PR Use Tips

1, to often use shortcut keys, this can improve efficiency.

Common shortcut keys are: + (zoom in),-(zoom Out), V (MOBILE), C (Cutter), x (variable speed), L (quick release), ctrl+k (Load Cut), ctrl+m (output video), ctrl+alt+m (output audio), ctrl+alt+shift+m (outputImage), F9 (subtitle), Ctrl+s (Save), M (track selection), press shift+ multiple fragments (simultaneous selection of nonadjacent video clips), Shift+del (ripple Delete), ctrl+d (default video transitions), ctrl+shift+d (default audio transitions), After holding down CTRL and dragging footage from the footage window to the timeline, new footage can be inserted into the timeline, right-click on the selected frame of the footage (for the freeze-up of the end screen, the frame can be arbitrarily elongated "press X")

2, the material of the guide

The general method is to double-click the left mouse button in the library, guide the material, you can also minimize the PR window, find material on the hard disk, drag into the PR of the Library window release mouse (similar to PS, but more than PS a step, own experience it)

3, in the open project documents into the previous project documents

Sometimes we need another project file in the material of the set filter, such as sweep (Shine), to re-set the reference, we can lead to the previous shine with the set of the project file, directly copy the properties.

4, multi-use time line nesting, especially in the use of masks, as well as multi-layer images need the same action when used, (such as a video to add a box, so that the box and video synchronization movement) we just set an action to

5, Premiere2.0 Open 6.5 of the project files, in the new "reference" AVI format video files (other formats seem to be OK), to pay attention to whether there will be ripples, check the method is: 1, play on the timeline, press space to pause, see the edge of the movement of the object is the rule. 2, with the direction of a frame of the movement of a frame, to see whether the edge of the moving object is normal.

6. Output:

(1) Hanging CP2 output, if it is a DVD, to the natural file selection in the partition format NTFS format disk, if your video does not exceed 60 minutes, and you choose 2 hours, his bitrate is still 9100;

(2) If it is to output VCD, in the high-level output of CP2 to look at the video size, the automatic segmentation of the selection of large points (the default is 650M segment) but he shows the size is larger than the actual pressure out of the capacity, or a video to be divided into two paragraphs.

(3) Check the video before output in the work area, (avoid less pressure or multi-pressure) 7, sequenceImageThe lead in:

It is customary for us to select the first file when we enter the sequence picture, to select the following tick, to put the sequenceImageAs a video guide, but this kind of video has a variety of drawbacks, if you can not speed, as long as you speed up, in the compression of the easy to appear "video Coding error", (if you do not want to change the speed of the sequence of material, so the input can also), it is best to pressImageLead, new set up a time line, putImageThe default time is set to one frame after theImage, use this newly created timeline as a dummy material.

8, when using a high version of the lower version of the project file, due to different versions, some filters use and function is not the same, such as: The low version of "track Mask keying" and "geometric transformation" of the combined use of the effect, you can not do in 2.0.

9.ImageThe lead-in

Lead-InImageNot too big, you can change into PS in the size of the 720*576 after the guide, to avoid the compression of the black screen, if too large, PR guide slow, the preview is slow, or even a black screen compression (it may be my machine grade low, my dual-core 2.86,1g memory)

10, some 16:9 of the material is led in 4:3 of the project, first select the material on the timeline, the right to choose proportional magnification to full screen, if the character is stretched to change the height to 75, long does not become 100; (The goal is to avoid deformation or lack of images on both sides)

11, hard drive camera material after the end of each paragraph to cut off a point, in order to avoid the compression of the program error.

12, the location of the title template Save:

X:\ My document \adobe\premierepro\2.0\templates (my own design caption can be saved as a caption template for the system to be lost after the redo, but if the subtitles withImageI haven't tried, I don't know.ImageWhere to save. ）

13. Press and hold the CTRL key on the footage to play keyframes for volume or transparency

Note: All keyframes timeline the timeline ck on table do:

CTRL + A: Select All

CTRL + C: Copy

Ctrl + V: Paste

Ctrl+shift+v: Pasting a copied clip into another clip

Ctrl+alt+v: Pasting a property from a copied clip into another clip

+,-: Time Unit scaling

\: All footage is displayed.

V: Move Clip Tool

C: Shear, multi-layer shear

N: Cut out the in point {,} tool

Z: Time Unit magnifier tool Press ALT to zoom out

H: Pan to view the timeline.

SPACEBAR: Play or stop

J: put it down.

Ctrl+r duration

Ctrl+shift+r: Speed

Shift-Move the mouse in the navigator to find a clip in real time.

M: Select and move, virtual splicing, single layer full displacement, multilayer displacement

Homeend to the beginning and end of all splicing

Pageuppagedown or ctrl+shift+ key: Timeline to the beginning and end of each splicing

Ctrl+t: Trimming mode trims the clip's out-of-point and ripple mode in real-time in monitor (with

The zoom of the clip follows the file behind the clip as it moves back or forward.

Left and right key: forward and backward one frame

shift+ key: Five Frames forward and backward

CTRL + Click Snippet: multiple selection

Press and hold Ctrl+shift+alt: visual, audio weakening tool with indication of hundred components

Press and hold Ctrl+alt move view, audio lock becomes temporarily unlocked

Shift+alt Move the unlocked view, the audio clip appears after the chain icon, click the mouse to re-group the lock view, audio.

ctrl+shift+alt+ key: Change the clip's out point with a five-frame variable, but the clip length will not change.

ALT + BACKSPACE: Ripple mode Delete clip

ALT: An e that appears before and after the clipping layer has a ripple-mode outer frame in the monitor

tab: Hidden transitions and the like ...

T: Open Clip

IO: set out in point

QW: To out into the point

DFG: Clear out in point

Tags: (selected clips) ctrl+alt+ (0-9)

CTRL + around or CTRL + (0-9): Looking for marker points

Ctrl+shift+alt+c: Clears all marker points for the selected clip.

Drag the timeline between the two layers in the AB track ctrl+d The default transition (fade-in)

Double-click the transition click Settings hold down SHIFT and move the mouse to set the transition point to the same transition screen mode

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Ctrl+tab Monitor Bar appears

To insert the clip into the timeline track in ripple mode

. Insert the clip overlay into the timeline track.

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Subtitle shortcut keys

F9: Subtitles shortcut keys

CTRL + A: Select All

shift+ key: A word selection before and after inserting the cursor

shift+ Up/down: Select a row to the next line

ALT + up/down: line spacing one unit adjustment.

Shift+alt+ around key: Five units adjustment of the kerning

ALT + Left and right key: kerning one unit adjustment.

shift+alt+: Five-unit adjustment of the word spacing.

ctrl+alt+ key: Font scaled in small number of units

ctrl+shift+alt+ key: Font is scaled in large number of units.

W: White background

B: Black background

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F3 lead-In

F5F6 Acquisition and Batch acquisition

F8 output Movie

PR Tips

Why some of the film is just hard cut, but it looks very smooth, in fact, the smoothness of a film is not related to the use of how many transition stunts, the film's editing method is nothing but
1 hard-cut, 2-fold, 3-fade
Few strange transitions are used. But being able to get to the point where you are not paying attention to these details is the essence of the clip: Tell the story with the picture.
HQC teacher pointed out that the secret of fluency is moving, in fact, this is not the only way, the clip still static, dynamic connection static, static, the effect should be different from the film, all the same can cut a very smooth film. The screen clip actually does not have too many restrictions, can be free to play, but there are some guidelines can not be violated, such as moving the move
1: Since it is moving, then the screen can not be dead (fixed screen), must have "push and pull to move with the lifting" of any one, if hit dead screen, to PM or AE software such as push pull!! Clarity is a bit of a loss, but it's much more cost-effective than losing the picture's smoothness.
2: Two images cannot be the same scene (usually, the same camera clip is taboo, unless you pursue special effects)
3: Can not wait for the screen movement to the drop, (simply say fast or fixed) this will affect the fluency, many people think the screen must be long enough to see clearly, in fact, screen editing is also a skill to mobilize the imagination of people, a very short lens because of human experience, imagination, the natural performance of the content as has been shown.
4: Move to have the basis. If a person is drinking water in a teapot, then the logic of the lens should be: holding the teapot, opening the lid (if any), the other hand with a cup, pouring water, water full ... (basically normal), if the order is reversed, this set of shots will look awkward.
5: Pay attention to the rhythm. There are two types of rhythm,
1: The inner rhythm of the internal logical relationship of the manifested things. That's what it's supposed to be.
2: The addition of music, noise, which is artificial, the use of additional factors to control the rhythm.
A film can not be without rhythm, the so-called fluency is actually a clip in the rhythm of the impact of the psychological impact of people. Ha-ha, said so much, in fact, these content is not very clear, it is best to show the field ... We are interested in learning some theoretical knowledge ...
Because of the halfway started on the editing theory not much, studied a lot of films, found that good film clips whether hard-cut or transition effect, are handy, there is no law. And I cut the film do not fade, always feel that there is a sense of jumping, it may be psychological effect, there is the transition effect in the white fade also used more, but I always feel very awkward, do not know that the aspect of the heat, and do not know why.
7: In fact, it is not too complicated, you have to pay attention to the sound of good film?? If you don't listen to the sound and look at the picture, will you have a sense of jumping?? I don't know if you cut the film there is no simultaneous sound, the sound of the continuous is very critical, and some film entirely by sound to run through the whole plot, perhaps your film with music, some live sound effect will be much better.
In addition, on the basis of the previous add a: Can not jump Axis!! Jumping axis in layman's words, the camera's seat can not be chaotic. Like watching football, have you noticed that all the cameras are on the side?? You want to if the panorama on the Chinese team from left to right, and to the close-up but see XiaoYan with the ball to the left, and then the middle of the scene turned from left to right, and then turn to the left, then this game must look faint of course, we do the film encountered this on the axis of strict conditions will not be too much, But when you cut the film when the transition between the screen is very awkward, but the scene is not a problem, the movement is also coherent but can not say why, it is likely to jump axis, to find a camera opposite the lens bar!! Or go to the editing software to flip the screen horizontally (hehe, there are words and so you wear help)
Turn white fade In light We are generally called "White flash", can create a camera photo, intense flash, thunder, brain fragments of the flashback of thinking, it is a strong stimulation, can produce a sense of speed, and can not be connected to the screen and not too people feel abrupt, so suitable for the rhythm of strong films, If you do not choose the time to cook gosausee the edge of Mu glycosides?................. Pop! Pop! Pop! Pop?? ---somebody, get this guy with the flash and shoot!
One more thing: The Flash must match the rhythm of the music, or the sound (card cha, exhale, brush ...). ）
The example on the right is a sketch we took, with martial arts style (hehe, good shot), is about a stone business (by oneself play, wear short clothes end coat that one OH) meet Taizhou Ming Chen storage tank, and he competes for a section of the drama. Filming the day under a thunderstorm, we nasty, but then a think: specialized to engage in rain, but also to find the fire brigade, toss half a day, not to mention no funding (this film only used 100 yuan), God eyes, free to us to set the scene, eh ah good simply in the rain shoot it!! The scene of a total of 14 shots, a description of the first stone business and storage tanks, not divided between the next, followed by 4 empty lens (day, tree, grass, water each 1-2 seconds) clip white Flash, with the sound effects, and the rain, to create a two master battle before the tense, depressive atmosphere. The white flash time here is about Flash: 3-5 frames, Flash: 12-15 frames. Why do you do this?? This is because the eyes of the human eye for sudden intense flash too late to narrow the adjustment "aperture", and the strong light disappears after the "Iris reset" and there is a recovery period, causing the characteristics of fast and slow before, do not underestimate this, this is a simulation process oh plus, these 4 empty lenses are fixed lenses, the lens itself reflects the information is , and the quick switch of the picture gives the speed of this clip, the final production of static and dynamic combination of effects, calm hidden a force, a murderous. Change the motion picture, not necessarily have this effect good, anyway I can not imagine. Visible static and static can also make rapid vertigo speed sense, Pressure!!!!
In fact, the editing level and the environment, experience a great relationship, besides, the clip and do the title is not the same, not so many technical things, everyone can, so to improve to a level, soon! Have a good teacher, six months can be cut very beautiful! Of course, the simpler it is, the more difficult it is to take the ditch to the high level, and the clip has to go through a process from simple to complex and then back to simplicity, ultimately ... Cut the movie!!!

PR Use Tips