Photoshop post-image repair tutorial for reducing facial wrinkles

Source: Internet
Author: User
We will give you a detailed analysis of photoshop software to share with you the post-image repair tutorials for reducing facial wrinkles.
Tutorial sharing:
Exercise material:

 

Step 1: Add a new blank layer
When opening a new image in Photoshop, if you look at the layer panel, the background layer on the image is also the only file currently:

 

First, create a new blank layer above and background layer. In this way, we can perform our modifier on this new job and keep its separation layer from the original image described above. Add a new layer, press and hold your ALT (WIN)/Mac key, and click the new layer on the keyboard at the bottom panel of the icon layer:

 

In general, Photoshop continues to add new blank layers. However, by holding down the Alt key and clicking the new icon of the option/layer, we are told to open the new Photoshop layer dialog box first, in our new layer. The layer name is "reduce wrinkles", and then click OK to close the dialog box:

 

If we look at the panel layer, we can see that we now have a new blank layer named "reduce wrinkles" on the image. The layer is blue, which means that it is now in the currently activated layer, which means that we can do this layer and the background layer at no lower:

 

Step 2: Select the repair brush
Select the repair paint tool from the Photoshop tool panel. By default, the repair brush tool is used to hide and repair the paint brush ., Right-click (WIN)/click Control (MAC) on the stain repair paint brush, repair the paint brush, and then choose to appear in the pop-up menu:

 

Step 3: Use the sample to fix the paint option as "all layers"
The stain repair paint brush tool and regular restoration paint brush, which we learn here, you want to know about Adobe: the term "healing ". How can we "heal" the image? Well, this is a very smart thing. First, Photoshop issues with corrupted or unwanted texture areas, creating good textures for sampling from different areas. Then, the problem areas of its texture are well colored and original colors (hopefully) produce seamless effect.
The selection of a good texture in the stain repair paint brush also makes it so fast and perfect to remove acne or other small defects. On the other hand, for larger or more complex problems (such as wrinkles), it does not choose a good texture. Instead, we need to tell them to repair the good texture of the sample image in the paint area. Let's take a look at the area we made and click set sample points.
By default, only the selected layers of the texture of the paint brush are repaired. This problem is because the layer we selected to reduce wrinkles is blank, which means we cannot achieve it. We need to tell Photoshop texture not only from the image we sample select layers, but from the layer below (background layer) to keep the image.
We use the sample in this option bar along the top of the screen. By default, it is set as the current layer. Click "current layer" and select all layers from this list. With the third option, the current below &, describes how to fix the paint brush sample with the current layer and directly under it. Because we only have two layers in this document, the following shows the result given to us as selecting all layers. But in most cases, when it comes to large, multi-level files, all layers are the options you need:

 

Step 4: select from "align"
Similarly, make sure that the left side of the alignment option is the option unchecked which should be default. Unlike non-alignment (off), each time you paint your new brush to repair the paint and strokes, Photoshop grabs the same sample point as a good ultrasound texture. It will make the captured, texture-identical sample points unless, or until the area you click is set for different new sample points. This is usually the correct behavior with your healing brush because it gives you more control over good textures.
If you align, Photoshop links, or alignment, fixes the brushes and sampling points, so if your healing brush moves to an image in different areas, Photoshop automatically transfers the sample points. This can easily result in incorrect type of texture sampling if you are not careful. Therefore, in most cases, you will want to leave the target:

 

Step 5: click the sample texture of a region
Using a restoration brush is a simple two-step process in Photoshop. First, we click the sample texture of a certain area, and then paint it in the problem area to replace the bad texture and texture. But it is important to remember that when wrinkles are reduced, the texture of the skin appears in different areas of the person's face. Skin around the eyes, for example, with different textures, skin on cheek or forehead. If you want your polishing work to look as lifelike as possible, the texture is good for the samples from the wrinkles in a region to keep the skin look consistent.
In addition, as we get older, wrinkles become longer, so we tend to make people look younger just by shortening the length of wrinkles. It always begins with thin, narrow wrinkles, is the youngest part, and then toward its origin.
I want to look at what I'm doing with my man's eyes so closely. You can press and hold Ctrl + space key (WIN)/Command + space key (Mac) to temporarily switch to my zoom tool in Photoshop. Click several times to enlarge your eyes. I removed some small wrinkles from the beginning before removing a large one.
Now we will completely remove wrinkles. Of course, this is not what we want to do. We want to remove wrinkles. So when we do it, we will learn how to help our work to improve the result looks more natural.
The sample quality is good. Press and hold your ALT (WIN)/option (key on the Mac keyboard ). This will temporarily enable your small paint brush cursor to mark the target position. This is a good texture, and then click the sample with the mouse. Remember, whenever possible, you want to select a region for wrinkles, you sample the same part from the texture:

 

Step 6: wrinkle treatment
Once your texture is sampled, release the Alt key (Win)/Select (MAC) key. The cursor switch returns from the target symbol to the normal cursor brush. If you move the paint brush cursor away from the place you click and view the cursor in the area, you will see a real-time preview of your texture samples.
Move the healing brush to the youngest fold. For the best effect, the size of the paint brush is slightly larger than that of the wrinkles. You can quickly adjust the size of the brush on the keyboard. Press the left square brackets key ([repeated clicks) or smaller right bracket key (]) to become larger. Then, click and wrinkle and use your mouse button to keep down, drag the fix brush along the path toward its initial wrinkles as if you draw.
When you wrinkle along the paint, you need to pay attention to two aspects. First, the small plus sign (+) appears at the initial sampling point and starts along the wrinkles with you and with your brush your cursor along. The texture of the plus sign at the bottom of the area is good, so it is easy to know the texture. Follow the plus sign and drag it to ensure it remains in a good texture and does not enter another area.
In addition, Photoshop does not really blend in areas with original texture and color brightness values until after the problem you release the mouse button. So when you paint, things are not as good as you do. Here, it looks more like my wrinkle pixel simple clone with the "imitation stamp tool:

 

When I open the mouse button, the initial color and brightness of the area in the new texture Photoshop will disappear:

 

Well, your texture samples come from different regions and lead you from one fold to the next, which will help avoid any repetitive patterns on your skin. You only need to press and hold the ALT (WIN)/option (MAC) key to change the cursor to return to the target symbol, and then click different regions to set the new sampling point.
Depending on the length and texture of the wrinkles, you may not be able to perform a continuous stroke on the entire pleated belt. In these cases, using a series of shorter itineraries is always from young wrinkles and slightly heavier. If an error occurs, press Ctrl + Z (WIN)/Command + Z (MAC) to undo the brush strokes and try again.
I will continue to remove more small wrinkles under the eyes painted they have good quality, changed my paint brush size as needed with right bracket and left button,

 

Now I have cleaned up the surrounding area, a big wrinkle in his eyes, I can more easily remove it (wrinkles, not eyes ). I will solve the part of it, instead of trying to make all of this stroke with a continuous brush. First, press and hold the Alt key (Win)/(MAC) option and click the sample point set near a texture region:

 

Then, click "Start along its path and release the mouse button, just at the bottom of the eye:

 

When I release the mouse button, the color and tone of the texture in Photoshop are good, and the first part of the wrinkle disappears now:

 

I will continue with the small issues of wrinkles, texture sampling from different regions and cleansing along this path,

 

At last, he reached the corner of his eye and got in touch with a few smaller problems, and wrinkles disappeared:

 

Comparison before and after viewing
I will continue to remove more wrinkles from the restoration paint brush of my surrounding images. View the contrast between the front and back to modify your work so you can ensure that you are on the correct track and reduce wrinkles on the switching layer, by clicking the visibility icon (eye) icon on the "layer" panel:

 

When you close the layer, you will see the original and quaint image. Here, I checked to remove any wrinkles before his forehead appeared:

 

Click the visibility of the icon again (empty square eye is used) to reduce how the image on the back of the wrinkle layer looks to remove wrinkles:

 

Using a pen tool instead of a mouse can greatly speed up this type of trimming, because it enables us to control the size of the brush dynamically and the Pen pressure. But if you don't have a tablet pen, it's okay. You can still use the buttons on the left-and right-bracket keyboard to change the size of your paint brush.
The parallel comparison here shows how the image looks like the first (left) and the current how to remove the remaining wrinkles (right ):

 

Step 7: blend layers to reduce
Photoshop's repair paint brush, coupled with some time, energy and patience for me, still feel this man's wrinkles removed. But if I am his image on this point, I am not sure he will be satisfied. He and everyone know him and know that he has obvious wrinkles that are his moral character and personality. He may be sad or even insulted if they suddenly disappear. To make things look more natural, we need to display some original images in our modifier.
Fortunately, there are several simple ways to do this. First, we can bring back more original textures and wrinkles around the skin to change the blending mode in reducing the wrinkle layer from the normal mode (default. You will find that the mixed mode option is on the "layer" panel in the upper left corner:

 

The setting of the blending mode will only keep pixels visible on the reduced wrinkle layer, and these are lighter in than pixel original images. Since the wrinkling is usually a dark shadow projected on their skin, it will appear. However, any other pixel in the original image is less transparent than them, reducing the wrinkle layer.
The left side is set to normal in mixed mode. The right side is mitigated because the mixed mode is used. Slight differences can be made based on your image, but here is particularly evident when some wrinkles around the forehead and eyes are returned:

 

Step 8: opacity of the lower layer
Finally, in order to regain their wrinkles, only reduce the opacity to reduce the wrinkle layer. You will find that the opacity option is directly in the "layer" panel with the blending mode. The lower you are, the more wrinkles you will find when the default value is 100%. Obviously, we don't want to put them back, but the opacity value between 40% and 60% usually works well. For this image, I select 60%:

 

We can see that the transparency is reduced and the wrinkles are visible again. However, because of our modification and restoration brushes, he is much younger and less affected:

 

All right, the above information is all the content shared by the post-image repair tutorials for users of photoshop's software to reduce the wrinkles on the face of portraits, you can see that the software users here, Xiaobian believes that everyone is very clear about the production method, so users will follow the small series of tutorials to try to repair the figure to see the effect.

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