We'll tell you how to batch raw files and merge them into a panoramic view.
People will turn around, so the eyes see the picture is always more than the camera to see a wide range. That's why landscapes are often less atmospheric than the images we see at the scene.
In this tutorial, we will show you how to use the automatic stitching feature provided by Photoshop to merge six photos of the loop into a 360-degree panorama, authentic
Recreate our actual experience in the field. This tutorial will also show you how to adjust your photos to get a more symmetrical composition, which is very important for building photography.
First, we'll start with batch processing of raw files, and this step will give a fuller picture of the tone and color details. The raw format record is extremely informative,
But this is a burden on computers over the years, so we'll also mention how to reduce the size of the original file to improve the processing speed of the photo.
When we've adjusted the color and size of the raw document, all we have to do is use the Smart photomerge command in Photoshop to merge the photos into a 360-degree, end-to-end, spherical panorama.
We can share the fine work we have with our family and friends, and if you want to spend more time, you can try another tip that we introduced after the text:
Use QuickTime virtual Reality (QTVR) technology to make photos into an interactive movie format, allowing viewers to freely adjust their horizons, as if they were actually standing on the scene.
1 Open Image
Go to Photoshop, execute file > Open commands, and follow the path to select the photos you want to synthesize, and you can name them uniformly.
In the example we used six raw files prefixed with "Panorama_before", click on the Open button.
Adobe Camera Raw will automatically eject.
2 Check Overflow
Select Panorama_before03.cr2 and use the shortcut key o to turn on the high light trim warning. The over-exposed highlight will be identified in the form of a red color block.
Raising the Repair slider setting value to 70 can significantly inhibit the range of the exposed area. But now is not the time to adjust this setting, so restore it to 0.
3 Batch Processing
In order to ensure that there is no difference between the light and shade when shooting, we use 1/125 second shutter, F/11 parameters, so if you need to adjust the recovery slider, you must adjust the six photos together.
Click the Select All button in the upper-left corner and then set the recovery slider to 70 to apply the changes to all photos.