To you photoshop software users to detailed analysis to share a picture of the aesthetic cyan architectural photos of the later color palette tutorial.
Layer is Photoshop the most basic and most commonly used image processing functions, it is difficult to imagine that the first few versions of Photoshop do not have this function bar. Layer can help us adjust the color and tone of the picture, solve the local exposure problem, get more powerful overall picture performance, and highlight the key scenery.
A layer is a non-destructive adjustment that does not affect our original image, which means we can always return to the pristine state of the photo without any adjustments. In this way, everyone can be confident to try the layer and adjust the layers of the various combinations of the screen to bring different effects.
In addition to the basics of layer usage, we'll tell you how to use the selection tool and brush tool to adjust the layer mask to limit the layer's scope to the part of the screen. The operation of this way so that we may have any position on the screen tone and color for a comprehensive adjustment and control, so that the screen fine-tuning and optimization become more relaxed.
We are satisfied with the instant grasp of this example picture, the pigeon on the left wing and the girl walking on the right bring a good visual balance to the picture. But there are still a lot of problems with the color and exposure of this picture. As we filmed the ground side light of Hunan, the church dome bathed in sunlight and the skyline in the background were slightly exposed. We'll tell you how to make selective exposure adjustments to the screen with layers and masks to restore the missing background details. In addition, we will warm the church's color temperature, to the sky to increase the blue-green tone, so that it and the overpass cold color contrast appears more intense.
Start Photoshop, and execute the file > Open command to open the sample file. By default, many panels are open on the right side of Photoshop, most of which are not used in our tutorials. Drag the mouse over the top bar of the panel group to change it to a floating state. Then detach the layers panel from the panels. Close the remaining panels.
Instead of adjusting the background layer directly, we use an adjustment layer to adjust the color and tone of the background layer. From the top menu bar, follow the layers > new adjustment layer > Levels Command, and click OK. The Level 1 layer appears above the background layer in the Layers panel.
In the adjustment panel, move the Black triangle slider on the lower left of the histogram to the right of about 35, deepening the shadow of the underlying layer. Set the gray slider to 0.60 to deepen the midtones. This would strengthen the details, contrasts and colours of the Church dome, but at the same time it would put the prospect in shadow.
To avoid the brightness of the overpass in the foreground, we need to edit the mask with the brush tool. Select a large soft edge brush from the brush preset selector on the options bar to set the foreground color to black. Click the mask thumbnail on the right of the Level 1 layer to smear the tone on the glass fence to restore the corresponding part.
5, the initial reversal of negative impact effect
Open the Drop-down menu at the top left of the adjustment panel and set it to red. Drag the Black Triangle slider to the right to about 50, and darken the red in the screen to get a bluish-green tone similar to the reverse negative punch. Click on the Eyeball icon before "Level 1" to compare the effect before and after the adjustment.
6, the sky is pressed dark
Click the new Adjustment layer button below the layers panel to select the gradient adjustment layer, and the gradient fill adjustment layer appears at the top of the layers panel, and the Gradient Fill dialog box pops up. Tick the Reverse option in the dialog box. Drag the mouse up to adjust the gradient's position in the screen.
7. Mixed mode and opacity
A gradient fill layer makes the sky look too deep, changing the layer blending mode from normal to overlay in the Drop-down menu in the upper-left corner of the layers panel allows the layer to only deepen the color effect of the screen. Reduce layer opacity to 75% to make the effect seem more natural. As a result, the exposed sky color is saved.
8. Selective saturation adjustment
Follow the layers > Create new adjustment layer > Hue/Saturation command, and click the OK button. Set the top left channel drop-down menu to red, setting the Saturation slider to +70. The yellow channel saturation is set to-30, and the cyan channel saturation is set to +20. Finally, the saturation of the whole image is set to 30 to reduce the overall color performance.
The saturation adjustment just now breaks the color of the church spire and is likely to cause problems when printing out the output. To eliminate the effect of the hue/saturation layer on the area, select the Brush tool again to set the foreground color to black. Click on the white layer mask and use a 45-pixel brush to smear the occlusion adjustment on the top of the church.
10, stamped visible layer
Select the topmost layer, use the shortcut key Ctrl+alt+shift+e to execute the stamped visible layer command, and create a new layer on top of the layer stack that is merged by all layers. Set the new layer blending mode to multiply to increase the contrast and saturation of the screen. Execute the layer > Layer Mask > Show All Create Mask, we will use it to crush the four corners of the screen.
Select the elliptical marquee tool to set the feather radius to 150 pixels. Hold down the ALT key and drag from the center of the screen to create an elliptical selection with only four weeks left out of the screen. Perform the image > Adjust > Reverse command to change the white mask in the selected section to black.
Cancel the selection, and then follow the layers > New > Layers Command, and click the OK button. Select the Stain healing Brush tool, set the mode to approximate match in the upper options bar, tick the option for all layers, and hide it by clicking the left mouse button on the sky plane.
Well, the above information is small make up to you photoshop this software users to bring a detailed picture of the aesthetic cyan architectural photos of the later color palette to share the full content of the you guys, in general, we're using layers, layer masks, and adjustment layers to adjust the photos, To achieve the best results, I hope that the small series of tutorials can bring useful help to everyone.
