McCallister: "The Wind" after turning around to fear oneself into the enjoyment of the state

The life accident and the meaning of life in the "wind-language" stills of the two people crossed an insurmountable gap between them, ' wrestling ' behind the strong human nature and the weak human. Let a person sigh, let a person helpless-this is its unique place. "Author, editor/Bai Yuhong in the TV series" The Wind Language, "the launch of the conference, the Mai family escaped long spear short cannon, standing in a humble place with 32 friends to talk. Reporters were interviewed by him declined, the reason is to be interviewed more, afraid of losing a sense of strangeness. This is in line with Michael's personality-ascetic, water is not the first.　　The next day, in the Reporter persistent and sincere invitation, back to Hangzhou, Michael's family agreed to do a deep dialogue with our correspondent. Michael's family wrote for decades, after a bumpy, obscure. Eventually because of film and television drama and Burst Red, he was also known as the founder of the special Love novel and the Chinese Spy War theme "History of the most cattle" screenwriter. As the winner of Mao Dun Literature Prize, McCallister should leave the ascetic writing state, let life become alive and fragrant.　　He said, I am afraid to enter the state of pleasure. Michael is a slow-working malt writer, and he often asks himself, "when the speed of the writing of most people is fast, do I have the patience to keep the slow qualities of literature from being lost?" "The creation of the wind language," he spent three years, novels, plays, a draft, two drafts, Non-stop, day and night. Michael's family described it as a "masochistic writing, written to vomit". In order to shape good people, he often have to prepare a lot of information, read a large number of professional books. Mr. Du's appearance in the book, although not many, but it is the whole book of a "book Eye", a very important person. In him, the Kuomintang senior officials of the high-handed, ruthless spicy, blood, thick black, hypocritical, arrogant and so on complex and even contradictory character must be properly to present, heavy, light, cannot, impatient, slow, this is difficult to grasp the propriety. Also such as Chengugu, a professional gifted mathematician, to write good him, Michael's family also to make mathematicians to figure out the mind of chengugu genius, the taste of misery. Chengugu Occasionally, the family may need to think about 10 days and a half months, or even longer, the results are not necessarily the most close to their true nature. Fortunately, the time is abundant, McCallister said: "I can take the time to change space."　　"The Wind language" is not the millet rifle, is the big guy.　　Reporter (hereinafter referred to as): it is said that the "wind" is a prototype of the story, what kind of inspiration you have to create the "wind" impulse, and three years of time? McCallister (hereinafter referred to as Mai): where is there so many prototypes? No. "The Wind" and my other works are completely fictitious. Fiction is not a fabrication, fiction is the essence of fiction, but also the art of real and physical (life) between the real password, it requires the novelist to use writing skills to decipher, rather than simply to restore life. In a sense, nothing can be restored, and what we see in the past is created by artists. As for why I have to spend three years to create, because the "wind" itself is open EAPC, many characters, complex structure, clues complicated, not millet rifle, is big,It must take so long to build. Remember: You said, "The wind" the most proud of you is that you have molded two men to duel with each other. In many successful film and television productions, male confrontation is very attractive.　　So what's so unique about the two men wrestling in the wind that makes you proud? Michael: Chengugu and Lu's duel is interesting in that they are not the traditional enemy, but a unit (black room) colleagues, subordinate. There is no jealousy or hatred between them, there are some special times in particular background for the same goal but because of different positions of contradictions. Such contradictions are very subtle, it comes from the absolute "public", but can not be grand, can only be flooded into the "despicable" but "clean" of the Machiavellian. The accident of life and the meaning of life in the two people crossed an insurmountable gap between the "wrestling" behind the strong human nature and the weak human.　　Let a person sigh, let a person helpless-this is its unique place.　　Remember: The protagonist of your work is mostly neurotic paranoid, in the world of password deciphering, only the lunatic or close to the crazy people can succeed? Michael: First of all, I want to explain that in the password world, success is actually failure. Because your success is based on illogical, reverse science, and anti-humanity. Not the establishment but the destruction, the heartbeat of the dead. Chengugu know this, so at first he resolutely resisted being landed director of the occupation, surrender, and better disgrace not from.　　It was then that Mr Du and his father came to the end of the path of his own. So the answer to your question is obvious, because the person who designed the code is crazy, paranoid, and normal people can't beat lunatics and paranoia.　　Only Sando Mamang, Qinshubao War Shingong, Paranoia challenge paranoia, only the possibility of victory.　　Remember: Your work emphasizes the strong will of the characters, whether it is positive or villain, the outcome is often unexpected, the protagonist almost all avoid the tragic fate, why? Michael: Most of my characters are geniuses. What is a genius? Genius is the ill-fated, because they are the "enemy" of ordinary people. Life is to let us become ordinary people, and a very person in the ordinary life will inevitably have a lot of stumbling, tragedy is so happening, the so-called female star-crossed is also this truth.　　Being beautiful is also a "genius". In this regard, I have said more than once that I have identified a form-the daily torment and nurture of people, constant, perseverance. The human will is simply being killed in sickness and death, to break this layer of barriers to pay a very noble price, such a cost sometimes across life. Add another layer of meaning, that is Liu Yuxi's famous sentence: Shen Boat side thousand sail past, disease tree ahead million wood spring. Our life not only has the present feeling, but also has the eternal thought, for this reason we must stand outside the life and death to ponder the life and death, the attitude is resolute and clear.　　Bustling down, really my heart can be ready. Remember: "Wind" wrote a pain in the heart of the lungs of love, this sense of love and fate and Huang Yiyi brought to the audienceWhat difference does it feel? Mak: Of course, this is a different thing, Huang Yiyi is the victim of the times, in the feelings of no (and can not have) suitable "opponents", also doomed her misfortune. In other words, her feelings are so hot, lonely, restless, burned out, the spring breeze can not "blow and live." and Chengugu and Keiko different, they are fortunate to meet, each other full love, harmony, rub out of love sparks in the background of the big era, burning out the taste of "industry fire", you have me, I have you. But this is the absolute sincerity of love was conspiracy to plot against the miserable and desolate, the fate of the "home country" sacrifice, but it is not heavy as Taishan, but pain in the heart.　　It is necessary for us to face up to this problem, give history a new vision, give today a different account.　　No one can be a literary Adam. Remember: You prefer the intelligence duel compared to the "wind", which shows various types of torture.　　Are there any works or authors that inspire you?　　Mak: First of all, to make it clear that the "wind" of the novel is nothing to torture, torture is a high group of books for the film's screen shock force and add things, not my creation. Remember Saint Austin said a word: no one can become a literary Adam. That is to say, no literary works or any writer is born, the world's first text works-if there is such a work, it must originate from the folk oral legends, the formation of oral legends must come from "opinions." As far as I am aware, my writing is not directly related to a particular genre of work, and I do not agree that my work is an espionage novel or a special love novel or something.　　Espionage war, Special Love is only the subject matter, suspense as a novel skill, I think it should be all novelists to master the basic skills. Of course, the impact is also some, but not the subject of words.　　In terms of writing, Borges, Marquez, Nabokov and other masters are the guiding lights on my literary path.　　Remember: you personally as the "wind language" screenwriter, it and the novel very big? Mak: To say the difference is too much, can be said to be everywhere. For example, in the TV series, Heises was Kang betrayed is really sent back to the country, but the novel did not, Lu gambling life will he stay down, let him continue to work for the black room. There are plenty of characters in the novel that are not in the show, for example, an old monk in Mount Emei, Enlightenment monks, not only to treat the disease chengugu, but also cured his heart, let him from the "Keiko Rebellion" to stand up, full of love into the black room, for the black Room made a contribution. These are the details, and the difference is much more. Narrative methods are not the same, the expansion of the plot is not the same, including the personality of the characters, novels and TV shows how much there is a difference.　　In short, you can think of them as two different watermelons on the same vine. In addition, I also have a small ambition to do so, through the "Wind" novel and TV series two degrees of creation, to provide reviewers with a sample to study, to comment on the relationship between the novel and the TV series or differences.　　Remember: You said that the biggest concern is the black room settings, why so pay attention to this scene, it has a great impact on the whole play? Mike: Of course. "The Wind" is about the story of the Black Room, and a lot of important plots happen here. On the one hand, if the Chengugu genius is drifting cloud, Lu means secretive, then the black room is their atmosphere, let them back to reality. On the other hand, the black room must be subject to the special character and professional special, from the real thing, foil the mystery, with the figure of three-dimensional shape, and then the finishing touches to the entire work.　　So the overall layout, the choice of items, light and shade and so the details are very important, this is really too much skill.　　There is little nonsense in my novel.　　Remember: Your novel is full of ordinary people difficult to imagine deciphering the code, mathematical formula, what is the access to your math and literature? Michael: This is related to my habit of writing novels: First of all, I must think of the last pen when I write the first pen. Second, my novel almost no nonsense, the language is very clean, every word for my novel is useful, this tightness, logic is the need to learn from the mathematics of nutrition.　　So, deciphering the code, mathematical formulas and other elements of the other may be difficult, it is not difficult for me, this is my focus. I read a lot of science and engineering books, Hawking's works have almost seen, "A Brief History of time," and so on, some I can recite. I don't think literature can nourish literature, I think writing is far more important than how to write.　　It's too important that my mind and my spirit be carried by someone.　　Note: If you are not a writer now, would you be a gifted mathematician, a cracker, an excellent intelligence worker? Mike: Can I ask you, Shi, if he doesn't write a novel, is he going to grass Juyi and Jinshan to be king? Agatha If she didn't write a novel, would she be going to Scotland Yard to be a detective? Obviously not. Now many people are so unimaginative that they always think you can write it and write it only when you know something about it. Not really. A good novelist must have the ability to conjure up magic and make his imagination look more real than it really is.　　It takes a long, persistent workout that is easily overlooked by most people, including some authors.　　Self-doubt is also self affirming.　　Remember: Why do you have such a preference for wind, then there will be wind series? Mak: Wind, unrestrained, erratic, to no shadow, no human control. I love to read song Yu's "Wind Fu": "The Wind is born, from the end of the Yu Qinghei, the invasion of the gully, rage in the mouth of the Earth capsule, the edge of the mountains of the Ah, dance under the pine and cypress, erratic 淜 pang, 熛 anger." 耾 耾 Thunder, back to the wrong 迕, Fujue stone logging, shoot jungle.　　"The mysterious, profound, endless, provoking reverie, memorable." Is there a "wind" series after the words "wind"?　　Since I like it, since there is taste, why not? Remember: In reality,Is the pursuit of adventure, speed of the people? Mai: Indeed, this is a pursuit of speed of the times, the speed of our push forward, we slow down, slow down is the countercurrent, we need to pay double the strength and efforts. I often ask myself: when the times change dazzling, I still have the courage to continue to be a motionless person, a quo person? As soon as the speed of the majority of writing, I still have the patience to make literature itself slow quality is not lost? Do I want to go back alone when someone else is moving on?　　When everyone is pushed to the center of the noise, can I still be in a corner and continue to write lonely and lonely? It turns out that my worries are a little superfluous, because character determines everything: I always doubt, always worry about things do not good. A few of my long novels were written in medium and then enlarged. I often comfort myself: this is my problem, but also my advantage. Often this is to be able to make a skill to come, self-doubt is actually self affirmation: in doubt.　　I do not believe that a person who is always confident enough to pursue speed can come up with something very good, because he is less the process of testing.　　I must turn away after I have finished writing the words "the Wind".　　Remember: Write so many "spy wars", worry about the creation of exhaustion or repetition? Mak: I wrote the "Spy War" is not the type of espionage warfare, I created the excitement is not all here, but my series of works of good luck, and the era reached a tacit understanding, nothing more. I will not be complacent, clinging to positions, or even outworn.　　After I wrote the words of the wind, I had to turn around and try new subjects, so the exhaustion and repetition of creation was not a problem for me, but one of the reasons I challenged my imagination.　　Remember: That's what people often say about transformation, but is it a risk to try new subjects as successful writers on certain subjects? Michael: Actually, I've written a lot of other novels before, but it just doesn't matter. Writing, is a writer's instinct, as to write what has a lot of contingency, like in love, to find your appropriate "that one" contingency greater.　　Writers choose what to write and what you look for in a situation that is very similar to what you are looking for, and when you don't find the one, you don't know who it is or what it is, but when the "one" that really belongs to you appears, you will be able to feel it. As for now, I even wanted to write a medieval knight novel in Europe, do you believe it? Just as a Sichuan chef often wants to try Cantonese cuisine, novelists sometimes have the interest and impulse to try new subjects, but it takes a process, and it takes a lot of courage for a writer who has already succeeded in a certain genre. Countless times, the fact that there are few writers who can succeed after the conversion of themes, such as the famous Doyle, when he did not write Sherlock Holmes, to write science fiction, write love, the reputation of the work has plummeted. Nevertheless, I am a person who likes to challenge myself, and a writer who is afraid of being typed, so after the words of the wind I will definitely try to writeOther themes, this, you can be seen as my stubbornness, can also be seen as my innocence.　　For a man who is about to know his destiny, what's the point of being stubborn and naïve?　　I'm afraid to go into a state of enjoyment.　　Remember: "Plot" "Wind" after the success, you can also maintain the past this independent introspection, undisturbed the creation of the state? Michael: I have a deal for myself, more to restrain myself. A relatively powerful person, a successful person is a lot of sacrifices, concessions and compromises. You are compromising on your personality, your desires are compromised, you can't have everything by yourself. I am afraid to enter the enjoyment of the state, enjoy life is easy, creating is difficult. Because of the difficulty, we must learn to restrain, put the limited energy into a basket.　　I think a person can only do one thing in a lifetime, I try to write my novel.　　Generally speaking, I have a firm principle in life, if not compatible with outsiders, I will avoid, never cater to. Remember: You said that writers are actually a bit morbid, what are you talking about morbid?　　Is the writer really different from the ordinary people? Mike: You kind of twisted my meaning, I mean the morbid fact refers to "painful experience", as Hemingway said "Bitter childhood is the writer's best training." My childhood was overwhelmed and humiliated. This is the responsibility of that time, not one person. My family has a very low political status, and in those days my personality was often insulted. My writing is starting from the diary, because your status is too low, no one is willing to make friends with you, but people are born with the desire to express ah, since can not sunlit to come out, can only go to the log bridge.　　From junior high to the beginning of marriage I have been writing a diary, wrote dozens of, in fact, is a kind of self communication satisfaction, but also for me to write a novel to provide a training. Of course, writers are certainly different from ordinary people. He needs to withstand loneliness, withstand temptation, need water not to be rushed, need mulberry. This kind of willpower and behavior with the speed and hype of the era of incompatibility, from this point of view, that is "sick" is not all wrong.