Photoshop oil Painting filter Rapid production of oil painting effect tutorial

Source: Internet
Author: User

For the users of Photoshop software, let's talk about oil painting filters to quickly make oil painting.

Tutorial Sharing:

Original:

Turn the background into a smart object

Here are two ways to apply oil-painting filters. The first is the direct application, such operations will be the image of the picture for permanent changes, once we turn off PS and then open the image, you can not retrieve the original. The second is through Intelligent object application, first the action object into a smart object, and then in the Smart object filter operation, such operations are non-destructive, that is, can return to the original state at any time, this can easily try a variety of parameters and settings to achieve the best choice. So let's go back to the graph level, and we'll see the background layer as shown in the figure below.

Figure 02

The first is to convert the background to a smart object, in the Layers panel, click the button shown in the following figure.

Figure 03

From the pop-up menu, select Convert to Smart object.

Figure 04

After the click is complete, the image will not make any changes for the time being. However, in the layer thumbnails of the layers panel, you can see the addition of small labels as shown in the following illustration, which identifies the layer as a smart object.

Figure 05

Second, choose oil Painting Filter

After you have converted the background to a smart object, select the oil painting filter work below. Select Filter > Oil Painting in the main menu bar.

Figure 06

This opens the Oil Paint Filter dialog box. In the PS image processing software CS6, the dialog box occupies the entire screen, but now in the PS image processing software cc version, it is very small, very consistent with the rest of the interface. On top, we have a preview window, and here are a variety of options for controlling the oil painting effect, all of which we will be in a moment:

Click to select the oil painting filter to open the Oil Painting Filter dialog box. In the CS6 version, the dialog box fills up the entire screen, and in the CC version, the dialog box is small and seamlessly connects to the other windows. At the top of the dialog box, you can see a preview window, with various setting options, from the preview window to the adjustment effect of the parameter.

Figure 07

Although PS image processing software provides us with a real-time preview of the oil painting effect of the image itself these days, most of the pictures are too large to fit perfectly on the actual size of the screen. This forces us to look at them at less than 100% times the level, which means we don't see all the pixel images, which means we don't see a really accurate image of the image's appearance.

1. Preview window

Although Photoshop provides a live preview window, because of the larger pixel size of the photos in general operation, the appropriate zoom will be scaled to fit the screen so that we cannot see the 100% size of the photo pixel, so that the filter parameter settings are not accurately judged to be the desired effect.

However, PS provides a solution to the above problem by providing a 100%-size preview of the local critical check image in the preview window. Although the scope of the 100% preview is valid, by moving the 100% preview range, we can easily check the entire image location.

Move the mouse to the image you want 100% preview, the mouse will become a small fangzheng shape, it is the scope of the representative preview. Click on the yellow flower as the selection area to see the 100% Zoom Preview in the dialog box below.

Figure 08

Figure 09

At the bottom of the preview window, you can see the zoom scale now, with the default setting of 100%. You can adjust the appropriate scaling ratio by adding and reducing. However, 100% scaling is generally the most common scaling ratio.

Figure 10

The preview window also provides options for synchronizing the action effects on the canvas, as shown in the preview below. If you remove the preview check, it will display the original image directly on the canvas. The Preview small window in the Oil Filter dialog box shows a local filter effect, so that you can quickly compare the effects of the oil filter before and after the application. The shortcut key for the preview option is p.

Figure 11

2. Brush options

Now we know how to choose the appropriate preview effect. So let's look at how to set the painting brush. You can first see that the brush has four set options: stroke style, stroke cleanliness, zoom, hard brush details, and adjust these four options to achieve the desired oil painting effect. Under the brush option is the lighting options, you can set the angle direction, shiny, so as to control the canvas's overall light and the overall effect of the image contrast.

When you start setting brush options, you need to check that the lighting options are open. Because the lighting option mainly adjusts the contrast of the oil painting effect, if you do not have the lighting option turned on, you cannot quickly discern the effect of adjusting the brush options, so you open the lighting options first. In the lighting options, the main angle and shiny two parameters, you need to set is shiny, generally set to 2.0 is enough. Here just need to enhance the contrast, the specific way to look at a slightly later tutorial.

Figure 12

(1) Stroke style

The first setting of the brush option is the stroke style, and setting the value from low to high is wrinkled to smooth, pulling the adjustment block directly, and the minimum can be adjusted to 1.0.

Figure 13

Stroke styles give the picture the effect of an oil painting stroke, which can be coarse or smooth. As shown in the following figure.

Figure 14

Move the adjustment block to the far right, and you can see the brush stroke smoothing, where the maximum setting value is 10.0.

Figure 15

You can set a very fluent brush stroke by using a stroke style.

Figure 16

Here we recommend the set value is 4.0, if you have a better idea, you can set the meaning of their own, and so on after the other options are set, then adjust. Because the effect is the whole.

Figure 17

A good smoothness and detail effect can be found by selecting the appropriate parameter values.

Figure 18

(2) Stroke Cleaning degree

The second setting option is stroke cleanliness, which controls the edge effect of the brush, and the low setting values for more textures and details, while the high setting values can be cleaner. is often set to 0.0 during use.

Figure 19

The following figure is an effect chart with a stroke cleanliness setting of 0.0.

Figure 20

If you pull the slider to the far right, it is set to the maximum value of 10.0.

Figure 21

The effect of setting the stroke cleanliness to the maximum is a smooth stroke effect, but the corresponding detail effect will be less.

Figure 22

For our tutorial in the operation of the image, a higher stroke cleanliness will achieve better results, but not too high, because you need to keep some details, so the final can be set to 7.0. If you have a better choice, experiment with it!

Figure 23

The following figure is the effect of setting the stroke cleanliness to 7.0, and it should be noted that the stroke cleanliness is just one of the options that control the brush's effect, controlling the length of the brush stroke. The brush effect has other option settings, all of the settings control the overall effect, so do not have to dwell on the setting value is not a certain 7.0 problem.

Figure 24

(3) Scaling

Now we know that stroke styles control stroke smoothness, stroke cleanliness control stroke length, and now the third setting is the size of the control brush. Small scale is a small lighter brush, large scale is a large thickness of the brush. This sets the zoom ratio to column 0.1.

Figure 25

A lower zoom ratio makes the screen look lighter. It should be noted that the lighter is the use of less oil paint, so we will see a relatively thin pigment effect.

Figure 26

Sets the scaled set value to the maximum value.

Figure 27

From the following effect chart, we can see that the higher the zoom setting value can get the more thick oil painting effect. This is because the use of large brushes tend to use oil paints more, from the effect will be more thick.

Figure 28

In processing this picture, you can consider setting the brush larger, so that the effect of the oil will be thicker, the setting value from 10 down to 7.

Figure 29

The following figure is the set effect diagram.

Figure 30

(4) Hard brush details

The fourth setting item is the hard brush detail, which controls the soft and hard degree of the brush pen hair. A low setting value is a soft, light stroke effect, and a high set value is a hard, heavy stroke effect. Set the setting value to 0 first and try to see how it works.

Figure 31

After you set it up, zoom the preview effect to 200%, so you can see the details of the hard brush setting to 0 o'clock and the details of the pen.

Figure 32

If set to maximum value of 10.0.

Figure 33

Then the detail effect of the hair will be quite obvious.

Figure 34

This is set to 5.0.

Figure 35

After the effect of the combined brush four set values, the overall effect of the drawing is shown in the following illustration.

Figure 36

3. Lighting Options

Below the brush options is the lighting option. Although there are only two settings for the lighting options, they also have a very important control effect. Before setting up, you need to check to see if the lighting options have been checked. Because there are times when we need the illumination option and we'll talk about it later.

Figure 37

(1) Angle

The first setting of the illumination is the angle that controls the angle of the light source, which affects the shadows and the effects of the highlights. You can adjust the angle as long as you rotate the direction bar shown in the image below. In general, photos have their own light source. For the tutorial Picture it is the upper left corner, where you probably rotate 135° to match the light source angle of the photo itself.

Figure 38

To compare changes before and after changing the light angle, let's look at the picture now. The light will come up from the lower right, and the shadows and the high light parts will change.

Figure 39

The following figure is the effect of adjusting the lighting angle to the upper-left corner. From the comparison you can see that the bottom of the white flowers and the yellow flowers lose some detail after the light angle changes, while the middle yellow flowers show more detail.

Figure 40

(2) Shiny

Finally, the lighting is adjusted to adjust the intensity of light, thus affecting the overall picture of the lighting effect (only oil painting, not photo body). Setting the glow to 0 means that the light is turned off, and setting to 10 is the maximum and the strongest contrast is achieved. But generally do not need such a strong contrast, here set to a lower value on OK, you can set to 0.5.

Figure 41

After setting, we can see the light and shade effect in the oil painting is very soft and subtle.

Figure 42

If the glow is set to 5.

Figure 43

The illumination intensity increases, creates the stronger light and shade effect.

Figure 44

The tutorial image set to 2.5 is more appropriate, so you can get a good detail effect, but not too deliberately.

Figure 45

Here's how to set the effect chart.

Figure 46

4. Turn off the lighting effect

We know the importance of lighting settings to show the effect of the stroke and set the effect, but why do we need to turn off the lighting effect? The reason is simple, when you don't want to see too strong a stroke effect, turn off the lighting effect. So why don't you want to see the stroke effect? If the stroke effect is visible, we can see the shadow and the relief effect of the point of light, and the overall effect looks like paint surfacing on the canvas. Turn the light off, and you can see a very clean, soft smooth effect, just remove the check box from the light. When you turn off the light, you don't completely hide the overall effect of the oil filter, just contrast enhancement and light removal.

Figure 47

Once the lighting effect is turned off, the image appears soft and smooth. The following illustration shows a picture of the effect that a stroke can see.

Figure 48

The illustration below shows the effect of closing the lighting effect. Because most of the details of the image have been smoothed, it still looks like a picture. However, if you remove the shading and brush strokes, you will get a cleaner effect. After you turn off the light, you can return to the stroke style and stroke cleanliness and adjust the smoothing effect. For a tutorial image, you can adjust the stroke style to 6.

Figure 49

III. application of oil painting filters

Brush options and lighting options are set, click OK, oil Painting filters Close the dialog box, and then apply the filter effect directly.

Figure 50

Four, the final effect chart

Figure 51

V. Re-edit oil painting filter Smart objects

Before we start the oil painting filter, we turn the photos into smart objects. So what you see on the layers panel is the oil painting filter in the Smart object. The advantage of smart filters is that they retain the possibility of recourse to the original operation, and you can double-click the Smart Object icon to edit it whenever you need to modify it.

Figure 52

Okay, the above information is IXAOB give you photoshop this software users of the detailed oil painting filter to quickly create the results of the tutorial to share all the content, you see the users of Photoshop software here, Xiao-bian believe you are now very clear method of making , then go to make your own try it.

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