We recommend Zhang Yimou's two films when he was young: Red Sorghum and One-ride

Are we missing too many good movies...

Both of them are made by Zhang Yimou (although most of them are commercial films, are they old? are you passionate when you are young )... the 80 era is still very classic ..

I have nothing to say, because the anchor of the Red Sorghum has been classic.

Portal: Movie Rating

The second part is about the separation, communication, and understanding of the two fathers and sons. Both of them are playing in their lives. Gao Tian is suffering from a serious illness in order to reconcile his son, the story of riding a bicycle to Lijiang is very touching ..

Portal: Movie Rating

Some people will post the first-step movie review here:

Red Sorghum: worship of original vitality
Van daming
"What I want to tell you is the magic that happened in our hometown ."
-- The First narration at the beginning of the film "Red Sorghum"
The general impression of "Red Sorghum" is that it fully expresses the author's worship of original vitality. This is a film with strong subjective thoughts of Zhang Yimou. It should be regarded as a typical author movie.
In "Red Sorghum", Zhang Yimou praised and praised the will of the original life and the irresistible power of vitality. He said that he had achieved the ultimate of perfection and achieved the ultimate in perfection, this is a kind of worship realm.
The first is the worship of the divine power of sex. On the surface of the movie, it is a cool prank of a red-haired bride in the upper-right sedan, it is a spontaneous catharsis of the joy and desire of the young bride's charm, it is also a spontaneous outbreak of grief and resentment that nine children face unreasonable and inhuman combination of gender and gender. The only thing that can make this singing and dancing "" Disco jump from the crazy vertices to the power of the mind, not the other, it is just a few of the nine in the car, a few choked. In this sentiment and rhythm change point, the film's first eye-catching touch is to reveal the beautiful spirit and candle that fits the human nature of this group of tough men. The emotional gap caused by this sort of rhythm determines the true and sacred position of the 9 children in the hearts of the wild men. It is a demonstration of the film's spiritual worship of nature. In this group of brokers and heroes, only "My grandfather" can occupy the rest of his life's willpower, which is driven by his strong spirit of nature, dare to put the internal turmoil and desire into external practical actions-yu Zhan is indeed superior to others, it is a real hero-with the hope that jiuer once gave him, he was so eager to come to the Battle of the husband, the wife, and even the sorghum field, all of them are not violent or evil, but a bag of "benevolence. Here, "benevolence" cannot be based on the law of narrow law, however, we must look for a broader law of nature and the original law of life-the benign reproduction and development of the species, and the survival of the fittest. The beauty here ", naturally, it is the film beauty that has made artistic choices and rendering (for example, the direct description of "kill" is omitted ). When the screen shows the poems that are full of passion, yu Zhan squatted on the side of the sorghum open space in a red "big" shape to expand the nine children in front of the grand vision (here is simply a religious worship, reproductive worship of the solemn ceremony!) As well as the dynamic empty mirrors swaying against the sun and the wind, it can be said that the worship of the original vitality of the film is pushed to the commanding heights of the artistic beauty in the love scene and the painting of the scene. However, in contrast to the film, Zhang Yimou should put it hereArticleThe concentration is more adequate, so that the "Heaven makes, the Earth becomes the beauty of the Red Sorghum to Huan scene, colorful music like to achieve a more holy situation!

The second is the worship of the power of death. In "Red Sorghum", Zhang Yimou wants to show our life picture: these 18 lipo people, they love men and women, live freely, live in pain and sorrow; but for family shame, they must also fight and hate them. Even if they die for this purpose, they will die to be free and easy! The two poles of Life and Death love and hate are both opposite and consistent. Indeed, these people say they will die, and those who pretend to be "bald three guns", and so on, seem to be so easy, so easy, and so speechless. This does not mean the death of these negative meanings. And those dead with positive significance and those who die to resist foreign invasion -- whether uncle Luo Han, jiuer, or even the "three bald guns" died under the Japanese invaders, they all become the death of heroic sacrifices and the death of shocking hearts! To this end, Zhang Yimou spared no effort in the film to accept the bloody sensory stimulation, and made a strong comparison between the slaughter of cattle and the slaughter of people. In this regard, we should not regard it as an explanatory illustration of the concept and meaning of the word "sacrifice" on the surface, but as an inner saying that the sacrifice of a symbolic cow cannot be the same as that of a person. The ending of the Film makes the bloodthirsty Japanese invaders understand that the ox is slaughtered and sacrificed in silence, while the man makes his sacrifice in the outbreak of resistance, and will be the same as the creator. This performance eventually became a proof of the power of death.

Third, worship of the power of wine. The sorghum wine named "" won the highest award in the "Song of wine", which has been repeatedly Sung twice: "I drank my wine, ziyin and zhuangyang are not smelly ...... After drinking this wine, I met the emperor and didn't bow my head ......" In the spirit of a drunk wine, Yu zhange spoke about his friendship with jiuer In the sorghum field. Since ancient times, he has been talking about the power of the Red sorghum wine, it is the unrestrained spirit of the 18th lipo people. The character of Red Sorghum is the freedom of the 18th lipo people. One, four, seven, three, six, nine: Nine, the only woman in the 18-lipo is not at the moment when she enters the 18-lipo restaurant as the treasurer, I first announced to all the friends in the wine shop that my nickname is "jiuer" (jiuer? The spirit and character of wine and people are the same because both were born in the Red Sorghum. Lipo people use wine as the atmosphere, and lipo people rely on wine. The wine is sprinkled in Lipo people, and the wine has become a catalyst for the adjustment and strengthening of interpersonal relationships. To put it bluntly, the film's worship of the power of wine is the worship of the power of the 18th lipo.

The worship of the spirit of nature, death, and wine shows the spiritual source of the most matrix in human nature-the worship of the original desire for life and the will, that is, the essential power of life; in the film, the film has been fully presented, so that the film is extraordinary, "you can enjoy a free and fun environment" 1. This is an unprecedented attempt and exploration of Chinese films. In my opinion, it is precisely at this point that the film has been able to resonate and applaud in the international film industry. It cannot be summarized in the words "the more the nationality, the more the world.