To the users of Photoshop software to explain the detailed interpretation of the film is a rich tonal color tutorial.
Today we share a palette technique based on the movie Palette (Da Vinci Palette) in PS, which is only suitable for raw file processing. is not only the method, the whole color of the later ideas I will write, the difficulty may slightly more than the novice tutorial a little bit, need a little PS basis, but I write every step is more detailed, patience step by step or not difficult.
The principle of 3Dlut rendering is to convert the original color space into the gray color space of the log and then replace the color by the color lookup mapping (the amount is a bit difficult to understand O (>?<) o~ plainly is equivalent to LR inside the preset, but need a layer of superposition, but color replacement more accurate, Different monitors observe less chromatic aberration).
"First step" to get the grayscale layer
1. Use Adobe Camera Raw (ACR) to open raw raw format files
2.[Important] Select the Eyedropper tool inside the ACR, and draw a gray area of the image to restore the white balance (finally you can manually adjust the color temperature bias)
3. To the ACR camera calibration inside the configuration file, select Visionlog
Then back to basics, adjust the contrast-100, highlight-100, shadow +100, White-100, black +100 to observe the histogram, rendering as shown in the picture, the peak position can be controlled by the exposure slider.
Before the preparation of such a palette is done, click OK to enter PS.
"Part Two" uses color to find a layer of overlay Lut file
(Friends without the adjustment panel and the Properties panel can select adjustments and Properties under the Window menu to appear)
In the superposition before I explain, in general, 4-layer lut is the limit superimposed layer number, the less the better, the effect needs to be constantly based on the picture contrast to debug each layer of the opacity to achieve the final effect, the following is a four-layer superposition of a thought:
The first layer, used for a small reduction in contrast to increase the details, the first layer of good choices are: "17V5 series", "Cineon to Kodak 2383 FPE (D50) series", "Fuji F125 the Kodak 2393 (by Adobe) series"
The second layer, used to replace the dark color, the film tone is green, "M31-log.cube" is a good choice
The third layer, used to restore warm and complexion, the system itself with the "Fallcolors.look" is a prominent orange lut, is to restore the color of the choice
The fourth floor, restores the high light, I still recommend the system to bring the "FILMSTOCK_50.3DL" Lut.
Return to the text, this picture, I chose the "17v5 film Contrast_kodak2393_log2hd_constlclip" as the first layer, transparency 100%
Then click on the color lookup to get a second color lookup layer. My second layer selects "M31-log.cube", transparency 70%
Create the third layer "Fallcolors.look" in the same way, transparency 15%
Create layer Fourth "FILMSTOCK_50.3DL" in the same way, transparency 25%
Cascade Add-back effect chart as follows
After stacking, the color of the initial formation, a little bit of the green tune of the film
Lut finished, found that the film will be a little gray, color is not transparent.
First set up a graph layer, load the previous installation of the Velviaesque curve preset (thanks to the British drizzle Dragon total share of the film curves preset), and then adjust the opacity to 50%
Then set up a second graph layer, according to their preferences to adjust the brightness of the film. Lut's color palette is basically done.
Based on multiple verification, the first layer 17v5 film contrast_kodak2393_log2hd_constlclip ", transparency 100%; the second layer" m31-log.cube ", transparency 70%; the third layer" Fallcolors.look ", Transparency 15%; fourth Floor "filmstock_50.3dl", transparency 25%. can be derived from the color yellow, orange, cyan is more prominent, you can establish action apply.
After mixing, I also on the sister paper liquefaction, grinding skin, sharpening. This is mainly to share the color palette and lut out of the skin is more normal, do not need a big deal.
Sharpen my choice of USM Sharpening, the radius of general 0.8, the number of 80, threshold 0, in this color palette of the experience of the basic sharing finished.
I'll talk about 3dlut before I finish.
Color lookup layer and LUT selection combination, I give only as a reference, different combinations can pull out different styles of hue, but relatively difficult to grasp is precisely the problem of LUT combination.
The advantage of LUT is that it can give full play to the latitude of the camera, but also can reduce the influence of different equipment chromatic aberration.
Lut preset in my release of the integration package only a few, more preset can own Baidu download, installation method and I txt inside the description of the same, but do not install too much, otherwise it will be difficult to choose, such as my choice of difficult people tat think about fear ~
Well, the above information is small compiled to you photoshop this software users brought to the details of the film department of the rich tones of the color palette to analyze the full content of sharing, you see the users here, small knitting believe that you are now very clear color steps, Now, everyone, go and try to follow the tutorials yourself.
