To the users of the illustrator software for detailed analysis and sharing a combination of Photoshop production of low poly Avatar Tutorial.
First of all you need a good film. In this tutorial, I decided to make a self-portrait, so I need my friend's help to take some photos.
Important: Here is a perspective to show the depth, that is, the negatives to have a good high light and shadow changes, and try to ensure that your film has some hard edge accessories, which will be with soft skin and clothing form contrast (such as glasses, jewelry or a starched collar).
You need to find the best parts of these photos to synthesize the negatives you need. As you can see in this screenshot, I first select the face from a photograph and select the glasses and other details from the other photos. It's very important to be picky at this stage.
For each part, roughly cut out the part that is needed. Then create a new black background document in Photoshop, and then place each part of the photo on a different layer.
Now, you need to combine them to create the perfect negatives. Remove the unnecessary parts and put the parts of your selection together--using masks and blending modes.
You don't have to do exactly the original photo, you just want to make a film that's as handsome as me. For example, I don't like the way my glasses leg is placed on my ear, so I extend it.
I have also changed my part of the hair, is not very interesting.
On the basis of your composite image, adjust the contrast, color balance, color level and so on to create a more dynamic image.
I really shouldn't say that, but I often use Photoshop's automatic contrast, automatic color and automatic color-level features (in the Image menu), and if you don't want to manually adjust, using these automatic features is very practical.
I hope my final work is warmer than the negatives just now, in order to get it closer to what I want, I add the purple layer to the blending mode of the color filter.
Now we're going to do the time-consuming part: the triangle grid. There is no secret trick, you need to do it by hand. Why? Because your brain is better at drawing facial contours than any script or automated software.
But here are some suggestions. Small parts need small triangles. Never quadrilateral-they're just being misread, sticking to triangles. If you have a picture that has the same straight nose as I do, a mellow nose is very cumbersome.
Use a small brush to create your grid on an empty image. Use a lighter color than the picture. I like blue or green, because both colors are not on the negatives (unless there is a mantis tattoo on the neck).
If you've come this far, pat yourself on the chest, you've done a lot of hard work (but not all).
Now is the time to improve any triangle with errors. You need to put your mind on the grid, so hide the negatives. Find where you forgot to create the triangle.
Once you've perfected it (triangular mesh), change its color to white to match the black background and save it in JPG format.
Drag your grid into your artboard and lock it in. Now start using the Pen tool to draw the vector grid, remember to use a contrasting color (I use a bright purple).
Again, this step will take some time, so put on a wonderful music playlist and a cup of the best coffee, let's start this long work.
Here are some suggestions to expedite this process.
You don't need to draw a closed triangle, just mark three points with the pen tool. This may sound silly, but it will save you a lot of time, especially if you are going to create hundreds of triangles.
You don't need to be so precise, and in the next few steps you can connect them perfectly together with a very good trick.
It's a lot of work, but I'm sure you can do it well. You can take some time off, but remember to keep it.
Now, I'm going to teach you the trick to make all the points perfectly aligned in the right place. This is a simple process, but of course you need to repeat it as many times as you have in your picture.
Using the direct Selection tool, select a set of points that should be in the same place.
The translator's words: You can use the Lasso tool (Q), in the triangle of the junction point of the Circle, you can select all the points in the position.
Open the Alignment panel and click on the horizontal center to align the anchor points.
Then click Vertical Center Alignment, and then all anchor points are exactly the same place. Oh, yes!
Now move the point to correct the desired position.
Then repeat step 10-12 for all the points.
Hide the grid you created in Photoshop. Check once again if your web has any missing triangles (I always forget at least more than 10 corners each time). The best way to do this is to select all the grids (command/Ctrl + a) and switch to the fill color (press SHIFT + x).
If you find a triangle missing, switch again to the stroke color (press SHIFT + X again), add the triangle, and check again. When you have a complete grid, you can go to the next step.
Place your negatives on a separate layer and place them underneath the vector grid to align them perfectly. So you can clearly pick the right color from the negatives. Remember to lock the negative layer. ...
Now to the most interesting part-let's paint. Select each triangle in turn, select the Eyedropper tool (I), and select a color in the middle of each triangle to populate it.
Breno Bitencourt is a Brazilian designer who lives in Bauru and works for clients around the world. He is primarily a logo designer, but prefers to try low poly illustrations, 3D works, Burr Art, and more personalized work.
Well, the above information is small make up to you illustrator of this software users to bring the detailed combination of Photoshop production of low poly Head of the tutorial to share the full content of, you see here, the users, Small series believe that everyone is now very clear the way to draw it, then everyone will go to follow the small series of the tutorial on their own to make a try it.
