Photoshop to fix bad photos perfect to Shadow method

In our lives, it's hard to be perfect. Here is a picture of the cute baby, there is a big shadow, how to remove it, the following people with me.

This tutorial is for learners: Photoshop Intermediate User Advanced

This tutorial is a special contribution to the Web site Tutorial League China Tutorial Network

This tutorial focuses on the use of color adjustment layers, the use of color-adjusted layer masks, the conversion of masks and selections, the use of color overlay layers, and the advanced usage of the Fade tool.

This tutorial techniques set: Color Unified Layer Uniform color method, adjust layer multiple adjustment method, multiple overlay color layer to increase color hierarchy method, problem solving ideas and rules.

First paste the material:

This cute baby's image has a big shadow, how to do it.

Haha, it does not matter, with me to color.

First of all, we have to copy the original layer, so that you can accidentally repair the original image, with a backup of the underlying background images to do a new one. Guarantee that the original artwork will not be repaired to an unrecoverable state.

Click the location shown in label 1, select the Curve command in the adjustment layer, and adjust to the curve shown in label 3, click OK.

Look, label 1 should now be white, press ctrl+i, and reverse it. Why, this image is back to the original appearance. Originally this is a mask, the mask, the white part indicates that the adjustment layer has effect, the black part indicates that the adjustment layer has no effect. We turn this mask from white to black, and the adjustment layer is invalidated. People will ask, I do this layer is to make it effective, you let it fail, this layer is what use AH. It doesn't matter, we'll go down.

Change the foreground color to white as shown in label 2. With a softer brush, paint the shaded part of the mask, and you will find that the effect of the curve adjustment layer will appear when you apply it. Finally look at the place shown in label 1, the brush should be painted with a white area.

Tip: In the adjustment layer mask, the white place is valid, the black place is invalid, the gray place is different according to the gray level, produces the different intensity the effect.

Here's a very useful color palette: squint-eye Dafa.

Haha, if you go to art school, this is a very common method, so that people from the art schools, often squint to see mm. I also like this, people always say I am "pervert", injustice ah ...

The way to do this is to squint your eyes and look away from the picture. Don't look at the picture as if it's a little brighter, but it's not good to squint. The shadows are still black. How to do it. Of course, we have to add an adjustment layer, this time we put the role of the new adjustment layer in a range. In fact, we already have this range. That's the mask of our curve adjustment layer just now. The mask is loaded into the selection by pressing the CTRL key and clicking the place shown in label 1. Then add a curve adjustment layer with just the method. Adjust the shading as shown in labels 3 and 4. Click OK to see that the new curve adjustment layer has been added to the mask for the selection definition.

This area of action is not what we ultimately want. As you can see, we're asking for some light on the sleeves, and the pillows and quilts underneath are too bright.

As shown in the picture, use a black brush to rub back in the mask where you don't need to lighten up. Note that when you rub, you need to reduce the opacity of the brush, so that you can slowly adjust the image, not a downward overshoot. If some places have been transferred, you can rub it back with white. This example is the most difficult place to tune the shadow transition. Use the brush to rub it out slowly. This is also the most time-consuming and energetic place.

Tip: Adjust the layer mask is to adjust the local color of the super weapon, be good at using it.

To create a new layer on the top of the layers panel, called the "color unification layer" to change its layer blending mode to "color", we began to take the color of those very strong colors to "draw" back.

As shown in label 3, with the color sampler, in the vicinity of the color to take a normal color, here I took out the light green quilt, with a brush in the color of the unified layer on the label 5 shows the place slowly draw the color, it will replace the original here yellow color.

As our brushes slowly alter, the color here turns to normal. In the same way, rub the color on the right side of the pillow. Note that the color should be sampled multiple times, do not use only one color, the location of the sample should be closer to the modified position. Of course, if you are sure, you can also take similar colors in other locations.