Photoshop design the bullets of Hollywood movie posters-PS tutorial

This tutorial mainly introduces the bullet method of the assassin in Photoshop's design of Hollywood movie posters to a friend of the footman's house. The effect produced by this tutorial is very cool and recommended to the footman's house, if you like it, come and study it together. this tutorial mainly uses Photoshop to design the bullet Hollywood movie poster for The Assassin. the quality of this movie is quite high. after watching this movie, you can practice it and relax. The sixth movie is the assassin's bullet.

Final effect:

First, create a 1600*1100, 72-resolution black background, drag into a picture of the stills of nimlinsen in the typhoon rescue, and adjust the size and position. this is a very good film.

Move on to a Red Square in Moscow and adjust it.

The sky is a little fake. Is there such a blue sky? In order to take care of the mood of friends living in the Tianchao dynasty, I must make the color of the sky closer to our real life environment. I found a sky that is not so fake and has some white clouds, arrange it in the lower layer of the RedSquare.

Show the red field separately, copy the blue channel in the Channel, and use the color order and paint brush to process it. most of the students are comfortable with using the Channel to map the craft. Needless to say.

For unfamiliar students, see "from Cainiao to Masters! PHOTOSHOP tips

In the blue channel copy, press CTRL + Left mouse to copy the selection area and add a mask on the red field layer.

Add another star flag.

Placed in Anthony hopkind.

Adjust the size and position, and then add a mask for a rough description.

Press shift and click the thumbnail of the mask to hide the mask. Anthony Hopson is displayed separately. copy the red channel in the Channel and adjust the hair above the head with the color level. It seems that the three channels are similar and there is no obvious comparison between them.

Copy the selection area and only draw the top part in the layer mask. Since black and white are not very clear in other places, they are not handled.

Continue to copy the red channel, display the hair on both sides with the color level, and copy the selection area in the mask.

After adjusting the channel for multiple times, his hair can pass through.

Add a mask to the star flag to blend it into the red field and the sky.

The Sky must also have a mask transition.

The last is the mask of nimlinsen.

After all the materials are located, I need to fine-tune the color and paint a few strokes on the top of the red field mask to make the bottom darker.

Add a natural saturation to reduce the overall saturation.

Apply a brightness contrast adjustment layer to the Redfield clipping mask to make the Redfield dark.

The saturation is still too high, reducing a little bit, a little bit of color, not just black and white.

He was a little "gray", so I added him a "brightness contrast", adjusted the contrast very high, and raised the brightness slightly. Make his brightness commensurate with nensen.

I continue to use an "optional color" to bring the skin color of Hopkins' closer to nimlinson.

There was a curve for nimson to hide behind him as if he had just opened the door.

A violent burning car after the explosion.

You just need to add a mask and use a paint brush to draw it out. you almost don't need to renew it seriously. this kind of graph is actually not easy.

Use a smoke image to increase the atmosphere.

Adjust the direction of the smoke chart, change the hybrid mode to "front stacked", and use the color level to strengthen it.

Add a mask.