"Crisis Speed" 9th released car rollover scene shooting trailer exposure

"Dangerous Speed" 9th release Sina Entertainment News by the United States 20th Century Fox Company produced, Huaxia Film Distribution Co., Ltd. nationwide release of the film "Crisis Speed" will be released on 9th nationwide. 　　Today, the film side in the final version of the trailer after the exposure of a heavyweight behind-the-scenes tidbits, details of the film highlights--real shooting the actual train overturned the whole process. The first scene of the train rollover Hollywood's special effects level in the world is in the absolute leading position, but the first-class photographer and director in the face of the big scenes, the general will also choose model shooting or later special effects processing methods. On the one hand is to reduce the difficulty of photography, more important is to control the cost of film. For every shot that needs to be repeated over and over again, the cost of using a live or real shot is going up in a straight line, which in Hollywood is never easy to allow.　　When James Cameron was filming Titanic, it was because of the cost of various aspects, and finally had to give up the director fee to make the film finally completed. After the impact of the financial crisis in Hollywood, on the one hand, more and more awareness of cost control, on the other hand, the late effects can do more and more work. But Scott is a typical academy director, special effects can add some illusory beauty, but in his mind, only solid sense of the scene to give the audience the strongest shock, this point in "Top Gun" can find the best example.　　So this time Scott chose to use the real train to shoot overturned plays, which was unprecedented in Hollywood. 22 cameras all over the record car rollover to ensure the quality of the shooting, the crew found 8 locomotives and 60 train carriages, how to shoot these giants became the next biggest problem. Every day the photographers set up 6 to 12 cameras on the train, on a stationary platform nearby, or on the rails. If you need to take a 10-minute continuous lens, the train needs to drive 5 miles along the rails, so you need to set up more cameras. Each scene is different, and each camera must be calibrated separately, one at a time, in order to capture the specific photographic position accurate exposure time, most of the time, the entire film set up 22 cameras to ensure that the car rollover every detail will not be missed.