Photoshop to make honeydew melon 2

Source: Internet
Author: User
Tags reflection

16. With the deepening and dodge tools to deal with handicap, dark parts are both sides and the middle. By the melon block part of the need to ignore, of course, if you want to hide Hami melon can see a perfect plate, it is necessary to deal with the back. High-light section, a new layer with a white brush to paint, modified to merge into the handicap. A stored selection can be used to assist when processing handicap.


17. Under the handicap new layer, named "Body", in the channel to pull out the handicap periphery of the selection, fill, reduce the opacity of 12%.


18. Create a new layer on the plate, named "Bottom", with the ellipse in the disk pull a small oval, fill, shrink a few pixels, move down a bit and then delete. These two constituencies are also to be stored and later used to assist in painting the high light. Use a low pressure eraser to wipe the local sassafras, the opacity to 50%.


19. A new layer of painting Chuppan the bottom of the high light, by the way the body of a little high light also draw out. Because this time the background color is very shallow, the contrast is low, this picture does not see the high light concrete shape, does not matter, this layer does not merge, gives the life a name, finally if found not satisfied may revise.


20. The dishes were also painted, leaving shadows behind. The shadow of the glass is more complicated, so be careful to handle it well. Create a layer on the background, name "Shadow", drag out the selection with an ellipse, and fill it with a feather. Rotate the image slightly to the right, using the Select-Transform selection to narrow the sides of the selection, and then reverse the selection to reduce the brightness of the selections. Again, create a new layer, fill the white, the selection shrinks and move up, remove, get the shadow of the high light. Deselect to reduce the opacity of the shadow to 14%, merging the high light layer into the shadow layer.


21. Glass plate body in front to see a little, just forget to draw, now fill painting. Build a layer on the plate, draw an ellipse to fit the position, fill. We just handicap down the little bit, above the deletion.


22. Reduce the opacity of the layer to 30%, click on the layer floating selection, create a new layer, fill the white, move the selection up slightly, delete. Merge all two layers into the "body" layer. At this time the high light is still not visible, but it is there.


23. Hami Melon has two projections, melon below a deep, is reflected on the glass plate of the reflection on the right one is the projection on the desktop, lighter. First draw a shallow one, in the "shadow" layer to build a layer, named "Melon Shallow Shadow", with a pen hook out the shadow of the shape, feather 1, fill 50% gray.


24. For the melon shadow make some local blur, appropriate reduce the transparency, at this time "shadow" Edge will be because of "shallow shadow" translucent and reveal, it does not matter, with low pressure rubber sassafras in the "shallow shadow" of the constituency lightly wipe off the good.


25. A new layer, named "Melon Deep Shadow", with a pen under the melon hook out the reflection of the shape, feather 1, filled with brown (127/108/91).


26. With deepening and Dodge tool treatment, middle deep, both sides shallow.


27. The projection of the object on the glass is a bit like a mirror, especially the close distance, the melon's reflection on the glass plate can see the color and texture of the melon. The original texture (layer 1) is now used, copy layer 1, place it on top of the "shadow" layer, perform the edit-transform-vertical flip, move down to the shadow, Load "melon deep Shadow" selection, reverse delete, reduce opacity of 12%, the middle of the dark is not see the texture, with rubber sassafras trimming.


28. The basic is finished. Observe the whole, and then do some minor processing of the shadow, such as shading and the bottom of the part to be darker, to the backlight place for some deepening. Finally, the background plus a slight color to foil the high light in the image.



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