Character drafting and coloring back to the top
Introduction:
This is a picture of the Hornets and barricades in the Transformers. The work of the works, the use of the first set the line after the draft, and then color this mapping, in the entire work of the drawing process, pay attention to the control of the line and the color distribution of the ability to grasp, That is how to increase the level of the work through the use of the color of the light and shade and lines.
Final effect Diagram
Bumblebee VS. Barricade
Creative Ideas:
Before beginning to create, the creative inspiration in the mind of the argument, is repeated to want to show the subject matter and the picture of different combinations, see that a composition and movement of the combination of the most can express the intention of creation. For example, the Hornet's link to the Roadblock, as a graph of the personas, the role design step is omitted, so more creative effort should focus on the composition design and the two main role of the action and the relationship between the two. Once again, after argument, I chose two characters from the car form to the instant state of combat, like the moment before the two sumo wrestlers collided, because it gives the audience a strong picture tension, while at the same time provides the imagination of the next second, the fiery scene of the knife light Flint.
First, Drafting:
Idea finished, the process will be very natural, to find some film stills reference to the basic characteristics and structure of two characters, the rest of the part is based on the imagination to improve, the online manuscript on some of the tone is to distinguish between the primary and secondary structure, to assist the screen effect. (Line draft)
Figure 00
Second, color:
Finish the line, scan into the computer and start coloring. My personal preference is to start from one of the roles, because it can quickly grasp the entire work atmosphere, into a creative state. I use the drawing software is Painter9, in order to enjoy the creative pleasure of coherent, in the switch brush I have only used the digital watercolor simple water brush, and no layer, the advantage of this brush is not to cover the pencil manuscript, And will not be affected by the eraser. After basically setting a few big colors for the bumblebee, we started the next step. (Figure 01)
Figure 01
The next step is to enlarge the screen and begin to properly delve into the character's facial depiction. The reason why we start from the face is because the face is the visual center of the creation, in other words, I want the audience to appreciate and notice the position is two characters face. The creation of Visual center point is not only by coloring, but also by composition and action. (Figure 02)
Figure 02
After a brief look at the face, begin to delve into the right arm of the bumblebee, noting that the right arm and part of the right leg are separated. Because of the complexity of the character's lines, it's easy to figure out the legs and arms as well as the body's structure, so you need to differentiate them in color. (Figure 03)
Figure 03
Now start handling the tyres on the back. Tires and the texture of the wheel hub, just add a few strokes will be the first clue. (Figure 04)
Figure 04
Further detailed description of the tires. Use light-colored to rub out the high light part, thus increasing the three-dimensional sense of the tyre. (Figure 05)
Figure 05
Local coloring of 22 characters back to top
Now expand the view, with the tires to reflect the overall feeling of the back. Concise color block is to show the texture of the highlighted metal, shadow can be directly black, so that more can reflect the luster of the metal. (Figure 06)
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