Pre-storm preparation, free movie website copyright evasion Tips

The new Information Network dissemination rights protection regulation will come into effect in 2007 7.1, whether put it back to the matter, do movie, video webmaster or should be in the copyright aspect to do some more consideration. Not afraid of the end, just afraid in case, once they met, the penalty points do not say, do not get into the closed for a few days.

Of course, do not turn off the website because of the copyright problem. As long as the measures are taken properly, the copyright risk can be minimized even if the copyright entanglement is not overcome. These days because of my new movie search + movie site, in order to contact the film webmaster ran hundreds of well-known film station. In and many webmaster exchanges and the observation of their film station, summed up the following several copyright evasion techniques, these skills are used by individual film webmaster scattered in the operation of the site.

First, adjust the number of clicks on the movie. In general, a copyright lawsuit to determine the loss of a film to the copyright party is based on the number of clicks determined by the film. The number of clicks, indicating that more users to watch, the impact of a wide range, so that the loss caused by the copyright party is also large. The number of clicks is less, it shows that less users to watch, the scope of the impact is narrow, so the loss caused by the copyright party is small. The number of clicks on the data, mainly by the film station itself, the program statistics. Therefore, consciously adjust the number of movie clicks through the program, can effectively reduce the copyright risk. After all, no copyright party is willing to work on a film that cannot be squeezed.

Second, leave the most commonly used contact in a prominent position on the site. I was looking for a movie webmaster to join my movie search + movie site found a problem, that most of the webmaster are not on the site to leave contact, and even leave an email, but also eight life not to see the kind. Perhaps these stationmaster is to feel, you can not contact me, always can't take me how. In fact, if you are more serious tort, you can completely through your record information, host information and so on to find you. Under normal circumstances, the copyright party in the discovery of a site infringement of its copyright, will be oral or written contact with the station, to delete copyright infringement information, as long as the deletion in time, there will be nothing.

Third, fragmentation, decentralization of power. Large film stations, especially IP in more than 200,000 of the movie station, it is best to establish a child station, the main station of the flow of diversion. Because the copyright party for cost considerations, will be the main target in the Super large film station, and the appropriate dispersion of power, happen to be able to effectively hide the target.

As far as the current situation is concerned, looking for movies on the internet is mostly in the lower income groups, they are eager to see the wonderful film and television works, but they do not have enough ability to pay. And with the embedded advertising revenue to balance the copyright costs of the station authentic films, due to the lack of natural (new works, less film, a large number of small) can not meet the needs of netizens. Therefore, in the short run, the movie station that relies on the pirate to make a living has its rationality. But in the long run, I firmly support film and television copyright protection, because only the protection of film and television copyright, film and television creators are willing to launch better works.

There is also a good news to make the film station friends, Bibido film and film Search + movie site organized a three-person film and television copyright Advisory Group, free of the required film station for copyright risk analysis, and to propose appropriate corrective measures. Contact qq:413474085