PS uses the paint brush and perspective relationships to add realistic snowflake images-PS tutorial

Source: Internet
Author: User
The method used by the author to make snowflake is very good. before making the materials, we divide the materials from far to near into five levels based on the perspective relationship. the farthest is basically smoke. the snow particles that are a little farther away are small and the density is high, it is also clear that the author's method of making snowflake is very good. before the production, the material is divided from far to near by perspective into five layers, the farthest is basically smoke; a little farther away, the snowflake particles are small, the density is high and clear. recently, the snowflake is very large, sparse, and fuzzy. add the snowflake with a paint brush and perform a reasonable dynamic fuzzy processing according to this rule, the image is very lifelike.
Final effect





1. it is relatively easy to create a brush, but even the most professional brush won't help you unless you know exactly what you want. This is of course a snowy scene, but what do we want?



2. pivoting is very important for reproduction of snow scenes. It is not correct to cover all the white points in the entire scenario-it looks flat and unrealistic. To make the snow scene more natural, we need to divide the scene into five areas: Background: All levels of snow stacked together to produce a white wall, and mixed with the multi-cloud sky. To copy this effect, you just need to simply overwrite the background with smoke.

We can see the shape of the snowflake if we want to bring the background closer to us. They are thick and small, like a splash of white spots.

Closer to us, the larger snowflake shape. Because of perspective, they also seem to fall faster. A little dynamic fuzzy can be used to get more effective results.

As we move closer to the snowflake, the snowflake will become larger, but more sparse, otherwise they will overwrite the important position in the image. They are fuzzy because they are faster.

Snow is in front of you, and one or two flowers will cover the whole line of sight. Be careful when using them, and then add a large blur effect; you can also use unfocused effects to ensure that those snowflakes are within the lens focus range.

According to your perspective scenario, you can increase or decrease the number of regions as appropriate.




3. copy the image and create a simple effect area for the scenario. This part does not need to be accurate. you only need to ensure basic pivoting, foreground background, and intermediate part.






4. create a new layer and draw a large white edge on the top with a soft circle brush.



5. reduce the transparency of the layer and make the background white and blue.





6. create a layer mask, black the brick column, and expose the brick.





7. create a new layer and use the dense and fine snowflake to overwrite the scene. Click here to download the snowflake brush.



8. use the layer mask again to draw the brick part. (Can you use the ALT key to quickly copy a layer mask ?).

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