How to learn calligraphy well --- Linyi

1. related to "Linyi
<P> copying is the most basic and initial way to learn calligraphy and the only way to climb the summit. "Lin" and "Xu" are two meanings: "Lin" is "writing to", and "copying" is "Masked ". Objects (copybooks) can be specified by the teacher, but it is best to choose your own. If you like it and start studying it, it can be said that it is a kind of enjoyment; cultivate a kind of interest. </P>
<P> copying is not a full copy. Both the whole and the part must be carefully considered. Copy is to draw pictures by hand, deepen the impression of the brain through the movement of hands, eyes, brain, beautiful image engraved in your own heart. The key is not the number, but the result is true for each next time. It is a waste of time if you do not need to change your mind. This is one of the main objectives of Linyi. Through copying, you can understand and digest the calligraphy image created by others. The image level between the current work and the original work reflects your understanding and mastery. </P>
<P> in terms of form, copying is an excellent way to train the image perception ability. The more you write, the more you think about it. The more detailed you observe, the more keen you will feel. Put the two words together, a little different, you will be able to clearly distinguish, such a keen eye, should be the basic quality of every book. Copying is a kind of thinking, a comparison, and a kind of memory. </P>
<P> for Pen words, the focus of copying is the word structure, so you don't have to spend too much effort on the pen. Although it is good to pay attention to the structure and take care of the pen, the results of practice are often mutual interference.
5. Post Step 1
<P> there is always a process from elementary to advanced in the pursuit of "shape" to learn anything. The same is true for studying the art of calligraphy. Whether it is a brush or a pen or calligraphy, you must work hard on the copy of the style, Fan word, and first "shape ". In addition, practice has proved that the pursuit of "shape" is very important for beginners of calligraphy. </P>
<P> first, although the shape is only a preliminary stage, it basically reflects the external form of words. If the shape of the copy method can be achieved, it has a preliminary form of beauty. Because the posts for writing are time-tested and well-recognized. If the shape of the object cannot be reached, the beauty of the object will be distorted, and the word authenticity will be lost. The so-called "beauty" will not exist. </P>
<P> Second, the post must follow the style of "God like", but only after the style is "similar" can we further seek "God like ". If you do not pass the "look like" Bridge, you will not be able to "look like. "God like" reflects the inherent and essential things of the word, and is a living god point. In the course of Calligraphy learning, it is possible to achieve "God like" only by constantly improving the "shape ". "God like" is the accumulation of "shape like. The ancients cloud: "The loss of the image is slim, then God should be self-satisfied. "That is to say, in order to obtain the" God like ", in writing calligraphy, We must go through long-term observation and pondering to minimize loss in the form of slimming. In this way, we can gradually become "God like ". Song Dynasty painters can be good at painting bamboo. He not only draws the vivid form of bamboo, but also draws the charm of bamboo. His experience is "success in the chest ". To achieve this, you must have the spirit of careful observation and hard work. The so-called "magic pen" must be the result of the two, and it is never possible to come by accident. </P>
<P> third, the constant pursuit of "shape" can deepen the understanding of the laws and techniques of words. At first, I did not know the rules of writing, nor did I really know how to use a pen. Even if I knew something, I did not go through practical verification. Only in the long-term pursuit of "shape" practices can we gradually understand the essence of the spirit, master the techniques, and identify the advantages and disadvantages. To extend from writing a kind of post to writing a variety of posts, from finding a kind of "similar" to a kind of post, to "similar" to a variety of posts, and then to discard all of them, it is a higher level of originality. However, in the final analysis, this was developed from the "shape. Liu xizai said in the Qing Dynasty: "books must be solid and empty, but empty must be in fact. No paper can be removed from the paper. "Reality" refers to the shape of the word, and "null" refers to the spirit of the word. God of refinement must first seek form quality. He asked people to work hard on the "shape" first, and they should not ignore this crucial first step.
2. Grasp the center of gravity of words
The concept of "Center of Gravity" is often mentioned when studying calligraphy. the center of gravity is the center of the entire word component. When writing, the center of gravity of the word is accurate, and the words written will not be tilted down, left to right, and appear normal. Tang Sun said: "Distribution of beginners, but correction. "It can be seen that it is important for beginners to grasp the center of gravity of the word. However, Chinese characters are complex and changeable, and the center of gravity of some words is obvious, such as "10" and "Tian". However, the center of gravity of some words is hard to grasp, such as "Fei, nai. The following describes how to divide Chinese characters into three types: Single-body, top-down, and left-side.
<P> 1: center of gravity of the unique Chinese Characters
<P> A single Chinese character is directly composed of basic strokes. Among all Chinese characters, the proportion of a single Chinese character is not many, but it is the structural unit of a large number of words. Therefore, being familiar with the unique Chinese characters is the basis for learning calligraphy well. We try to grasp the center of gravity of the unique Chinese character from its shape or trunk strokes.
(1) If the entire font is center-symmetric, the center symmetric point is the center of gravity of the word, such as the words "Ten", "Tian", and "Hui. <Br> (2) the entire font is symmetric between the left and right sides. The center of gravity of the word is on the axis of symmetry, such as "day", "big", and "righteousness. (3) If there is a middle vertical, the center of gravity is in the middle vertical, such as "medium", "Wood", "Lai" and so on. (4) If there is a vertical painting but it is not centered, the vertical is left, and the center of gravity is right, such as the words "bottom", "wei", "wei"; vertical is right, the center of gravity is left, such as the words "talent", "Ke", and "Inch. (5) If there are vertical and vertical characters in the word, the center of gravity is in the vertical and central positions, such as "Door", "Non", "use" and other words. (6) If the top, bottom, and right sides of a word are not symmetrical, and the word is skewed, the pen is changed, and the center of gravity is grasped. For example, the word "Xi" is inclined to the left, and the last point of writing is very important. It must be placed on the vertical line of the word. For example, the word "Ge" is tilted to the right, horizontal painting needs to change the pen posture to the right to make it stable; again, to write a good word "do not", after the horizontal hook fold pen, you must to the Left Bottom package, the entire word can be held up until the vertical line position is hooked up again.
2: center of gravity of accumulated words
Words stacked up and down are divided into two types: Up and down structure and up and down structure.
(1) for upstream and downstream characters, the center of gravity of the upper and lower parts must be vertical to the positive to ensure that the entire word is not skewed, such as "audio", "incense", and "cover. (2) the center of gravity of the top-down, middle-down, and Middle-down characters must be kept in the same vertical line, such as "Su", "Ji", and "Tang. <
3: Left and Right rows of words
The left and right sides are divided into two types: Left and Right structures and left and right structures.
(1) Words in the left and right structures must be placed on the same level of line to ensure word balance, such as "Forest", "group", and "amount. (2) In the left-right structure, the center of gravity of the three left-right parts should be arranged on the same level line, such as "Xiang", "Paste", and ". VII. Integration of Calligraphy Art
<Attention should be paid to the fusion of calligraphy art when writing. If you want to focus on one, please first look for it, and then select some words with the same structure as the post, according to the writing principles on the post. If you want to meet the requirements, you must also find words that are not available at all on the towel and follow the writing principles on the post to meet higher requirements. If you can "like", you can grasp the essence of this word. </P>
<P> however, each calligrapher also has his development and changes. We should follow the path he has traveled and follow the traces to learn more about his writing principles, master the artistic style of his various periods. For example, when we focus on European (Ouyang Xun), we should arrange the existing monuments in sequence to analyze the similarities and differences between the several of them. We will see the slogan of "huangfu birthday monument", the concentration of "Huadu temple monument", the refining of "Yu Gong Bei", and the ancient thickness of "Yao Jian tomb, the most mature one is Yan quanming. After such a comparative study, some people may like "Ming", so it is necessary to refer to" Ming" as the benchmark to see other parameters. If there are no words on the reference post, you must go to other posts to find them. After finding it, I got a reference and will surely get a basic structure. Then I will use the Base post as the processing principle to highlight the characteristics of the Base post, this will create a lot of words that are not available in the benchmark posts. This is a simple fusion. </P>
<P> some books are from one person, but the difference is big. It is difficult to work in combination. We know that Yan Zhenqing's words are widely circulated, and there are many copybooks. However, there are different kinds of posts for different inscriptions. Although the overall style is similar, it is different. If you want to integrate it together, the benchmark is hard to determine. In history, the authors of Yan Shu, such as he shaoji and Hua shikui, have no shortage of others. However, they have different styles and are quite different from Yan Zhenqing. However, all of them are transformed Based on Yan Shu, and the future generations will become a good reference for those who want to learn Yan Shu. </P>
<P> integration is not easy, and integration is more difficult. Someone suggested selecting some close posts for integration. For example, the uniformity between "yi" and "Shi Chen" is positive, and the beauty of Bo Yi is beautiful; or the excellent fit of "Chen dongwang Gan Xiao song" and "Jing Shi Yu Diamond Sutra" is the best fit of Hu Ju; or take the "zhangqibei" and "fresh in the Huang Bei" in an open-minded manner, the feelings of the Tuo. This kind of fusion is easy to unify, it seems very convenient to master this method; however, this kind of fusion is difficult to have a great sublimation, there will be no qualitative changes. </P>
<P> Some people suggest selecting some highly distant posts for integration, such as the simplicity of the article 17, and the flow of Huai Su; take the "Lanting sequence" qinglang stream beauty, and take the "Sacrifice draft" to continue. Of course, this can do a lot of supplementary functions, and store and stand together, it can be seen that the pen is wide and wide. However, this fusion is too difficult. The two mixed kneading solid easy, and fusion requires extremely high heat, as first melting iron water, and then casting an integrated, Shu a few days can become a Tianyi. Otherwise, it will be nondescribable. </P>
<P> it is more difficult for another person to try different fonts, or to combine character or character lines. The former is like Zhao Yu, the second is Li Beihai, and the last is like Zheng Banqiao. In Modern Calligraphy, the party can see some famous books, including famous books, and some others try not to combine the fonts in a piece of work, but arrange them unordered, you can also write a simple article. It should be admitted that they have made some achievements in the development of calligraphy art, but they have not formed any trend or rules. They can only be regarded as a strange tree, rather than leading an era.
The fusion between traditional calligraphy and modern hard writing calligraphy is a new topic of contemporary people. The fusion of the above mentioned is only the fusion between the books and bodies, and the performance of hard writing calligraphy is different from that of Writing Tools, it is more difficult to combine. Some people advocate to highlight the beauty of the lines, and others pursue the effect of the brush and calligraphy from the slight changes in the thickness and strokes, and can write proud works. To learn hard pen calligraphy, you should first learn from the combination of brush and calligraphy, and then integrate it into the hard pen calligraphy, in order to take its shortcuts. </P>

3. How do adults practice pen and calligraphy
<P> it is difficult for adults to practice pen and calligraphy. This is because their fonts have been finalized. To practice good words, adults must first completely forget their previous fonts and start from scratch and start from the most basic points. Then train the structure. For pen words, the most important thing is the structure problem. The quality of the knot directly affects the appearance of the words. Therefore, writing a pen knot is the most important. To forget the previous fonts, the best way is to first choose a letter that is different from your previous fonts. The exercise is to be positive. You can exercise for a week or longer. When the shape is correct, you should also choose a different font from your original font, and copy what you think is beautiful. For example, if the font is formal, you can choose a bold font. If the font is casual, you can choose a rigorous font. If the font is dull, you can choose a chic font. If the font is soft, you can choose a strong font, if the font is bloated, select qingxiu's copybook ...... In this way, you can learn new fonts after two to three months of practice. Pay attention to perseverance in learning. The purpose of copying is to forget the previous words and remember and apply the words on the copybook. After that, we need to arrange the relationship between words, rows, and rows, that is, the so-called rule definition. </P>
<P> if you want to make some achievements in the pen and calligraphy art, you will not be able to achieve it overnight. It is not only necessary to learn from the pen, knot, Chapter method, Qi Yun, and so on, but also must give full play to the inherent characteristics of the pen. Only in this way can the pen calligraphy art flourish and make her have a strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy. without development and innovation, there will be no powerful and permanent vitality. 9. It is not recommended that you use the method of writing books as the writing speed is faster. Because the writing speed is faster than that of the writing speed, the writing speed is simple and natural, giving people a relaxed and pleasant feeling.
In the writing process, if the writing method of the book is completely unchanged, it will be applied to the book. The font will be stiff and awkward. Due to the excessive emphasis on the method of writing back to the front in the book, it lost the smoothness and liveliness of the book. It is true that the letter in the book is correct. However, the role of the book in the row is internal rather than exposed. Otherwise, it neither improves the writing speed nor represents the elegant charm of the books. The pen and turning points in the books should be slightly pressed to strengthen the use of turning and turning. On this basis, master the structural changes of the books, omit strokes reasonably, and pay attention to the echo and connection between strokes.

How to learn calligraphy well --- Linyi