Skillfully using Photoshop material to synthesize the Chinese wind panorama background map

1. Effect diagram material dismantling and thinking

Train of thought: This group of pictures is to use the material of the prophase shot through the post-production phtotoshop, hope to provide you with some new creative ideas.

Material: First take a picture of some street environment, plan to put together into a panoramic picture, and then take a number of red flags, rickshaws, lanterns pictures, can be placed into the screen to increase interest and visual visibility, these are the most basic elements, but also have some light effects to render, and then find some material to prepare for synthesis.

PS is a definitely work, but the creative process is also a personal pleasure, so be sure not to be afraid of trouble, meticulous to create a perfect picture.

Figure 01

2. New Canvas Flattening Building

Create a new blank canvas, import the background picture 3, use the "free deformation" tool to adjust the stitching, and then use the mask 1.1 points to decorate the seam, this step is to flatten the background, all the following operations are in this good background, so be sure to deal with a few carefully.

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3. Pull out other material to flatten the treatment

This step is also more time-consuming, we want to make up the basic elements of the interesting points in the picture, to increase the visual effect of the screen. There are three elements to fill in the screen, respectively: Lanterns, red flags, rickshaws.

Where the lanterns and red flags are present as the foreground, the rickshaws are to be placed in the middle of the road. We first use the pen tool to pull out the picture, the red flag and lanterns to pull out, drag into the background layer, and then copy the material to reverse, so that the picture on both sides of the material symmetry, and appropriate deformation treatment to adjust to the appropriate position. Rickshaws can be used to pull out the map of the filter, or some friends like to use the channel to pull the map, can be deducted after pulling into the screen, placed into the middle of the road.

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4. Cloud-level production in the sky

Below we want to add cloud material, choose good cloud material and the whole picture tonal tendency is different, slightly abrupt, we want to deal with cloud material first. The first Application Curve tool, choose red, promote red, let the whole screen to blue and green tendency, and then back to the overall brightness of RGB. Then we apply the hue saturation tool, Hue +7, saturation-82, to get a cloud with a shallow pink inclination. And stretching the clouds to grow a long one. Put the cloud material into the background layer, with the transformation tool level flip, with the Mask tool to deal with, the building exposed.

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5. Adjust the material to draw the projection

We're going to draw a shadow on a rickshaw, sketch out a selection, and then fill it with a dark color, and I'm deliberately drawing it more heavily on the edge of the shadow to make it look real.

Figure 05

6. Adjust the tone to create a picture atmosphere

We have two color footage dragged into the screen, layer blending mode to soft light. The blue and yellow gradient material transparency adjusts to 47%, the red material adjusts to 70%, the effect is as the picture.

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Channel mixer, Red +93, Green +5, Blue +16. Curve two times adjusted as shown. Again channel mixer, Red +100, Green +7. Through the Mask debugging, adjust the coverage, forming a picture effect, this is the basic tone of the whole picture.

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7. Add the material to synthesize the light effect

Although the color tone of the screen is complete, but the picture is slightly plain, so I want to add a light effect to the screen. Cloud part, I add a picture of building materials, like the clouds in the sky, the transparency of the adjustment is very low, and mixed mode for superposition, looming on the line, mainly to create a surreal atmosphere. Another cloud part also adds a radioactive ray material, lets the cloud have a kind of golden splash feeling, the blending pattern is superimposed, then uses the mask proper cover scope.

The ground part still has to deal with, so I chose a picture of a light and shadow, drag into the picture, the mixed mode set for filter color, as for the form of light, is in accordance with their own understanding of the picture deformation, only for reference, the same mask to cover the scope can be.

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8. Enjoy the same group of Wonderful creative works

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Category:

• PS Composite Picture Tutorial