The first round of "good people in Beijing" was praised for the origin of human nature and good and evil sliding
Source: Internet
Author: User
KeywordsRoot cause good and evil
"Beijing Good Man" stills "Beijing Good Man" still Sina Entertainment news a small group of drama scholars obsessed with stage experiments: Shen Lin, treble, Ouyangwen ... Since the group of a Night owl studio, fiddling with a Tan Ying, folk singing, small clay figurines and other thick Beijing sentiment and mixed, sound state and made the "Beijing Good Man." Recently, the play in the Chaoyang 9 theater ended the first round of 10 performances, access to industry experts and audiences alike. The play is adapted from Brecht's masterpiece, "The Good people of Sichuan". The creator is faithful to the original works, and based on the use of Brecht's most typical "between" method to create, on the stage by the actor in public attire, and a person to play the opposite two different roles, to provide the audience with a wider space for thinking, the famous critic Link after watching the whole play, gave a high praise, " Some people may say, "Beijing good Man" is nothing but to show that all people have good and evil, each body has both Shen Daishan ingredients, but also the composition of the Sui and evil. This is also an explanation. But I think that the creator will not be 迂阔 to believe that good can save the world, nor shallow to think that all people have good and evil. Shen Dai/Sui's image charm, not the character of the dual character of the irony of the contradiction. "Beijing Good People," the value of it is not only the one street (city) divided north-south-North Street Ant Clan Midnight overtime, street South giants feasting dance-indignation and ridicule, but more or less it touches the human nature of good and evil sliding social roots and institutional reasons. "Beijing Literature and Art Society under-Secretary-General, Xu Xiang, a PhD in literature, believes that the unfolding of" good people in Beijing ", from content to artistic artistry to cultural spirit, is showing the audience a keen tentacles of the present age: After Modernism and Postmodernism, a post-postmodern cultural age is showing its dawn. Return to the original code from the banter and mediocrity, return to the classics from the clone and the copy, return to the reality from the elegance and the detachment, return to cross-examine from the filth and the sacred. "The Good people of Beijing" is not a serious attitude of modernism, a heavy and absurd torture of life, nor is it full of nothingness, entertaining attitude, thoroughly banter and subversion of classics. It is a cautious look back on modernism in the background of postmodernism, and also a serious backwash and independence of postmodernism cultural spirit by the resources of Modernism. This is precisely the "Beijing good people" to convey the cultural spirit and cultural attitude: in the sea of people guarding a homeland, in the desire to adhere to a cautious, in the trend of thought to maintain a distance. The performance of the "Good Man in Beijing" is a simple form of the three-side stage. The actor who has not yet entered the play, wearing a white mask, sits on the wooden bench on the left and right side of the table. Take off the mask, put on a hat or wear a costume, that is, Avatar as a character debut performance. On the empty stage, the main setting is a four-wheeled bamboo stroller, common in the poor years of the 670, with a delight of everyday groceries. A musician, a Tan Ying, is almost the whole band. As for the wind, the sound of rain, knocking at the door, street sound ... It's all for the cast.The most humble cattail, small horn scene manufacture. In conjunction with the dramatic content of poor distinct, good and evil, it subtly produces a cordial atmosphere, and the present feeling of life and history. Xiaofeng, a professor of history at Tsinghua University, used "a string and a pillar of thinking of China years, very astringent very painful" to describe the feeling after the opera, "I never thought that the performance of Sanxian can be strong to such a degree, as if the whole play is to be a sanxian support will rise." The brightly lit Beijing has become a cosmopolitan city after the 08 Olympic Games. The strings of Beijing, has already been withered yesterday. But how many times has it been asked how to treat others well and treat yourself? How many times will you be asked in the future? I do not know why, suddenly feel that "Beijing good Man" in the string, pop up was 200 years ago played the same desolate. ”
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