Lin trillion Hua: The real performance is not losing the self actor to learn Zhao Benshan

Lin trillion Hua Lin Zhao with Pu and small Tao Hong see Ibsen's grandson, this reporter sky blue photo never had such an interview experience, to me, also in the big guide Lin trillion hua. In the National Theatre Square in the Norwegian capital, Oslo, facing a group of street entertainers playing piano and drums, listening to the sound of water from the fountain of the square, we have two of Chinese travellers from China who are able to sit together and share the time. At the invitation of the Norwegian Ibsen Drama Festival, one of Europe's most authoritative arts festivals, this time, he communicated with his directing Master of Architecture.　　Although this Ibsen's work was in the domestic premiere in 2006, the industry has been controversial, but in Ibsen's hometown, it has been greatly praised. The 70-Year-old director, Lin trillion Hua can be said to be the current domestic theater industry a handful of big directors. Because of his maverick personality, "one play a lattice" of the director of the way, in the young drama has become a banner, but also suffered from the various theoretical criticism. But praise or criticism, Lin trillion Hua have only one sentence, "I can still be a drama, has been very satisfied." "Master of Architecture" in the Norwegian National Theater on the night of the end, the Ibsen Drama Festival to celebrate the premiere of the successful holding a grand welcome dinner, Lin Siu hua happy to "hide" in the cast crowd, occasionally will be caught with the guests polite two sentences.　　At the dinner party, Lin Trillion soon left quietly, dressed in his forever passion for the big coat, slowly paced, gradually disappeared under the yellow lights in Oslo ... Talk about the stage Pu they made me. September 6, 2010, the "Master of Architecture" in the Norwegian drama festival was praised. This is another extension of his career as a theatrical theater.　　These years, the creation team of the PU is more stable, including the designers of Iriming and choreography and the writers. Beijing News: This trip to Oslo, Pu told me, "Master of Architecture" can be counted as your landmark works.　　Are you particularly fond of this work? Lin trillion Hua: On the one hand this play is my platoon, on the other hand, this is my drama stage performance art and theater space expansion. I think in the past few years and PU and other people have some common language, they are in the performing arts and stage to provide me with a lot of challenges, so that I have in the drama of other unexpected things.　　It can be said that they have made my play for so many years, and I can't finish it on my own.　　Beijing News: What is the meaning of "Master of Architecture" to participate in Ibsen's drama Festival? I am grateful to the Ministry of Culture for participating in the Ibsen Drama Festival. I remember when I was in the line of Hamlet in 1990, when I was invited to the Munich Drama Festival in Germany. It is an honor to know that Shakespeare's plays are common in Europe, but that Asia has been expelled from European dramas. In particular, Shakespeare expert Peter also in the drama festival lined up a Shakespeare play, I listen to all feel excited. I told the Ministry of Culture that it was not my honor, but the glory of Chinese drama, but I didn'tThere are batches.　　But today, 20 years later, Ibsen's Drama Festival, the Ministry of Culture has volunteered my work, which makes me feel more open now than before.　　Beijing News: Pu said the work could be said to be an empty conversation between you and Ibsen. Lin trillion hua: I read the masterpiece, as long as there is a touch, I exist in the heart, such as "Architectural Master." The protagonist of the play I love and hate him, but he was afraid of young people knocking on his door. This is a stagnation from artistic creation, just as the so-called experts and scholars in the theatre do not like young people, fearing that young people will knock on their doors. and Beijing art to maintain the tradition, but how can tradition hold? But at the end of the play the architect climbed up the long ladder for the final climb. I like that--though he failed, he surpassed himself.　　These things can thrill me. The actor should learn Zhao Benshan. In China's current senior director, Lin Trillion is arguably the most controversial. Almost every one of his works will be a matter of controversy. Like the master of architecture, he let Pu sit still and act as if he were not performing. At the time, some experts thought it was not a performance to cover up the flaws in the performance, but Lin trillion has always been very dismissive of comments.　　As Pu said, in fact, from the "absolute signal" to "three sisters • Wait for Gordo" and then to the "Hamlet" and "Master of Architecture", these shows is the same as Lin trillion Hua's direct art, that is suitable for the Chinese performance style of the stage.　　Beijing News: At the end of this year, most of the works are your masterpiece in recent years, whether because of the climate, geographical location, people, so this time to do the most appropriate? Lin trillion hua: one is I want to do this thing, in addition, the capital theater has this empty, Pu time also can.　　So we've been planning this thing since last year. Beijing News: Pu said that your "architectural master" "Hamlet 1900" "Three Sisters" and so on in fact, are in the same vein.　　You have said that you pursue "do not perform the performance, do not see the director's director, not like a play", but now no one can understand the meaning. Lin trillion Hua: We say that the NEO system is from self to character. But Chinese traditional art and singing always have self on stage. The real art of acting is not to lose yourself on the stage, but to look at your own performance. Many Chinese actors think that acting on the stage. I told them that when you're not acting on the stage, the trick is good.　　But the actors don't understand, they can't figure out how to play well without acting.　　BEIJING News: So you will choose to cooperate with PU because he can do it. Lin trillion hua: still a little bit. I said a word, "the Titanic is the outfit." Nowadays, many of our actors act like they are desperate, and they don't know that the concept is that it never loses the "pretend" word. Like today's Pu, he has played a state, if "disguised" word removed, will fall in the mood of the whole play. "Master of Architecture" is a performance I imagined, but I don't know how to do it in other dramas. Especially young actors likeHow to achieve. Like Bing to see Sango (PU) performance quite appreciated. The sense of propriety, the realm of performance, he can realize, want to go to that height, is very valuable. The performance of some classic plays, although it has some new explanations, but the performance of the state is not a breakthrough. Including the United States, Germany, France, by Brecht and the impact of the Titanic very deep. Therefore, if the Chinese and western dramas draw a distance, our traditional opera aesthetics should be studied well.　　Now there are a lot of directors, including me, research also belong to the fur, the real traditional opera aesthetics like blood, into the contemporary drama is not easy.　　Beijing News: Like you say is the drama Master Jiao Juyin of the Chinese School of the continuation of it? Lin trillion Hua: for example, I always let actors learn Zhao Benshan. Some people say that Zhao Benshan has no culture, I think Zhao Benshan is very good, he is very relaxed. He plays the character, but the character is under his control, never loses himself, and he can grasp the pulse of the audience, not only laugh. But you see everyone else is trying to play the sketch. So Beijing Art always mention the Chinese school, but for many years I think they did not study the Chinese school well. In the latter half of the 50, Mr. Jiao had the courage to put forward Chinese dramas, and it was very valuable not to take the neo-system to guide rehearsals and performances. But how many Chinese schools have we inherited from all the drama we have now?　　In such a big country, there should be a local drama based on the aesthetics of Chinese Traditional opera singing.　　Beijing News: That Mr. Jiao Juyin's own row of "Teahouse", is not a Chinese school? Lin trillion Hua: that count. But only in the "teahouse" stage certainly not. Beijing Art said that "Teahouse", including foreign commentators say so, only Beijing art can have so many repertory.　　Such a big country, only one Beijing art, is actually the disgrace of Chinese drama, not glorious. Talking about the drama critics and not talking about drama only the beginning of the early 90, the establishment of a studio in China. Though the parties to the deal are more likely to be blamed and riskier, it is still determined to do so. He said that in fact he has always been dismissive of those comments, if the care is not a play already.　　In his view, China has no real drama commentary, because many so-called experts do not understand the stage.　　Beijing News: Do these works, like those in your studio, distinguish clearly from the works of art in Peking? Lin trillion hua: to art row of most of the play is the main melody or close to the public drama, including "Teahouse", are all popular drama.　　And the studio has no restrictions.　　Beijing News: But do you feel embarrassed in art's present creation environment, or in this atmosphere? Lin trillion hua: I don't think about this place.　　If you call me a rehearsal, I think I can row on the line, no matter I do not row.　　Beijing News: Remember the original said you are "subsemigroups" argument? Lam trillion hua: yes. Drama College is my alma mater, the initiation of formalism is from the drama Academy began. Art I really worship Mr. Jiao, as I said just now, I think the 50 's can raiseThe Chinese school needs courage and greatness.　　In fact, I would like to inherit the Chinese school, but they do not think that I inherited Mr. Jiao's tradition.　　Beijing News: Who are they?　　Lin trillion hua: those old artists, including some outside critics, I'm afraid they think so.　　BEIJING News: Have you been confused for some time, for those comments and controversies.　　Lin trillion hua: a little.　　Beijing News: You said you didn't pay much attention to the drama experts ' comments. Lin trillion hua: Don't care. If every play is first to consider how the experts will comment on it in the future, do you think I can rehearse? I just think that there are few real drama reviews in China. Our comments have only been on ideological and literary explanations for many years, and many experts do not understand the stage, so what China lacks is real drama commentary. They will only say what it is, the genre, the PB{}.PB textarea{font-size:14px; margin:10px font-family: "XXFarEastFont-Arial"; background: #FFFFEE; color: #000066 }.pb_t{line-height:30px font-size:14px; color: #000; text-align:center; /* paging */.pagebox{overflow:hidden; zoom:1 font-family: "XXFarEastFont-Arial", serif; Pagebox span{float:left; margin-right:2px Overflow:hidden; text-align:center; background: #fff; Pagebox span a{display:block; overflow:hidden; zoom:1; _float:left; Pagebox span.pagebox_pre_nolink{border:1px #ddd solid; width:53px; height:21px; line-height:21px; text-align:center; Color: #999; Cursor:default. Pagebox span.pagebox_pre{color: #3568b9; height:23px; Pagebox span.pagebox_pre a,.pagebox span.pagebox_pre a:visited,.pagebox span.pagebox_next a,.pagebox SPAN.PAGebox_next a:visited{border:1px #9aafe5 solid; color: #3568b9; text-decoration:none; text-align:center; width:53px; Cursor:pointer; height:21px; line-height:21px. 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Pagebox span.pagebox_num a:hover,.pagebox span.pagebox_num a:active{border:1px #2e6ab1 solid;color: #363636; Pagebox span.pagebox_num_ellipsis{color: #393733; width:22px; background:none; line-height:23px; Pagebox span.pagebox_next_nolink{border:1px #ddd Solid Width:53px; height:21px; line-height:21px; Text-align:center; Color: #999; Cursor:default; [Page] on Beijing art art latitude and limited Lin trillion Hua is currently a retired director of Beijing Art, he has been deputy dean. Pu thought of inviting him to be the art director, but more often than not because of the difference in artistic opinion by Beijing Art marginalized. This embarrassing situation has not changed in the past years.　　However, Lin trillion has always kept a clear mind, he knew that the status quo can not change, then the rehearsal, at least the creation of freedom, do not compete.　　Beijing News: As a director in the National Theater for so many years, do you think it is fair to treat this? Lin trillion hua: Objectively you know this, but as a theater, those so-called artists and leaders, do not see this. They would rather abandon art than preserve what they call status, tradition and Wushamao.　　This is true of every leader.　　The Beijing News: The foreign theater is not like this? Lin trillion Hua: foreign will not.　　For example, a foreign theater in order to change, will change the art director, some even the actors of the team have to re-examine the exam, but China can not.　　Beijing News: In this situation for so many years, feel your attitude has been very good? Lin trillion hua: It can't be reversed, so don't be a rivalry.　　At least now it's free, unlike the theater that left you out in the last few years.　　Beijing News: Remember how long you've been a deputy dean for a few years? Lin trillion hua: Yes, including PU after taking office, want to let me do art director, to deny. What do we do when we're the art director?　　But the real theater management, there should be an art director and a manager.　　Beijing News: In fact, you still want to own the play first to get art do, art should have such a play, is it?　　Lin trillion Hua: Art should have such artistic latitude.　　The Beijing News: Mr. Cao Yu that era is some, just as you do "absolute signal", without Cao Yu's support also not. Lin trillion hua: there can't be too much. A national theatre, which seldom plays a famous play all the year round, is itself a problem. It is not to say that all are mainly foreign play, but at least such influential traditional theater, should often have the world famous drama, such as Europe's major theaters are selected every year is a classic repertory, the round 40%-50% is the world famous. In particular, the three major writers Shakespeare, Chekhov, Brecht, that is certain.　　But Beijing art.　　Beijing News: We do not still have "Guo Lao Cao" Well, is also a classic.　　Lin trillion hua: Can't compare.　　Beijing News: Now the new President Heping came, we feel that there is a very promising. Lin trillion Hua: he does practical things. Art now the whole dramatic environment is good, but from the drama ontology, there is no improvement. Including the folk creative power is also very weak. How deep is the drama literature that you say a play? I don't recognize my director's art.What good things, is the comparison of life, natural things on the stage.　　Want me to say not to make a statement prematurely to create what classics, many plays and "Teahouse" is not the same. On the status quo of drama in the international general after and Jinghui committed to the studio and Drama Festival, the two hands, Lin trillion Hua still maintain an independent creative attitude. Once he also wanted to do teaching, but found that the energy is not enough and immediately back.　　Of course, a person alone is not to say that he does not care about the current drama, especially the frequent foreign exchanges, he found that in fact, Chinese drama is still in a backward state, but after all, personal strength is limited, rather than change from their own start. Beijing News: Now the whole society is very impetuous, can not do a particularly good thing to. Including Jinghui's work, is now controversial.　　Do you think artists should sink down and not participate in so many social activities? Lam trillion Hua: they have no way. Real material, money, including ideological rights, and so on, do not repel these things.　　To limpid, the origin and impulse of true artistic creation comes not from ideology, but from the heart.　　BEIJING News: What do you think is the present situation of Chinese drama? Lin trillion Hua: from the international point of view, Chinese drama is generally not the spirit, including my own play, from the world drama trend is not a front. But at home, at least there are still a lot of plays to see. In the first 10-20 years, other people came to Beijing except to see the opera and see the art.　　I want to slowly good more, need to have a process. Talk about their own want to rehearse do not want to get rich understanding of Lin trillion Hua people know, he is easy-going, is a lovely kind of old artists. But in the face of strangers, he will be like a child at all times to maintain a sense of distance. Perhaps because there is a childlike innocence, so for decades, the works of Lin trillion, has always had a "playing state", the kind of four to dial the feeling of the heavy is afraid to be unique in China. But if you ask him what makes him so different, he will only tell you that it is "artistic intuition". Zhaohua said he never thought he was a hard-working person, including always thinking of books but never had time to come out.　　Perhaps about his achievements can be left to others summary, after all, he has not solved the problem, it is beyond their own.　　Beijing News: You start by saying that you really like the last climb of "Master of Architecture", that is a transcendence, is this also alluding to yourself? Lin trillion Hua: This is what I am facing.　　I want to go beyond, but it is especially difficult to surpass myself, especially myself.　　BEIJING News: What else do you want to go beyond?　　Lin trillion hua: Do not know beyond what.　　BEIJING News: What do you think is going to happen to every play now, or do you want to leave something behind?　　Lin trillion Hua: This is the old topic, drama is to put fireworks, put the past.　　BEIJING News: You don't want to sum up anything now? Lin trillion hua: Want to get a book, have not come out till now. If I want to write it, I want to write it myself.Come on, there's too much assorted. God and my parents gave me a little talent, and I created more by artistic intuition. And I like Taoism, start I find in the Tao home: There is no, there is no.　　Nothing can be done on the stage without space. The Beijing News: Looking back on these decades, do you think it is a smooth way?　　For example, on the side of the studio, you have to think about raising money every day, and you're not going to be so free now. Lin trillion Hua: Fortunately, in these years, someone sponsored, very happy.　　Theater can be a row, their own studio can do some drama, what do you think?　　Beijing News: Are you still tempted? Lin trillion hua: I do not want to be rich, ordinary life is very monotonous.　　I am not good to eat, these desires are not strong, so for the rehearsal to make money, the concept of an official in my mind does not exist.　　Beijing News: Are you still confused, or are there any problems that can't be solved? Lin trillion hua: My confusion lies in the original, the true artistic creation is the most lack of original, the most lacks is the rich artistic expression language. I am not a very strenuous rehearsal, with the past years to show the experience of the direct use of it. But the new art language is the most valuable, a play can be a bit.　　I think what I need most now is to go beyond my own experience. C12-c14 Edition/newspaper reporter Blue. pb{}.pb textarea{font-size:14px margin:10px; font-family: "XXFarEastFont-Arial"; background: #FFFFEE; color: #000066 }.pb_t{line-height:30px font-size:14px; color: #000; text-align:center; /* paging */.pagebox{overflow:hidden; zoom:1 font-family: "XXFarEastFont-Arial", serif; Pagebox span{float:left; margin-right:2px Overflow:hidden; text-align:center; background: #fff; Pagebox span a{display:block; overflow:hidden; zoom:1; _float:left; Pagebox span.pagebox_pre_nolink{border:1px #ddd solid; width:53px; height:21px; line-height:21px; text-align:center; Color: #999; Cursor:default. Pagebox SPAN.PAGebox_pre{color: #3568b9; height:23px; Pagebox span.pagebox_pre a,.pagebox span.pagebox_pre a:visited,.pagebox span.pagebox_next a,.pagebox span.pagebox_ Next a:visited{border:1px #9aafe5 solid; color: #3568b9; text-decoration:none; text-align:center; width:53px; cursor: Pointer; height:21px; line-height:21px. 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