PS Hollywood movie poster tutorial "Red Machine Tail"

Final Effect Diagram:

Note: The tutorial is on the train of thought, material students find their favorite on the line.

Create a new canvas with a width of 1000, a height of 1480, and a 72 resolution.

Place a bird's eye view of the city.

Rotate, let the horizon tilt a bit to make the picture more dynamic, I rotated 20.7 degrees. Why not 21 or 20? It's amazing, this is a psychological problem, commonly known as "preconceptions", when I feel this angle makes me feel very comfortable, then to change that fear a little bit of angle I can not stand.

Continue placing a picture of the sky.

Like the aerial view of the city above, the sky rotates 20.7 degrees, a uniform angle of view.

Add a mask to the sky layer and choose the right brush to make the horizon as natural and authentic as possible.

Click the Black and white icon below to add a hue saturation adjustment layer, and I'll turn the saturation down a bit.

Then I used a lot of adjustment layer to make the whole picture appear more depressing and decadent, showing the cruelty and ruthlessness of the war.

Continue to create a new layer, with a black brush around the surrounding, so that each corner a little darker.

When the main color is complete, you can pack a few of the above adjustment layer and Four Corners dark color layer into a group, let the interface concise point.

Then I spent a lot of time looking around for the smoke pictures that came up when the buildings were bombed, and this was my standard, and you could just smoke in the channel without paying attention to the sea.

Copy the blue channel, I think the blue channel is best for handling. Now I have a summary: The channel is the contrast. I wonder if anyone has objected.

Just use the color bands or curves to handle them a little bit.

Press Ctrl+i to reverse color, with a black brush to the sea waves and distant smoke black, smoke in the transparent color white painted white.

CTRL + the left mouse button to get a selection, add a mask to the smoke layer.

Adjust the size and angle of the smoke layer that you copied over.

Create a new layer underneath the smoke layer, paint some shadows with a black brush in the direction of the smoke, and in view of the limited illumination, the shadow of this blotting out smoke should not be obvious.

Find a fighter 11, our celestial cottage came to Russia SU27, when you see this nature of the map, don't go to tangle what channel in the end how to pick up the problem, it must be a pen to pull quickly.

Copy to the "Air combat" canvas and adjust the position and size.

Like the front of the smoke, add a few adjustment layer to reduce the saturation. Use the color scale to increase the contrast, but also uses the color balance to let the airplane color close to the overall tone.

In order to show the intensity of the battle, I looked everywhere for smoke charts.

Channel processing, copy to the "Air combat", put a good position.

Adjust the smoke color and contrast, just like the smoke, it should also have some shadow.

I need more bombing.

Classification:

• PS Getting Started Tutorial