Summary of the special terminology of animation

Source: Internet
Author: User
Tags exit constant
ACTION ... ...... ..... ..... ..... ..... ...... ..... ..... ..... ..... ..... ....... ... Action

Animator ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Original artist, animation design

ASSISTANT ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Animated by

Antic .................... ... ............... ........ Prep Action

AIR brushing ... ........ ...... ..... ...... ..... ...... ...... ..... ... Spraying effect

ANGLE ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Angle

Animated ZOOM ....... ....... ..... ..... ...... ..... ..... ...... ... To enlarge or shrink the picture.

ANIMATION FILM ....... ....... ..... ..... ...... ..... ..... ...... ... Cartoon

ANIMATION COMPUTER ........ ....... ..... ..... ...... ..... ... Computer-controlled animation photography

Atmosphere SKETCH ........ ....... ..... ..... ...... ..... ... Atmosphere Sketch

B P. (BOT pegs) ......... ...... ...... ...... ..... ...... ... Down positioning

BG (BACKGROUND) .......... ........ ....... ....... ....... ... Background

Blurs ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Fuzzy

BLK (BLINK) ....... ....... ....... ....... ........ ........ ...... ... Blink

BRK DN (B. D ) (Break-down) ........... ......... Middle Cut

BG LAYOUT ..... ....... ....... ...... ...... ....... ....... ...... ... Background Design Draft

BACKGROUND KEYS ... ....... ...... ...... ...... ...... ....... ... Background sample

BACKGROUND hookup ........ ....... ..... ..... ...... ..... ... Cohesion background

BACKGROUND PAN ... ....... ...... ...... ..... ...... ....... ...... ... Long background

BACKGROUND still ....... ....... ..... ..... ...... ..... ...... ... Short background

BAR SHEETS ... ..... ..... ..... ..... ...... ..... ...... ...... ..... ...... ... Syllable Table

BEAT .................... ... ............... ........ Beat

BLANK .................... ... ............... ........ Blank

BLOOM ............. .......... ............... ........ Flash

BLOW up ... ....... ..... ...... ...... ...... ...... ...... ..... ...... ...... ... Amplification

CAMERA NOTES ... ..... ...... ..... ..... ..... ..... ..... ..... ..... ..... ... Photography precautions

C U. (close-up) ........ ...... ....... ...... ...... ...... ... Features

Clean up ... ...... ..... ..... ..... ..... ...... ...... ...... ..... ...... ..... ... Qing, fix shape, be a supervisor

Cut ... .................... ............... ........ Camera's over.

Cel=celluloid ..... ....... ...... ........ ...... ...... ..... ... Chemical Board

CYCLE ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Cycle

CW (clock-wise) ........ ...... ....... ...... ...... ...... ..... Rotate Clockwise

CCW (COUNTER clock-wise) ........ .............. Rotate counterclockwise

CONTINUE(Cont,con ' D) ....................... Go on

CAM (CAMERA) ....... ..... ...... ..... ...... ...... ...... ....... ... Camera

Cush (Cushion) ........ ....... .......... ............. Buffer

C=center ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Center Point

CAMERA SHAKE ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Lens Vibration

CHECKER ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Inspectors

CONSTANT ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Constant speed

COLOR keys=color mark-ups ............... ..... Color designation

COLOR MODEL ... ..... ..... ..... ..... ..... ...... ..... ..... ..... ..... ... Color styling

COLOR Flash (PAINT Flash) ....... ....... ....... ..... Jump Color

CAMERA ANIMATION ....... ....... ..... ..... ...... ..... ...... ... Animation camera

CEL level ... ....... ...... ..... ...... ..... ...... ...... ...... ..... ... Chemical board Level

CHARACTER ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Character styling

DIALOG (dialogue) ........... .................. Dialogue and Mouth

Duble exposure ....... ....... ..... ..... ...... ..... ...... ... Double Exposure

MULTI runs ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Multiple exposures

1st RUN ... ..... ..... ..... ...... ..... ..... ..... ..... ..... ..... ..... ...... ... First time exposure

2nd RUN ... ..... ..... ..... ...... ..... ..... ..... ..... ..... ..... ..... ...... ... Ground two times exposure

DRY brushing ....... ....... ..... ..... ...... ..... ..... ...... ... Dry Brush

DIAG PAN (diagonal) ....... ........ ......... ........ ... Diagonal shift

DWF (DRAWING) ....... ....... ....... .................... Painting, animated paper

DOUBLE IMAGE ... ..... ..... ..... ..... ..... ..... ..... ..... ...... ..... ... Double image

Dailies (rushes) ........ ....... .................. Sample

DIRECTOR ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Director

Dissolve (X. D) ....... ....... ...... ....... ....... ...... ..... Dissolve the scene, fold

Distortion ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Deformation

DOUBLE FRAME ... ..... ..... ..... ..... ...... ..... ..... ..... ..... ..... ... Double (picture) lattice

DRAWING DISC ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Animation disc

E. U = EXTREME Close up ................... Big Close-up

EXT (exterior) ........ ....... ...... ...... ....... ....... ... Out of the room; Outdoor view

EFT (EFFECT) ....... ....... ....... .................... Effects

EDITING ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Clip

EXIT(Moves out, O. S.) .............................. Get out

ENTER (in) ....... ..... ..... ...... ...... ..... ...... ..... ...... ..... ... Picturesque

Ease-in ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Gradually

Ease-out ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Gradually slow

EDITOR ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Editing Division

Episode ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Film set

FIELD (FLD) ....... ..... ...... ..... ...... ...... ....... ...... ...... ... Security box

FADE (in/on) ....... ....... ....... .................... Picture Fading in

FADE (Out/off) ........ ....... .......... ............. Picture Fading

FIN (FINISH) ....... ..... ...... ...... ...... ...... ...... ...... ... Complete

Folos (follows) ........ ....... .......... ............. Follow, follow

FAST; QUICKLY ..... ....... ...... ........ ...... ...... ..... ... Fast

FIELD GUIDE ... ..... ..... ..... ...... ..... ..... ..... ..... ...... ..... The Security box indicates

Finial CHECK ... ..... ...... ..... ..... ..... ..... ..... ..... ..... ..... ... General Inspection

Footage ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Number of feet (feet)

F. G. (foreground) ........ ....... ....... ......... ... Prospect

FOCAL LENGTH ... ..... ..... ..... ..... ...... ...... ...... ....... ... Focal length

FRAME ... ..... ..... ..... ..... ..... ..... ..... ..... ....... ..... ..... ....... ... Number of lattices

FREEZE FRAME ... ....... ...... ...... ..... ...... ...... ...... ..... ... Stop grid

GAIN in ... ....... ...... ..... ...... ...... ....... ...... ...... ....... ... Move into

Head up ... ..... ..... ..... ..... ..... ...... ..... ...... ...... ..... ....... ... Rise

HOOK up ... ..... ..... ...... ..... ..... ...... ...... ....... ...... ....... ... to join the scene;

HOLD .................... ... ............... ........ Screen stop

HALO ..... .................. ............... ........ Aperture

INT(INTERIOR) ........ ...... ....... ...... ...... ..... ...... ... Inside a room view

INB (in BETWEEN) ....... ..... ....... ....... ....... ...... ... Animation


In-Betweener ..... ....... ...... ........ ...... ...... ..... ... Animation staff

I&p (INK & PAINT) ............ ......... ....... ....... ... Strokes and coloring

Inking ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Line Strokes

In SYNC ... ..... ..... ...... ..... ..... ..... ...... ...... ...... ..... ...... ... Synchronous

Intermittent ..... ...... ...... ...... ..... ...... ....... ....... ... Intermittent

IRIS out .... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ...... ... The picture is spinning away

Jiggle ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Shake

JUMP .................... ... ............... ........ Jump

Jitter ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Beating

LIP SYNC (Synchronization) ........ ............ Mouth

Level ... ...... ..... ..... ..... ..... ..... ..... ..... ...... ..... ..... ....... ... Layer

Look at ... ................... ............... ........ See

LISTEN ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Listen

LAYOUT ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... A design draft; a composition.

Laughs (Laffs) ........ ....... .......... ............. Laugh

L/S (LIGHT SOURCE) ..... ....... ....... ....... ......... Light

Line test (PENCIL test) ....... .......... ........ ... The pencil draft is shot;

M. S. (MEDIUM SHOT) ......................... Middle View

M. C. U. (mediium close Up) ............... Close-up

Moves out (EXIT; O. S.) .............................. Get out

Moves in ... ....... ...... ..... ...... ...... ....... ...... ...... ....... ... Enter

MATCH line ... ..... ... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ... Combination Line

MULTI runs ....... ........ ..... ..... ..... ..... ..... ..... ..... ..... ... Multiple shots

Mouth ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Mouth

Mouth charts ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Mouth map

MAG TRACK (Magnetic SOUND TRACK) .......... Track

Multicel levels ....... ....... ..... ..... ...... ..... ...... ... Multi-layered Chemical board

Multiplane ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Multi-layer Design

N/S pegs ....... ........ ..... ..... ..... ..... ..... ..... ..... ..... ... North-South Locator

N. G (NO good) ........ ....... ...... ...... ...... ...... Bad, void.

Narration ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Narration Narration

OL (OVERLAY) ........ ..... ....... ....... ...... ....... ...... ... Front floor View

Out of SCENE ... ..... ....... ..... ...... ...... ..... ...... ..... ..... ... Outside the painting.

O. S. (off STAGE off SCENE) ............... Out of view

Off MODEL ... ... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ... Walking type

Ol/ul (Underlay) ........ ....... .................. The scene between the front and middle layers

Overlap ACTION ... ..... ....... ...... ...... ....... ....... ... Overlapping actions

Ones .................... ... ............... ........ A lattice; a single lattice.

POSE .................... ... ............... ........ Posture

POS (POSITION) .......... ....... ....... ....... ...... ..... Position N.

PAN ... ....... ....... .......... ............... ........ Move

POPS in/on ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Suddenly appear

PAUSE ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Pause N. a pause;

Perspective ..... ...... ...... ...... ..... ...... ....... ....... ... Perspective

PEG BAR ... ..... ... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ...... ... Positioning ruler

P. T (PAINTING) ........ ...... ....... ...... ...... ...... ... Coloring

PAINT flashes (COLOR flashes) .............. ... Jump Color

PAPERCUT ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Paper-Cut tablets

PENCIL TEST ... ..... ...... ..... ..... ..... ...... ...... ...... ..... ... Pencil Draft test shot

Persistence of VISION ... ..................... ... Visual Temporary Stay

Post-synchronized SOUND .......... ........ ....... Post-Sync Recordings

PUPPET ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Puppet piece

Ripple GLASS ....... ........ ..... ..... ..... ..... ..... ..... ..... ... Watermark Glass

Re-peg ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Reposition

RUFF (rough-drawing) ......... .................. Draft

RUN ...... ................. ............... ........ Run


REG (REGISTER) ... ....... ..... ..... ..... ...... ..... ..... ..... ...... ... Combination

RPT (REPEAT) ....... ....... ....... .................... Repeat

Retakes ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... To make a heavy film; modify.

Registration pegs ........ ....... ..... ..... ...... ..... ... Positioning device

Registration holes ........ ....... ..... ..... ...... ..... ... Location hole

SILHOUETTE (SILO) ........ ....... .................. Silhouette

SPEED ... ....... ...... ...... ...... ...... ...... ....... ....... ... Streamline

STORM out ..... ...... ..... ..... ..... ...... ..... ..... ..... ..... ..... ... Quick turn out

Sparkle ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Sparkle N. a spark;

SHADOW ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Shadow

SMILE ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Smile

Smoke ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Smoke

STOP ......... ...... .......... ............... ........ Stop it

Slow .................... ... ............... ........ Slowly.

SC (SCENE) ....... ..... ..... ...... ...... ....... ...... ...... ...... ... Mirror number

S/A (SAME as) ...... ...... ........ ....... ....... ....... ... Concurrent use

S. S (screen SHAKE) ....... ....... ....... ....... ...... ... Picture Vibration

SIZE COMPARISON ... ....... ....... ....... ...... ...... ..... ... Size scale

STORYBOARD (SA ... ........... ........ .............. Shooting Local

SFX (SOUND EFFECT) .......... ....... ....... ......... sound effect;

Settle ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Fixed posture;

Self-line (Self-trace Line) ................. ... Color Line

SOUND CHART (BAR sheeets) ............. ......... Syllable Table

SPECIAL EFFECT ....... ....... ..... ..... ...... ..... ...... ... Effects

SPIN .................... ... ............... ........ Rotating

T A (Top AUX) ....... ....... ....... ...... ...... ..... ... On auxiliary positioning

T P. (Top pegs) ....... ....... ....... ...... ...... ..... ... On positioning

TRACK ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Vocal cords

Turns ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Turn

TAKE .................... ... ............... ........ To shoot (usually in the order of shooting).

Truck in ... ....... ...... ..... ...... ...... ....... ...... ...... ....... ... The lens pushes the person

Truck out ..... ...... ..... ..... ..... ...... ..... ..... ..... ..... ..... ... Lens Pull Out

TR (TRACE) ... ....... ..... ..... ..... ...... ....... ...... ...... ...... ... Same description

Tapers ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... Gradually

Taper-up ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Gradually

Taper-down ..... ....... ..... ...... ..... ...... ...... ...... ....... ... Gradually slow

Tight FIELD ... ..... ...... ..... ..... ..... ..... ..... ..... ..... ..... ... Small security Box

TAP (BEAT) ....... ..... ...... ..... ....... ...... ...... ...... ...... ... Beat

Tittle ..... ..... ..... ..... ..... ..... ...... ..... ....... ..... ..... ....... ... The title of a piece;

UL (Underlay) ....... ..... ...... ..... ...... ..... ...... ..... ..... ... Background the middle of the scene;

Up ...... ........ ...... ....... ... ................ ........ Above

Use ...... ....... ............ ............... ........ Use

VERT up ... ...... ...... ...... ...... ...... ....... ...... ...... ....... ... Move up vertically

V.O. (VOICE over) ........ ..................... The narrator is a voice-over.

VALUE ... ...... ...... ..... ..... ..... ..... ...... ...... ...... ..... ....... ... Intensity of Light

WIPE .................... ... ............... ........ Turn (change) view mode

WORK PRINT ... ..... ...... ..... ..... ..... ..... ..... ..... ..... ..... ..... ... Working sample

X (X-diss) (x. D ...) ...... ....... ...... ....... ....... ... Blend of two scenes

XEROX down ... ...... ..... ..... ..... ..... ..... ..... ..... ..... ..... ..... ... Narrow

Xerox Up (Xerox paste-ups) ........ ........... Amplification

X-sheet ..... ....... ..... ..... ...... ..... ...... ...... ...... ..... ..... ... Photographic form

ZOOM out ..... ...... ..... ..... ...... ..... ..... ..... ..... ..... ..... ...... ... Pull

ZOON CHART ....... ........ ..... ..... ..... ..... ..... ..... ..... ..... ... Push and pull trajectory of lens

ZOOM in ... ....... ...... ..... ...... ...... ....... ...... ...... ....... ... Promote

ZOOM LENS ....... ........ ..... ..... ..... ..... ..... ..... ..... ..... ... Zoom Lens

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