Card machine is card machine, SLR is SLR
High-end cards are more expensive than low-end SLR, but these two things are fundamentally different.
Ordinary card machine is like a wooden sword, on weekdays, a move to practice dancing gestures, or small children between the house of the dozen, can be; high-end cards may be like a mahogany sword, with the role of exorcism and other spirits.
The SLR is like a fine steel sword--of course, some are also Xuan Iron, the sword does not come out on weekdays, the sheath must see blood ... Peach Wood Sword capable Xuan Iron Jian is basically capable, nothing but is not very successful.
How to use a card machine like a SLR
The card machine is limited to the photographic element, the lens quality and so on, in some subjects ' shooting, such as the weak light, the big aperture fictitious and so on the scene, is in any case also cannot with APS start (the M43 system now basically exits the SLR market) the SLR series compared.
At the same time, in many scenarios, the card machine and the SLR may not be too big gap-light conditions, approximate static conditions.
Or the old tradition, in the photography of this problem, I as far as possible on the floor of their own map.
Keywords: composition, high contrast, balloon inflatable ready to take off posture.
Key words: composition, tilt, high contrast.
Key words: composition, high saturation.
Refined:
Composition-This is a skill that does not have to be able to get started with thousands of shutter clicks;
Conflict-whether it is color or structure, as long as the picture of the card machine "conflict", people's eyes are mostly attracted by the conflict, rather than not enough of the virtual, all over the noise point.
How to shoot under weak light (bad illumination) or motion?
It takes more skill to use a card machine at this time, because of the many congenitally deficient card machines.
Keywords: black and white, simplified, straight line and curve
Key words: Backlight, reflection
Key words: Backlight, reflection
is still a simplified idea, because the details of the card machine can not be compared with the SLR. The backlight can better highlight the curve, contour, and reflection will add interesting elements to the picture.
Why is "decisive moment" not suitable for card machine?
Quite simply, the "decisive moment" is almost a patent for SLR and paraxial cameras; Instant capture is the biggest short board of the card camera.
The structure of a SLR and a five-prism make it a "WYSIWYG" representation of the camera; in the elements of composition, focus, and exposure, the SLR allows the photographer to observe the composition and focus in real time, and to accurately control the exposure time and exposure-accurately capture the "decisive moment".
The short board of the side-axis camera is unable to see the Gione and defocus outside the window of the frame (that is, the condition of the blur), but its special framing and focusing methods are more continuous than SLR--photographers can see themselves pressing the shutter moment, not as if the SLR never sees it, And it can be compared to the scope of the photographic device to see a large circle (35mm-75mm classic focal segment), so as to predict the "decisive moment."
and the card machine at this point, delay, and is a long time short delay, so that everything is hehe: in the vast majority of card machine, the photographer can never accurately control, exactly what 1/250 seconds, by their own press the shutter record down.
Conclusion
In accordance with customary practice, at the end of a number of sublimation.
"What's the best camera?"
The one in your hand.
"The card machine short board so many, why can it still survive"
Reason one, cheap, reason two, portable.
Cheap means getting a lower threshold, and portability means simplifying the conditions--that is, a card machine is something that allows more people to shoot more.
"What's the card machine for the card machine?"
It's a cell phone.
All the pictures in this article were taken by my cell phone, 4s in the year, 5s in the present, and a better picture in the generation and 3GS, but not on the computer now.
In fact, only a few moments, it's a movement, it's a change, it needs to be caught with a focal, high speed shutter, and more often, the things and sights that are worth recording are there, take out your card machine, think about how to record and express it, and then shoot it.
I am not a "80 's on the digital darkroom BlaBla" professional photographer, but was born in the early 90 photography enthusiasts. Once carrying D700+n Leica R and Gold Circle traveled to Europe, and finally settled in Leica M9+sony a7r above, every day bag carrying A7r+leica summicron-m 35mm go out, running in Beijing this bustling and lonely city. SLR, side axis, full micro single, F2.8 constant aperture, night God, Cheshin and so on these nouns, they are more like a kind of outward expression tool to me--------------------------------------------
And the mobile phone, as well as the same year's Sony T700 (then very beautiful very sexy card machine!) Let the photography of this thing really into the life, become every move a breath, become a part of life. Pat, Pat the next axis and micro-single, not clap, not clap, with eyes to see Bai.
I think, this is the card machine than the SLR, but also the place of SLR.