Three stages of the color Still Life sketch

The first stage: the general paving color stage.

This stage includes the composition layout arrangement, determines the monochrome structure outline manuscript. Determined the composition, with light blue or tan (more cool color) line outline structure, the requirements of proportion, perspective, the shape of the structure of the transition accurate, and according to the primary and secondary of the object, the strength of a brief summary of the surface depth, the actual relationship.

Next, prepare to spread the general color relationship. Before coloring, first deal with the group of still life tones have a general feeling, it is what tonal tendency of still life, from the hue to distinguish between a blue tone or a yellow tone, from the color to distinguish is warm tone or cold tone, from the color of the comparison is gray tone or bright tone. These are some of the most effective ways to help us feel and recognize tones. After you have defined the basic tones, you should keep this feeling and understanding in mind and throughout the process of painting. With the whole set of still-life tonal feeling and confirmation, you can quickly enter the general spread of color stage. Spread the general color relationship should start from the main focus objects, from the dark, projection and other dark-colored pen. This stage should be quickly and broadly to the overall picture of the overall color relationship spread out, compare and grasp the differences between the different objects of color inclination. Dark, middle, projection, reflective color should be paved, bright face, high-gloss temporarily set aside. Do not be too entangled in local nuances, concise generalization and overall color is the core of this phase of work. The first time the general color of the relationship with the color should not be too thick, so as to avoid in-depth coverage arising from the knot, cracking and can not cover the background.

1. Choose a good composition after using a pencil or ultramarine (ripe brown, ochre, etc.) to hook up the whole group of Still life layout arrangements, and briefly draw the light and shade of the object of the relationship, for further color, shape to establish accurate positioning.

2. This set of still life background and countertop interlining are light (white, gray-yellow green), so from the heavy color of the main body of the pottery can be painted, the trend of the fruit and wine glass color comparison method to find out the color differences and tendencies of fruit. Note that the painting process of an object can not take too much time, so as not to fall into the local isolated characterization, the large color relationship is the main task of this stage.

Phase II: In-depth performance phase. This is the most critical stage in the three stages, in which the depth of the depiction and the effect of its performance are the key to determining the success or failure of a work.

In this stage, we need to express the color relation of each part in detail, show the difference of the primary and secondary, the strength and the actual situation of the object, the rich transition level, the volume and the spatial relation, and should show the texture characteristics of different objects. In-depth performance stage need to pay attention to is not in the specific description forget the overall comparison and the overall depth, should not be on an object in isolation. When drawing an object, the color of the object should be compared, observed and associated with the background and the color of the object at all times. If you are drawing an apple, you should draw it with its background color to create a correct color contrast between the object and the color of the environment in which it is located.

3. After paving the big color relations, further further from the main body to shape, and extend to the projection interlining, so that it has a comprehensive and coordinated relations. Fruit mold is the same reason, just to pay attention to the space between the primary and secondary, the actual situation changes. In-depth modelling, avoiding the average is the primary task of this phase.

4. After the full and complete performance of the object, check the overall tone and harmony of the unified relationship. At the same time, the details of the individual parts of the adjustment, reduce trivial minor details, strengthen the focus of the object's finishing pen. The edges of the highlights, jars and cups must be carefully displayed and cleaned.

The third stage: The final stage of color sketch, the whole picture is adjusted overall. The main task of the adjustment phase is to start from the big overall relationship, to check the screen thoroughly, adjust and modify the local color of the screen.

The job at this stage is to make the final touches on the screen. For those key objects, give the finishing touch of the pen. Highlight the subject, give up some unnecessary details of the relationship, and strive to make the picture of the object vivid, harmonious unity.

In the near completion of sketching, restore the first impression, check the screen: in-depth characterization of whether some places to destroy the whole, local and details of the color has "out" the screen, there are no other problems. After inspection, adjustment, modification, processing errors, such as painting too thick, to wash off and painting. Complete the detail description, make the overall observation comparison and adjustment. Modify the processing unnecessary details, make the subject more prominent, more harmonious color.

Three stages of the color Still Life sketch