The Chinese debut of a Nobel-prize millionaire

From Mo Yan, nothing to do with Mo Yan. A Chinese-style debut of the regal Nobel-rich is also an editor's note/The end of 2012, a low-cost entertainment film in the form of carnival for cultural China painted this year. Feng Xiaogang's dreary memories of a long famine were simply rejected by viewers – a disappointment for some of the cultural elite: the country has lost its sense of "grandeur" and "deep". In the 2012, the Chinese government used red to set the target of cultural promotion, thus the word "culture" made many businesses bright. Business achievement culture, or commercial destroy culture? People can't see the answer immediately. In this, we try to interpret this year's cultural events to show the fierce collision between the spirit of Chinese people and the impetuous humanities. As of October 11, 2012 night, the Nobel spokesman announced that Chinese writer Mo Yan won the prize for the noble literature, the whole China shook up the "abundant milk fat buttocks", regardless of "life and death fatigue", Up and Down "Frog" Ming. and by December 14 Mo Yanrong to Beijing, the last two months of the Mo Yan incident is still not stop, all kinds of controversy and admiration, saliva flying, and because of the effects of the various market reaction is high fever, all the way to see red. The face of this Mo Yan novel narrative-like landscape, we have to sigh with regret, China's big, strange. Chucho first is a variety of Mo Yan works a large number of printing, publishing house in a week to print 200,000 copies is not enough to respond to the needs of readers; almost every bookstore has a place in the heap of Mo Yan's works, regardless of whether or not you've heard of denuding before, and many readers are buying like fans Although I doubt whether this purchase is due to the need of reading or the need to follow the bandwagon. A publisher produced the complete works of Mo Yan, a total of 20, each of the average price of 30 yuan, the average number of 300,000 copies, in order to calculate, "Mo Yan Complete" Total set up will be up to 6 million volumes, the total theoretical sales amounted to 180 million yuan. The film "Red Sorghum", which was originally made by Zhang Yimou, is bound to become a good model for the film industry, and now the major film companies are Wenfengerdong. It is reported that only up to Mo Yan's award of the next day two o'clock in the afternoon, within 19 hours, there are at least 20 film companies to have Mo Yan Works extended copyright of the fine Canon Bowei Cultural Development Co., Ltd. inquiry. The publishing company even plans to launch the official Mo ' platform at mobile terminals, "such as the Mo Yan official app on the iphone or ipad, to see the latest news and developments in Mo Yan, including some of the probation of his work." "Then," will also be in the computer terminals and mobile terminals sales Mo Yan's popular works, the price is about 1/3 of the entity book, is expected to be 10 yuan. From publishing to copyright output to network integration product marketing, a set of visible mo-Yan Economics has already been formed. It's not over yet. Qingdao, Hefei, Changzhou and other local property developers have also borrowed Mo speech momentum, many real estate traders expressed their willingness to send Mo Yan House. and Lang Liquor group in Mo Yan won the night to buy the important media in the national important page, published Mo Yan has written to Lang wine soft wenWater is the soul of wine. Taobao, there are a large number of "Mo Yan new bubble sleeve Lady T-shirt", "Mo Yan middle-aged and old shoes with dad shoes", "Mo Yan abundant milk fat hip Autumn Dress" and so on and Mo Yan and his works completely unrelated goods. As for the A-share market, which always likes to hype hot topics, is the day after the award of Mo Yan, a A-share culture media plate strong opening, 6 stocks trading. If the above phenomenon is the economic manifestation of the Mo-Yan effect, the effect is equally strong in education and government culture. Chinese publishing House decided to put Mo Yan's works "Transparent carrot" into high school Chinese elective textbooks, no matter whether the compiling of Chinese textbooks has the standard, and whether Mo Yan Works is indeed suitable as a Chinese textbook for middle school students, not to mention the misunderstanding and misreading of Mo Yan's works after being included in the textbook, this kind of snobbery , the compiling method, which is entirely based on the writer's identity, is inherently absurd. Mo Yan's hometown Shandong Gaomi Cultural department leading cadres in the hearing of Mo Yan won an award after a happy sleepless night. The so-called Ishid showered, Mo Yan won the prize made home immediately consider vigorously promote red sorghum culture, to build the peninsula characteristics tourism belt. Mo Yan's Literature Hall, which was previously empty, is now in a lively and unusual. Originally, the literature hall by the folk of Mo Yan, especially the Li Xigui and the school teacher to set up, "is entirely a folk chip to do, not the state." In the past the economy has been stretched hard to survive. However, Mo Yan won the prize the next day, the Deputy Secretary of the party committee Gaomi visited the Mo Yan Literature Museum, the expansion of the program is rapidly implemented. The same is all kinds of so-called cultural festivals, tourism festival heralding Mo-yan, will Mo Yan on his shoulders. The madness that seems to ripple through the chain of events is more than a prize falling from the sky. All this begins with Mo Yan, but we seem to be able to say clearly that it has nothing to do with Mo Yan, more to do with literature. Mo Yan's literary heat energy has never been seriously put into the visual field of literature, only to become a side even Mo Yan himself can not control the pretence to cover up the various interests driven by him. In the pursuit of such interests, we will not be aware of the "Red Sorghum family" of historical figures in the life and death of the adventure, the pleasure of the river, the revolutionary history of the original sound of the common construction of the desire and the wonders of flesh and blood, not to think of "Gale" in the earth-shattering sweep of the wind, "dog" in the fight to eat the corpse of the coveted Wild Dog, "Red locust" The flood of obscure locust plague--these carefully structured literary images, or simple and direct drawing nature, Mo Yan gives the land with strong Bo You of heavy color picture; We are not too busy to consider the "sandalwood punishment" in the Let of torture direct hit, 500 knives results, a knife a lot, a knife not much, sandalwood sentence after another hit, Sandalwood moves between the viscera and finally breaks out. This kind of violent narration is also in the ancient ethnic groups inside the broken out, call people self-examination from the police. This hole Yue Cheng Renmeng Yue to take righteousness of the kingdom really there is no lack of torture and violence, we have no more to ponder the "life and death fatigue" in the transmigration is not only a personal past life, but also the whole of ChinaLife cycle, through the eyes of animals, watching the world and political noise, life and death, fatigue not only, as for the reader's most hoping "abundant milk fat buttocks", the book on the underground touching the milk of several chapters, enough to burn, and in the reader nightmare Blood Zhang's moment, Mo Yan is to realize regardless of national narrative how Zheng Decent, How Grand Yan, in the end may not be the enemy of the physical desire; and in the 100-year policy of direct attack on family planning, "frog", more pressing introspection in the life of the "plan", reality and ethics, national and personal, ideas and traditions are equally in the "production" and "abortion" complex interaction. But these days the possible interpretation of Mo Yan's works has been obliterated by a wave of discourse that has nothing to do with literature. The economy is in command and needs only the label of Mo Yan, which is a good sign to the lucrative cultural business. Kaoshanchishan, Mo Yan local to rely on Mo Yan to eat, always weak cultural industry to rely on Mo Yan to be stronger and bigger, everyone has a difficult to read the hair finance. This classics, in the present China, is in fact everybody knows well, everybody inconvenient to be broken the first formula. So even if it is known that the play of what card, what play, the so-called culture to take Taiwan economic opera, the culture of Taiwan is actually no drama, who if even this primary and secondary relations are not clear, can be guilty of the outrage. Another wave of discourse is the sharp criticism of the so-called public intellectuals for Mo Yan's political and moral stance. or abusiveness his award-winning speeches deliberately evade political responsibility, or ridicule their inability to speak up for the public. These clamor and criticisms have their reasons, but more than mere clamor and criticism. Whether Mo Yan has a political role or a moral stance is entirely a matter to be discussed. But Mo Yan is a novelist, the novelist is not a politician or a political propagandist, even if the novelist wants to talk about politics and even criticize power, he should adopt the method of novelist. In this regard, Mo Yan's novels whether there is a great political criticism, whether there is a strong moral concern, whether the real society has put forward sharp views, I think the answer is beyond doubt. In fact, Mo Yan has shown his attitude and position in novels, and much earlier than those critics have demanded. What is alarming is the powerful ideological force in itself, which is based on the so-called political stance and democratic consciousness. Xinian Zhou Zuoren described the two traditions of Chinese literature with the words "DAO" and "Zhi Chi". In his eyes, "Zhi" and "Tao" is only "personal feelings" and "social purpose" of the "only", after the Zhou came down to "say that other people's ambition is to carry the road, to carry their own way is also a word of chi." Novelist most fear, the most vigilant is the "words of other people's ambition" even thought it is their own words, muddy feel Falling "load road" situation. Therefore, even if Mo Yan speaks the same thing, it is because it is what he wants to say, not because he is outnumbered. In his speech, Mo Yan made it clear that, given the freedom to criticize politics and the freedom to criticize politics, I think it should be added that people should be allowed to criticize political freedom in their own way. Return to fullAnti-true about the relationship between the writer and the spokesperson, in fact Kundera has already said Tao, "once the novelist plays the role of public figures, so that his work is in danger, because it may be regarded as his behavior, his manifesto, he took the position of dependency." And the novelist is by no means the mouthpiece of anyone, and I will say this: he is not even the mouthpiece of his own ideas. "Aside from the above, Mo Yan's winning talk did not promote the situation of contemporary Chinese literature and its value revaluation." Ashamed to say, finally, there is one thing that can make literature become the focus of social attention, but in the end almost all of them open up literature, to find something other than literature. As far as I can see, at least we missed the chance to find a long and obscure Chinese traditional narrative art from Mo Yan. The Nobel Prize in Literature said that Latin American magical realism has a great influence on Mo Yan, but it is more fitness that the traditional Chinese Zhi-strange novel has profound influence on Mo Yan. Mo Yan from Chen Xiang Fellow sages of the study, nothing but that is to recognize the myth of the wild and the local story gave him a unique literary vision. In recent years, the Nobel Prize for Literature prize has two kinds of criteria, one is the standard of modernity and modernism, and the other is the admiration of Multi-culture. Mo Yan's Award is clearly in agreement with the second standard. And the multicultural here is not the western xiahong of the traditional Chinese narrative style and its deep cultural origins behind it? But these are rarely dug in the discussion today. Again, through Mo Yan's absurd meat and vegetables, we recognize that China is no longer the grand, big, full of that magnificent China, but is full of lust, violence, evil legendary China. In the ordinary people's "body" for the afraid trivial description of the real, Mo Yan also makes our true embrace of these "body" together the history of the "body". Also in the recount of thousands of myths, Mo Yan finally acquired the most suitable "style" of "subject" and stroking "body", thus touching the most fundamental value core of this nation. Then, the image and imagination of "China" in Mo Yan's works, as well as how this image and imagination affect the Westerners, what kind of interaction will the Chinese self have in this image and imagination, which is very urgent to discuss the topic of expansion. A country so concerned about the image of the world, in the face of such a vivid and rich text and such a rare opportunity to narrate their own traditions, turned a deaf ear, only know the money. and Mo Yan exposure to the local narrative tradition this time to get the world attention, for the development of Chinese urban literary tradition is also a good consideration. Is there any urban literature in China? How is the development of urban literature, how many ills exist, the relationship between urbanization and urban literature, and whether the rapid and turbulent urbanization process can provide more complex and ambiguous materials and stories for urban literature, and whether writers can always stand outside the city and look at literature while facing the glitz of the city, All these will be the problems of the energy release of Mo Yan's literature. To give up these questions, or to turn a blind eye,Only the loss of literature, but also the sincerity of this piece of land loss. Lu Xun was recommended for the Nobel Prize in literature has declared: "Nobel Prize money, Liang Qichao nature does not deserve, I do not deserve, to take this cash, but also lack of effort." The world is better than my writers what the limit, they can not get. You see I translated that Little John, where I can do it, but the author did not get. Lu Xun Clearly, the reason why others want to nominate him, but because he is "Chinese", so the next very serious: "I think China really does not have the Nobel prize money people." Sweden is better off ignoring us. If because of the yellow shameless person, the special preferential treatment is enough to long the Chinese vanity, thought that can really match with other country writer, the result will be very bad. Now Mo Yan won the prize and wanted to be happy with Lu Xun. But Lu Xun's words are still not outdated. "Genius is more than a gift, unique to the cultivation of the genius of the Earth, it seems that everyone can do." The effect of doing the earth, than the requirements of genius is still closer, otherwise, there are hundreds of thousands of geniuses, but also because there is no soil, not developed, like a dish of mung bean sprouts. "A Nobel Prize, the nature of a little bit of people's heart knot." But compared to the rest of the world, the words after the award show that the soil of Chinese literature and art is still not thick, there are many can be developed but to delay the fall of mung bean sprouts.