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lifting and pressing
calligraphy?
we usually on the internet will often hear someone say: Pay attention to the mention, that this according to what is the point?
according to mention is writing brushwork in the ups and downs of work. Press, is the pen down, mention, is the pen upward carry, the line pen has the action, can keep the flick of the center. Qing Dynasty Shong said: "After the Dayton must be mentioned, squat and stationed after also need to mention." The person who raised the pen will be reduced to the required score and the score of squatting and residency. "Xuanheng said:" Where the shoulder hook, should be raised under the Dayton, but the two words, Jie in the impact, less late, then the fall shoulder disconnect disease. "Liu Xizai", said: "Where the book to Pen Press, pen and paper." The distinguishing point is especially in the pen, especially in the pen. "Book Tevet Press Two words, there is consistency without the absence." Therefore, the pen is required to fly, with a pen light is required to actually press, can not fall, drift two disease. "See" Line pens. "It's important to mention it in the book!"
The lifting and pressing in calligraphy
Mr. Shen Yinmo, a modern calligrapher, pointed out that the lifting and pressing of a pen is like walking, the left foot is lowered, and the right foot is lifted and put down again and again. In the process of using a pen, a thin stroke is lifted upward, leaving the pen on paper or slightly lifted without leaving the paper.
Press is the movement of the pen downward pressure, the purpose is to make the pen spread out, dot painting becomes thicker. Pen to press, to receive pens first to mention and then press, to press must be mentioned, the transition is done by lifting and pressing, so the mention and press are closely linked.
Re-press called Dayton, the secondary press called Squat, do not re-press called resident, 7-5 to figure 7-7 shows. Mention and press the relationship is, the mention has the press, according to has the mention, carry the press, press to mention.
What is a folding front in calligraphy?
"Folding Front" is also called "reverse front", that is, the pen when the brush in reverse. For example, horizontal painting from left to right, write the inverse of the pen to the left, to the pen vertex, down lightly a press, and then to the right to draw; straight draw from the top down, write the first counter-pen upward, to the pen vertex, to the right under a gentle press, and then downward painting.
The folding front is a pen technique used in the direction of stroke conversion. Refers to the gesture folding with the side, so as not to the pen, that is, when the brush strokes in the direction of conversion, from the sunny side turned to shade, or by shade turn the sun face. Southern Song Jiang Kui "continued the book," said: "At the beginning of the pen, there is a front, folding front, the body of his family is set in the beginning, where the word, the first word is folding front, the second to third word on the gesture, many are on the front, if a word between the right is folded front, it should be left. "Fold the sharpness to the point and create the posture." The Qing Dynasty bao Shi Chen book "Liu Wenqing Four Wisdom Ode", said its "to take the Feng to raise the trend, to fold the front take posture." ”
What is the wrapping front in calligraphy?
Wrapping front refers to a technique of calligraphy with a pen. The pen is running in the opposite direction, "want to go down first, want to left first right". After all to take the round potential with a pen, flicks restrained in the point of painting the middle of the call "wrapped front." such as "Cao Quan monument", "Shimen Ming" and many other uses.
A wrap is a bundle of flicks. There are two ways to wrap the front: one is to twist the barrel and the other is to use a wrist flick. The Wrap front is a momentary state of operation, and the front will disperse and then be wrapped again. The painted lines have a twisted feel, and the ink shades are alternately changed. This technique is suitable for drawing vines and so on.
What is the reverse front in calligraphy?
The inverse front is a kind of technique of brushwork. Pen flick first retrograde, and then back to the line. Also called "Pifo", "side front". such as writing a horizontal painting, to the right first left, that is, when you write the pen flick to the left, and then the line to the right. Such strokes, appear square, easy to do contain bones. In order to hide the front shop, with the method of inversion, "want to go first, want to right first left", to the opposite direction of the line of the pen called "reverse front." Using the converse front to make the word, often has the vigorous masterful charm. Qing Dynasty Liu Xizai said: "To be a pen flick everywhere, must be used in reverse word tactic." Le front right tube left, and the front of the lower tube, are also. However, it is only in the secret machine that it is not. ”
Reverse front or, Shun Feng, this is brushwork skills, is the means, not the purpose, the purpose of popular point is to say that the word is good-looking, so that the words of colorful strokes, pull away some words, some word edged, some words are ready to hair, each has its own beauty. The line of strokes written by the front and the front is not the same, the insiders will see, unless you write the inverse of the standard.
The following information is for reference only:
Astray's counter-frontal pen
Reverse Feng pen do not know how many people, calligraphy people should say there are 98%? Did Jin and Tang people really write like this? Fine examination of the "Orchid Pavilion sequence", rare in the true sense of the reverse front of the pen, the second view of the "sacrificial nephew" should be said that the results are the same, and "I book meaning" Su Dongpo's "Huangzhou cold food" is not the case of the death of the law set, and Xu Su Kuangcao How can the anti-Feng pen? Of course, some people must use the counter-front pen to read ancient posts, think we also have no way. He slowly on the tread of the "G" Ancient posts, to the alive calligraphy, all write dead, and insisted that the original post of respect for the ancients, we can only bemoaned and sigh. Why today has the "book Road Day Failure" of the argument, only calligraphy more and more lost steadier, more is the withered old pa crazy. Ancient antiquity does not exist, not anymore, but techniques do not exist. Do not raise the ancients too much, this is the calligraphy people should have the scientific art view. What's the gentlemen?
What does a squat in calligraphy mean?
Squatting, in fact, is a brush writing a gesture. When making a 趯 pen, force a meal, with the flick on the pick, called squatting front.
Usually squatting means having a stay. and "squat" is a word. In calligraphy, squatting and squatting are two methods. Squat front refers to the squat in a slow, squatting forward is to 趯 first squat, back and re-enter. Tang Zhang Hui "Yutang forbidden by", said: "Squat, slow bo squat, the weight of the degree is also"; squatting front, in the pen Epistaxis is also, the husband has 趯, will first squat. "What is the golden-wrong knife in calligraphy?"
There are two interpretations of the "golden-wrong knife" in Chinese calligraphy: strokes and fonts.
Golden wrong knife strokes: calligraphy with a pen flutter wave hair Pen Road laudatory name. "On the House" set out: "Southern Tang Lihouzhu (Yu) Good book, trembling pen 摎, upended such as cold pine frost bamboo, said the golden wrong knife." "Xuan and book Spectrum," said: "The Emperor and the use of gold-fault knife-making face, but also refreshing uncommon, and another for a law." The king of the wrong knife book with a sum of three methods, later in life became painting, so flutter Neru calligraphy. ”
Golden wrong knife font: font name. The Zhang Yanyuan of the Tang Dynasty "the Book of the Books" contains a golden wrong knife. The specific form and style of the present is not auditable.
Li Keran created a deep and implicit "golden-wrong knife-type" of the line, Zhu Qizhan creation plant masterful vigorous "iron dry silver hook-type" line; Liu Wenxi created a long line depicting the ancient bold of the northern characters, Huang Yongyu created a tortuous "incoherent" line; Wu Guanzhong created a very rhythmic and point-separated long line The Huang Zhou creates a wide line with a strong approximation of the beauty of the surface; Shaohua creates lines with the effect of the line and the surface, the line and the color blend into one, and Fuchanchi creates the lines with the decorative beauty of the local complex, Chury, Song Yugui and so on, creating a new line that blends color strokes with ink lines. The creation of these lines enriches the expressive and lyrical functions of Chinese paintings. SOURCE Calligraphy House. Pay attention to the abstract art form of the middle, line, face and pen of the painting art, and pay attention to the imagination and re-creation of the audience caused by the fuzziness of the painting space. Therefore, Chinese traditional painting art has the basic characteristics of symbolism, freehand brushwork and performance. To replace the visual reality with imaginary reality is that it is different from the western classical realist art, and it is also the embodiment of Chinese painting's poetic style. In the observation and expression technique, the Chinese painting "The Foreign teacher good fortune, in the heart Source" (Zhang Manic language). Not completely copy the objective image of natural imitation, but joined the creator is a strong subjective color, that is, on the basis of natural nature, some ideas, some of the meaning. At present, Chinese painters are increasingly using ink color and color, full-color "no bone painting" has been a considerable development. However, the line has not been weakened, but will not disappear, but in the continuous innovation to form a new form, to obtain new vitality, showing a more contemporary characteristics of oriental painting charm.
What does the book in calligraphy mean?
Jin key Yiqiu Li's point painting called the "tendon book." In the Eastern Jin Dynasty, Mrs Wei "pen pattern" said: "Good powerful strokes people more bone, poor powerful strokes people more meat, more bone micro-meat," the book. Dolifong of the sinews. Calligraphy words tendons, bones, are the meaning of praise, such as always called Yan Zhenqing, Liu Gongquan book as "Yan Rib willow bone." ”
Yan Tendon Willow Bone Introduction:
Yan tendon willow bone: Yan "refers to Yan Zhenqing," Liu "refers to Liu Gongquan. The famous regular script four people in the history of Chinese ancient calligraphy: Tang Dynasty's Yan Zhenqing, Liu Gongquan, Ouyang, the Zhao Mengfu of Yuan Dynasty. Yan and Liu Occupy half of the seats. "Yan Tendon willow bone" is that they are two of the style, like rib, bone as strong and different.
What is a calligraphy book
A book refers to the cursive script from beginning to finish continuously, such as straight down, so the name. The Eastern Jin Dynasty calligrapher Wang Xianzhi created a kind of grass chirography. Also known as "rolling Grass". Tang Dynasty Zhang Hui "book Broken" said: "Boying (Zhang Zhi Tongzhou) Chapter grass, learn Cui (ai), du (degrees) of the law, and thus changed to become Jincao, turn to fine its wonderful, the character of the body potential of a pen. I do not even, and the blood constantly, and its connection, the climate through its interlaced. "The Guo Ruo of the Northern Song Dynasty," said the picture, "Wang Xianzhi can be a book, Lu probe micro can be a stroke." ”
Talk about "a book."
Beijing Normal University Li Hongzhi
Speaking of "a book", I believe people will immediately associate it with cursive, because the need for a stroke of writing traditional words (such as the official script, regular script, etc.), writing cursive pen lift away from the paper is significantly less often, will be many pen, parts and even up and down numbers to write out, also because of this, Many people simply call it "a pen", so it is natural to associate "a book" with cursive. However, "cursive" is a broad, narrow sense of the narrow, the cursive script can be divided into chapter grass, Jincao and Kuangcao three kinds, so, simply "a book" to understand the cursive is a loss of general.
Zhang Hui "book Broken" in "Cursive (Jincao)" a article, said: "Boying learn cui, du law, restudying, and thus changed (Zhangxiao) into Jincao, turn to fine its wonderful." The character of the body potential, a pen, and occasionally do not even, and blood constantly, and its even, the climate through its interlaced. But the prince to his deep, so the beginning of the word, often following the end of the road, the world called a book, from the Zhang Boying, that is also. ”
Jincao is the chapter of the grass by further omission, grass, remove the wave zhe, strengthen the pen between the word and the word and the relationship between the form of a script attached to the script body. It sprouted in the Han Dynasty, formed in the Wei and Jin dynasties, with the Eastern Jin Dynasty two kings (Wang Xizhi, Wang Xianzhi father and son) and Shing Yong, Tang people of the Court and other people's cursive script as the representative. However, only to the extent that these Jincao's representative works and Zhang Hui's description of "a book" is clearly some distance.
Zhang Zhi Tongzhou is the cursive home of the end of Han Dynasty, known as "Grass Saint". "Chunhua" in the name of Zhang Zhi Tongzhou in the name of a few large grass (ie, Kuangcao) book, such as "title" and so on. From the Zhang Zhi Tongzhou living area (Dunhuang) unearthed a large number of Han bamboo slips on the cursive script, Jincao in the Zhang Zhi Tongzhou life of the budding, at that time as the traditional word auxiliary fast writing body, still Zhangxiao and with the running script with the intention of the main, but it is only a bit of a jincao factor. And for the chapter grass, it is attached to the script of the cursive script, not only the word between the few joint, which the word no matter how grass, can not be mad like Zhang Hui said that look. Like "champion post" a kind of even little of the scribe is clearly the Tang and song people of the weather, do not say among them zisi flying strokes and ups and downs of the style, is only the kind of line and line between the tacit understanding of the interspersed with, also is not the main carrier of bamboo slips in the end of the Han people can.
In short, for Zhang Hui said "a book" should be understood as: it is posterity in the case of not seeing the original Zhang Zhi Tongzhou, for his cursive one kind of Emily just, also may be cursive a McCartney. With the evolution of the font, the transition to Jincao, and more than the chapter grass, so called Jincao "a book" more appropriate.
In the process of Jincao maturing, the calligrapher who took Wang's father and son as the representative of Jincao to beautify the process, for the future generations left a lot of Jincao exemplary, for the promotion and development of Jincao. SOURCE Calligraphy House. Not only that, Wang Xianzhi in some of his books, such as "December post", has made a bold attempt: the upper and lower numbers almost completely into a write, this from the song People Mi Fu Festival Pro Wang Xianzhi "December post" of the "Mid-Autumn Festival" ink (which "no longer" four words is a book, you can see very clearly.) Mi fu himself in the book also has such an example, such as "Zhang Jiming" in "the strength of the Forte is also" six words. Posterity will be so connected into a written word group called "a book", Zhang Hui said, "but Wang Zijing (Wang Xianzhi word)" The evidence of its deep meaning "is this kind of books, they have become people in the description of" a book "the most common example. It should be noted that such "a book" is not purely cursive, the middle is often sandwiched between running script, such as "December post" in the "No", "Fu" and "Zhang Jiming" in the "Qi", "fu" and other words belong to running script.
To the Tang Dynasty, Zhang Xu, huai Su and other people will Jincao developed into a kuangcao, such as Huai su "autobiographic." Kuangcao than Jincao more continuous, really do "a sum of", "air-to-interlaced", so, some book theorists think so-called "a book" should be in terms of Kuangcao (see Chung Myung-sun "talk about Art").
In short, the greatest feature of "a book" is its pen writing. Because of the evolution of the font, the scope of the meaning of the changes in the "a book" in the actual meaning of the general summed up the above several cases. Oddly, the song people Wu said that the original "spring book" number from the continuous line concatenating, such as the shape of the cursive script, but no one will be classified as "a book" of the column, may be due to its "spring" features more prominent reasons for it.
What is a trembling pen in calligraphy? The writing and characteristic of the flutter pen
Flutter pen, also known as "war pen", calligraphy terminology. A technical method of using a pen, because the strokes are vibrating, so the name. "On the Club" contains: "Southern Tang Lihouzhu (Yu) Good book." 摎 the shape of a flutter pen, upended such as cold pine frost bamboo. "Also known as the" golden wrong Knife ". "Xuan and the spectrum of flowers and birds three" download: "Tangija beginner Li's wrong electrosurgical, after painting bamboo, Neru calligraphy, have the shape of a flutter." ”
The writer tends to pay attention to the pen and pencil, while ignoring the middle line pen. Qing Dynasty Bao Shi Chen in the "Art boat double Jyi", said: "The method of the pen, seen at both ends of the painting, and the ancients of the rich zisi to break unattainable, then in the painting cut." Cover at both ends of the operation of the reason, there are still signs to be found, which is abundant and not timid, real and not empty, non-bone potential knowingness, can not be fortunate. "The battle pen is used mainly for the middle part of the PIP to make it plump and not timid."
Flutter pen is through the appropriate lifting press, stutter action, strengthen the brush and paper friction, counter-trend reciprocating travel, performance in the dot painting shape is scaly, the edge of the line is not smooth and "Mao" shape, in the line of travel has the feeling of staying, more importantly, the increase of the point of the internal change of the painting. Bao Shi Chen in the "Art boat double Jyi," said: "See the Six Dynasties Mento, line all stay, leave place all line." where horizontal, straight flat, the line is also, the ancients will gradually stutter, do not make the rate of the path, is to leave the line. "To keep a pen, you will not make a" straightforward "problem. However, the trend of reciprocating and paper friction to coordinate the natural, not too large, do not appear the deformed bending state. To maintain the overall sense of the line, in the flow of the line Hanyun a certain degree of discomfort, not for hair and hair, for the astringent and astringent, so that the edge of the tooth shape of blunt. Therefore, the use of war pens can not only pay attention to the shape of the surface of the line, but also to pay attention to the internal appearance, tone, gesture and intensity of performance.
Flutter pen also to solve the brushwork "Xu", "disease" problem. With the pen too fast, the action hydroplaning, the potential can not be astringent, with a pen too slow, easy to affectation, mechanical, potential can not disease. Therefore, must pass the center with the pen, the control good brushwork speed, achieves the onus disease, the line but does not slip, stays but does not lag effect. War pen is powerful strokes, pen speed, gesture, stutter and so on combination use. The combination of nature, coordination, can write gestures vivid, but also powerful strokes upended point painting.
Characteristics
As many calligraphy people do not understand the highest state of calligraphy is the same way, many calligraphy people do not understand the "chatter" or "shake" the written strokes have what characteristics, also said not clear "flutter" or "shake" pen to write the specific shape of the strokes. Because chatter or shaking is a mechanical repetitive action with the same involuntary frequency, it is a simple repetition without change. So the trembling arm of the wrist with a pen-written word appears the following features:
1. The intentional pursuit of the stone qi and in the writing of a stroke in the frequency of the same shape of the knot or the same wave-shaped curve;
2. In one stroke of the astringent pen, the frequency of the same lag point appears;
3. A jagged shape with the same frequency appears in one stroke of the re-slide pen.
The fundamental characteristic of a vulgar pen is that it repeats the same stroke without change.
[Turn] the frame structure 92 law