The writers are going to have a "writer's Day".

Writers also have a "writer's Day". Last weekend, Liu Heng, reed, Wanfang, Wang Yanping, Akashi, Guo Weili, Manfred, Shiriolu, Lianping ...　　60 writers gathered in Hangzhou, participated in "2009 Chinese film and Television writers Pond Habitat Aristo." "Aristo" of the party, Zhejiang Film and Television Group, these two years has been regarded as "upstream resources", which will be repeated to the writer's reward policy, and set aside 100,000 yuan, to the writers to collect film and television drama Creative Golden. Zhejiang Film and Television Group This two-year shot quickly, this year began to launch the production of film and television products: TV series "Sword" is about to be aired, "My memory of Life and Death", "Yan ' An Love", "Born 1949", "My memory of Life and death" and other TV dramas will be put into filming; the Shaoxing Opera film "The West Chamber" and "Lu You and Tangwan" starring Mau Weitao , the new "Liang Zhu" is about to be a wrap.　　And in the investment "assembly number", this year, Zhejiang Film and television group will work with Jiang to invest in Jiang new film. In the future, pond Habitat will also be established "tang-Habitat film and television writers Creation base", "Chinese film and Television Writers Festival" will also be born. It is said that the creation base is located in the Tang-Habitat ancient town after the reconstruction of the "Water square", nestled in the canal, simple and beautiful, writers can quietly write here and get a variety of services.　　The writers were delighted with the environment.　　The writer's position is heating up.　　The previous keyword has been "activist", inspired by Hollywood, at the beginning of this year, the domestic dozens of first-line writers "hold a regiment to keep warm", the establishment of "story" ("Hi-Rui") company, and said the company was founded not to sell the script, but to "master the posture of the right to speak." This time "pond Habitat Aristo", the key word wants to change a change: core competitiveness. As the topic came out, the writers began to say something. As usual, the writers took it as a trade union convention, complaining, but the writers who had the right to speak said nothing of the same thing. [Page] Liu Heng: not with "assembly number" a fire, I recognized that the writer is only a chain of production chains, too small to be small, even if you are a genius, but also a link. When the assembly called me to the premiere, I was stuck in a mountain, unable to go and write something.　　It was a long time since the rally was fired, and my close friend didn't know I was the screenwriter. This is definitely my responsibility, I have the opportunity to yell, but in fact, is a kind of self choice. I don't think the public cares about who wrote the show, who really cares about the actors, even the directors who are willing to compete with the media. Strictly speaking, in the media law, this is the compliance. And I think as a writer, or willing to be lonely better.　　Your position is under your lamp, your value is here, not to mention this is not free, you more than the average person to obtain more material resources. Akashi: Write a screenplay for Zhang Yimou. Now the market is discovering the value of the screenwriter, but what is the value of the screenwriter, in fact, is not the full proof.　　Personally, no matter what the interests of sacrifice, first of all to write a film to let the audience like. I first thoughtThe play has a great effect, but now it is difficult to leave the others as a whole. For example, Honglei, he has the ability to set the plot, a screenwriter and his cooperation, but still he is in the cast of large components. Anyone who writes a screenplay for Zhang Yimou will find it difficult to achieve uniformity, even if you can get a slightly more assertive position in a cabin where two of people talk about the script, but in the end they still don't get a position. So I think one of the most likely models is the American model of the team route.　　But in China it is difficult to really copy, if we get to the United States to build a team, can write a beauty show, certainly can't write! Manfred: It is impossible for us to have such activities in Hong Kong. will give each person a brand name, even if it is Feng Xiaogang, also trouble you hang a card, everyone in the lobby to see can greet each other.　　When it comes to rights, it's too heavy, because rights are supposed to be, but how to be specific to the rights, not aristo to talk about.　　Hong Kong Film Writers Association was founded more than 10 years, mainly friendship, tourism karaoke song. We used to wonder if it was a union, but we all know that the writers of this business is not like other professions, especially in Hong Kong, we have some writers are picked up from the street, of course, some are highly educated, there are some may only reluctantly to write out what he wants, there is no threshold. Writing plays is not homework, everyone's skill is different, so we can not defend rights, there is no unified contract. The role of the association, take care of each other is OK. Correspondent Sun Qing reporter Kwok