbe tweeting.

Select "effect -- VST -- sonicmaximizer" to bring up the bbe plug-in. For example:

The plug-in interface has three buttons. Lo contour is the amount of low-frequency excitation and phase compensation. process is the amount of high-frequency excitation and phase compensation. output level is the level of the signal after adjustment.
In general, we can use the "vocal" option preset in the software.
Click "OK" for processing.

2 C4 pressure limit processing.

Select "effect -- DirectX -- waves -- C4" to bring up the C4 pressure limit plug-in. For example:

This plug-in is mainly used to differentiate between high and low sounds, with a wider treble and a thicker bass. We recommend that you use the "Pop Vocal" preset in the software and click "OK" to start processing.

3. Compressor processing.

Select "effect -- VST -- ultrafunk -- compressor" to bring up the plug-in. For example:

This plug-in is equivalent to the sound "lubricant", allowing your voice to find a balance point, so that it will not be too large or small.
We recommend that you use the "preset -- music -- vocal" preset. Click "OK.

4. reverb.

Select "effect -- VST -- ultrafunk -- reverb" to bring up the plug-in. For example:

Find an explanation of this plug-in on the Internet. You can refer to it for a look:

In general, you only need to select the preset effect in the presets column, and select the most appropriate one during the audition. Experienced users can also manually set the parameter: input is the input level; lou cut is a low-frequency cut point, and high cut is a high-frequency cut point, which can handle clear and warm sound. predelay is an early reflection time. If predelay is prolonged, the larger the space is, drag predelay to a shorter value, and the smaller the space is. In general, the predelay of a large room is about 15 ms, and the size of a super room is about 30 ms; the size of the room is the spatial breadth; the diffusion is the degree of diffusion and the scattering degree of early reflection; the bass multiplier is a low-mixing ratio, and the crossover is a sub-frequency point. The high-frequency duration in the reverb is shorter than that in the low-frequency mode. If the space is larger and there are more objects in the space, in the same way, the longer the objects and walls are, the shorter the high-frequency duration will be. The larger the gap between the objects and the low-frequency ones will be. Only in Small and Medium spaces with relatively smooth space surfaces, the high frequency is close to the low frequency. The decay time is the residual response time, that is, the total length of the overall reverb. Different environments have different lengths. For example, the Boston Concert Hall has 1.8 seconds of reverb time, the New York Carnegie Hall has 1.7 seconds, the Vienna Concert Hall has 2.05 seconds, and the high damping has a high-frequency fading point, the high frequency in the reverb is very easy to greatly degrade; dry is the original dry sound; dry out refers to the original sound; E. r indicates the sound size of the early reflection sound; rerverb indicates the sound volume; width indicates the width of the sound field. If this value is set to a greater value, the sound field will feel the sound. Output indicates the output sound field, it can be set to a single or dual-channel. Tai L is the ending sound, and you can set whether to add a More reverb sound at the end of the sound.

The above four items are plug-in applications. When doing these operations, you must pay attention to the following: You must select the Voice Waveform You Want To Do. Otherwise, the processing will be ineffective.

5. Adjust the volume.

Switch to "multi-track mode" to adjust the volume. After all, the human voice and accompaniment sound may have problems in the degree of harmony. The accompaniment sound may be too loud and the voice may be too small. It is possible that the voice is loud and the accompaniment is small.

Each audio track has two knobs under the track name. The one on the left is the volume control, which can be adjusted while listening until it is suitable. It is the sound phase on the right. We recommend that you do not adjust it.

Save by mixing.

Recording and post-recording will be saved.
In multi-track mode, click any rail. Select edit-merge to new rail-selected Audio cut (STEREO) to start mixing.

The scaled-out file is automatically saved to the last rail of the multitrack file. (Generally, the accompaniment is 1st tracks, the voice is 2nd tracks, and the mixing is 3rd tracks. Of course, you can change the location manually .)
Select the scaled-out rail and switch to the "single track editing" page. Select "file -- save ". The Save settings are displayed.

Fill in the file name first. Select another file type. Take MP3 as an example.
Click "options" to bring up the MP3 format settings. After selecting the sampling rate you want to save, click "OK ".
Click "save". Your recording file will be OK!

This is a relatively simple solution, but it is enough to cope with it. If you have any questions, please follow up with us. If it is within my capacity range, I will help you solve the problem.

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The method of converting the file format with "quiet listening.

There are still many "quiet listening" functions, and the conversion of Song formats is quite common. Let's talk about the specific method.

1. On the playback list, right-click the song you want to convert and select "Convert format ".

2. For example, select "WMA encoder" in the drop-down box and click "Configure ". The "WMA encoding option" is displayed ". Select "constant bit rate 48 k ". Click "OK ".

3. Select the path you want to save and click OK. Start file conversion.

PS: The Songs sent by students are preferably in the WMA format of 48 k.