"Bridge" four-star network watching outlaws staged a red legend

"Qiao Long Mad" Candong stills "Qiao Long Mad" stills Candong play the Righteous Bandit "Qiao Long" staged outlaws red legend Sina Entertainment News according to Shandong writer Bo the novel of the same name of the Red classic drama "Bridge" will be on this evening (November 15) landed in Guangdong, Yunnan, Heilongjiang, Jiangxi four major satellite TV. The play was based on the Jiaodong peninsula in the anti-Japanese war period, shaped a legendary outlaws character bridge, and by depicting him and "the word army" from the spontaneous anti-japanese to join the army, become the people's army this tortuous complex process, showing the bridge of the indomitable spirit of heroic heroism and Yi Bhoyun of life and Death Pride,　　It also wrote a Robin Legend of outlaws in the red Age.　　Director: "Lin Xue Xue," the extension of the TV series "Qiao Long" told the early days of the anti-Japanese war, Shandong region's bandits leader Chaolong, led by the fierce military "" "the word Army" to combat the Japanese invaders, they looted fish squire bully, punish the cynical of the lackeys traitors, and by the local The novel "Bridge" is known as "Lin Snow Snow" Sister article, and in director Jinguihui, TV series "Bridge" is the TV series "Lin Xue" "Extended version." "Starring Tongyao and the Great Qin Dynasty in the" Linhai Snow "plays an important role, which itself seems to" bridge "brings a sense of closeness and even blood. And the same is written bandits, "Lin Xue" is said to destroy, and "Qiao Long" is army efforts to attract, absorb. "Jinguihui that, in the face of esque, adhere to the anti-Japanese communists, the CCP did not take the strategy, but sent two Communists den, experienced a variety of trials and tribulations, and finally its incorporation," from this point of view, "Bridge" is the "Linhai snow" extension. "Candong: Subversion of the image of the Bandits played Chaolong Candong, has been in the" Soldier assault "," My Head of My Regiment "," Liberation of Shanghai, "and other military dramas in the image of the army. And for this Robin bandits role, Candong claiming to be a "big bastard, big filial son, Big Love saint, Big Hero".　　He explained that "bridge" is a real bandit leader, there is full of bandits gas, but also have a sense of righteousness, his mother's filial feelings of the day moving, in order to brother can disregard life and death, although not blindly ernvqingchang, but also is Clementine tenderness, very female popularity, and Guqiu country hate let he would rather be an ordinary warrior also to anti-japanese in the end. Candong is very fond of the character modelling of Qiao Long, "completely subvert my former image, many friends saw still don't recognize is me." "In the play, the bridge is mainly furs and cotton-padded clothes mix, often" mixed "scarf, cloak, armor, hand, for this tough male legend. "I like the beard that the makeup artist designed for me, certainly not Li, Zhang Fei that beard, very good, looks very noble." "Candong talked about his appearance is very excited, praise the play in the wine Red scarf," a lot of friends said there is ' British fan ', than the network popular ' sharp elder brother ' more ferocious, more whenIs。 "" The North play South beat "better See" "Bridge" to Jiaodong Peninsula as the original, throughout the play's ' flat state ', the representative is now in Qingdao, Shandong near area. "Jinguihui said," The first episode there are two or three paragraphs Shandong, Han Shu content is also about Shandong, in addition, from clothing, eating green onions, speaking accents and other details can be seen in Shandong story. "Qiao Long" in the actor to the north, everywhere embodies the true temperament of the north. Shandong People's anger is flourishing, ignition on, comes man image is very three-dimensional, very symbolic. Bridge long and filial piety, loyalty, lake, Clementine tenderness, indomitable spirit, embodies the integrity of Shandong people. Jinguihui said, although it is about the anti-Japanese legend of the Bandits in Shandong, but the framing is in Lijiang and other southern regions, "now the era of drama, the situation is too serious, the scene of bandits and scenes mostly." In order to bring some more beautiful and fresh visual experience to the audience, we bring many Shandong elements to the south, with the help of the local scenery, but also to treat many southern scenes as the northern image, such as snow, leaves and other details. North play South, it does increase the difficulty of work, time-consuming and laborious, pure trouble, but the audience will be judged. (JH)