Southern Metropolis Daily: We are short of many Kuo

It is said that many domestic film companies believe that the difference between them and huayi is that they lack a kuo.　　Indeed, we do not lack the movie big Alligator does not lack films director, what we lack, is kuo this kind of filmmaker. Seven years ago, by chance to see his "double pupil", stunning, that is the decline of Taiwan's film industry when the ——— of course, now there is no much improvement, how can there be no sign of such neat, full of commercial film? Hollywood frame of the serial killing story, but with Taoist fairy tales in China, tense and gloomy, but also just to add point charm, FAI Canthus of a drop of turbid tears, with a "love does not die" a few words, the story of a perfect collection slightly. Then see the "Marriage", "My Beauty and sadness," is so, the structure is exquisite, and there is no redundancy, but also a little bit dark, is also evil, and not too much. He began to look forward to his next, but could not hear his news, thought, there is really talent this matter, until the "Kekexili", "The World Without Thieves", "The King of Kung Fu", "Ghosts in Mind", "Assembly Number" (all by the Kuo producer), "Wind" (by Kuo and high Group book director) appeared,　　And his latest film, "Detective Dee's Empire" (supervised by Kuo). It is necessary to briefly popularize his life, he was born in May 1958, was a film critic, from 1981 to 1982, the Ninkinma Awards International Film Festival Planning, and later served as the editor of "influence" movie magazine editor-in-chief and Film Library "film Appreciation". 1986, for Yang rewrite the "terrorist" script, formal St, ultimately by the writer become director.　　He was also a director of Huayi in 2000, where he worked for the Columbia company because of the film "Big Shots" and Huayi Brothers. Kuo is more like the creators of American bestsellers and commercial film traditions, respect the commercial law, respect the narrative art, the work always carries a breath, dignified, thick, this probably with his long-term writing the film, always with anticipate, monitor, criticize own heart creation, may have such result, by his producer's film, is also a.　　Therefore, Feng Xiaogang thinks that the real supervision system of the mainland film is the beginning of the Kuo, and he has enough influence and promotion of the mainland film industry. At the same time, Chinese films seem to be entering a golden age of Wonderland, last year's movie box office income of 6.2 billion, the first half of the year's movie box office income of 4.8 billion, a contrast is that almost all films were rated as bad movies. But Kuo's skepticism about the audience's assessment and the usefulness of the film, he thinks Chinese movies can keep rising as the world's box-office power fades, because Chinese movie viewers are only interested in the theater, hoping to "get out of a boring, repressed, formulaic life",　　It's not the desire to communicate with the filmmakers ——— in other words, the level of the film does not matter, people want only this difference in the daily life of the place. But pessimism and sobriety may be two kinds of thingsNaming way, his pessimism, is also his sober, and we lack, is a lot of kuo such a person, sober and pragmatic, the film never with contempt of heart, so that we roam in another place with fun. -South all special entertainment commentator Doong