Beijing opera "Butterflies in the Sea" Valentine's Day staged in the Tang Dynasty palace Love

Hongtu adorn true as if fragrant coagulation farewell to the Prince of the two Koreas confrontation Chodo Guo adorn incense really like to become a monk king really like and fragrant coagulation reunion (click Small Map See the big picture) Click here to view other pictures Sina Entertainment news by Beijing Opera troupe Mei Lanfang Peking Theater produced a new history of Peking Opera "Butterfly Sea Love" Last night (14th) Premiered at Beijing Mei Lanfang Grand Theatre. The drama adapted from the Hong Kong Zhouyi master Ju Ming "Butterfly Sea Love Monk", before the Peking Opera performance, the same theme Shaoxing opera and Cantonese opera, has been in Hangzhou, Hong Kong, respectively, the success of the performance.　　Beijing Peking Opera Institute in charge laughs, choose February 14 debut, is to give the capital Valentine's Day night to add highlights. The play to butterflies as a symbol of the late Tang Dynasty prince really like and minister of the woman incense full of religious love story.　　Beijing Jing Theatre Mei Lanfang Opera troupe head, Peking Opera leaf descendant Ye Shaolan disciple Hongtu and Outstanding Young Actor Cheng Yi Guo once again partner plays the hero and heroine, the joint interpretation of this romantic and beautiful "new" Beijing opera. The drama director Chen Kai has directed Peking opera "Mei Lanfang", she said the play is very consistent with her philosophy of life and ideas. And as the art director of Peking Opera Masters Ye Shaolan also personally design demonstration posture, repeatedly stressed: "Play no matter the aria design, or clothing, dance design, all to the emotional service for the characters, but also without losing the sense of beauty and freshness." "The stage freehand reappearance of the Tang Dynasty gorgeous Changan Live interpretation group Butterflies flying" butterflies in the Sea Love "the whole play of the" drama Eye "is" butterflies free to seek incense and go ", global dance not only broke the traditional Beijing opera" one table two chairs "manifestation, stage design, lighting, clothing more emphasis on highlighting the gorgeous style, a large number of use of embroidery and red gold two colors, Has a strong Tang Dynasty Chang ' an palace breath. The scene of the butterfly in the play, but also for the stage design provides a wealth of creative space, more than graceful girl wearing gauze, holding butterflies, butterflies flutter not rest, very lifelike.　　The operation of the butterfly dance is more free on the basis of the "Liang Zhu" of the Shaoxing Opera, but the two stars do not dance much in the singing, the image in the butterfly array is not too prominent.　　Using the melody of Beijing Opera to write dance music to send a girl to learn Hua Dan in the play starring Hongtu and Guo long-term cooperation, not only with the starring "Bu Bo and Diao cicada" such a traditional classic repertoire, but also played "阎惜姣" such a small theater opera, cooperation tacit understanding of nature. The dramatic changes in the age span and character of the role in the Peking Opera "Butterflies in the sea" are great challenges for the two stars. Hongtu from the young prince to the Enlightenment monk, he in the play flexible use of different plate, to deduce the character's heart and age sense.　　In an emotional dance with incense, the performance of the creative use of the "one Board Two Eyes" (three beats) of the dance to show the court young men and women love the elegant leisure, and parents were killed, the lover was taken after the angry singing formed a great contrast in the music color. Guo to the fragrance from a 88-year-old girl to 40 years old, age span and personality changes are also very large, and she as Cheng sent actress, played used to female and sad women, puppy love of the flower shirt monotonousTo her is not a small problem, to this Guo introduced her a simple and effective method "Go Heart": "As long as the heart to understand the heart of the characters, the heart of the opera, the expression will naturally appear in the face." At the same time, she also borrowed from the Beijing opera, and to the Kunqu opera legend Zhang Learning posture, to enhance singing and dancing and small voice singing, in order to meet the character of the youth amorous and lively character.