Commentary: The Shing of the balance between the merits and demerits

Xujiang CCTV play, the public is generally concerned about a little bit of face. "Cares" is no exception. I like these two years gradually relegated to the "second line" of the Wei, relaxed, natural, began a bit old artists to go to basics. Newly and Zhang Although still have in the first line dozen fight, pour also can. Lin Jiachang Performance "Zhou Weimin" also counted as a small bright spot.　　But these, cannot let me go to like "cares about". One is because the story of this episode is a bit bitter. I know some people like to see bitter play, after watching the bitter play for Dramatis Chi Yu, tears, and then began to feel that they have a good. I can't, I have always been not "bitter cauliflower" enthusiasts. "Concern" although the play is a family "first bitter after the sweet" story, but the bitter still a bit let me fear. Experienced the hardships of life and social transformation of the pain of the people, not necessarily willing to put that period of embarrassing days turned out to review.　　And now this kind of "Shing" drama, coincidentally and a few. The second is the whole play costumes and related props appear false: "Run Together" (formerly referred to as brokered business) in the era, Newly on a small bag (this should be at the turn of the century before the women ZTE) came out; the sofa bed is the 1990 's, Zhang's windbreaker collar and bedside lamp is after 2000 Each of the winter coats, to say better, than the plot involved in the period of "ahead" five or six years, but let's not forget--the identity of these people is ordinary people; again, the private store opened to send a basket of flowers to congratulate, in the north should be in recent years, more than 10 years ago at most is to point a 挂鞭, pull a red silk banner ...　　This little mistake, although today every play will be a bit, but in a drama frequently appear, it really makes people look at the heart awkward. Will the performance of the cast be a TV show? Does the plot of twists and turns close to contemporary life trigger the audience's attention? The answers to the past two questions seem to be affirmative and easy. But in the face of "worry", it seems to have a little far-fetched. Why?　　The great aesthetic point of lack of new ideas, the production of details of the processing is not too accurate, I am afraid that is affecting the reasons I give praise. In a sense, "care" performance on the strength of its other two deficiencies, a little diluted and depressed. This is an era of increasingly sophisticated production and competition, and it is becoming less and more difficult for a drama to imagine the past, when it can win Word-of-mouth by the strength of its broadcast platform. What to do? Only to improve the spirit of the creative staff, as well as the production of excellence. This is not only "care" for the inspiration, but also in the face of all domestic dramas before the death test.