We run premiere5.1 and the following interface is displayed: Simple explanation: * The monitor window is used to monitor the signal. The monitor signal source on the left and the monitor output result on the right;
* The timeline window is used for editing audio and video, that is, our main work zone;
* The transitions window lists all AB rail effects provided by preimere;
* The Navigator window provides a bird's nest chart in the current editing area;
* The project window is used to manage the material source. Now let's start making our first movie.
First, right-click the project window and choose your preimere installation directory (X: \ Program file \ Adobe \ premiere5.1 \ tour, X is the drive letter) transfer some materials (for the convenience of teaching, we basically use the materials provided by premiere ). Then, drag boys. Avi in the project material library to the video 1A track of the editing track. We can drag the ruler on the ruler bar Observe the material screen in the output window. There are many tool buttons in the timeline window. By default, the "select" button is taken down. In this status, you can select, drag, move, and other functions. Now we can click the "Razor" button to edit it. Boys. two boys in Avi are riding bicycles. We want to separate the pictures of the second boy. Then, when the first boy's picture ends, press the "Razor"-like left mouse button, cut the film. Double-click schedulers. Avi in the project window, and the images of schedulers. Avi appear in the source window of monitor. Move the time scale (small square) in the example ), Stop the current frame of the image to the position of 4 seconds, set a mark out, and set the referers. avi is dragged to the video 1B rail, and the schedulers on the video track. avi is shorter than the original clip, and the entry point and output point are very important concepts in video editing. Of course, if you are not very accurate in marking and picking points, the most convenient way is to drag the video track material directly at the start and end positions (, it can also achieve the same effect. Now, we drag the movie ers. Avi to the video 1B rail and drag the last section of the movie boys. Avi to the back to make the three films overlap in time. In the transition window, select a cross dissolve image, and drag it to the transition track between the video 1A and video 1B. Note that the image must be in the middle of the three films. Now we move the mouse over the ruler bar, press the "Alt" Key, turn the mouse into a black arrow down, hold down the left mouse button, drag around the ruler, in this way, we can see the final effect of our film. We found that the cross dissovle feature is what we often call the fade-In stunt. Finally, we set the workspace so that the blue tag range of the workspace includes all the three clips. Then, click "file \ export \ movie..." on the menu and click "setting" to set the rang of General setting to work area, Set the frame size of video setting to 320*240 (because the source resolution of the video is low, the output video format is not clear and meaningless ), frame rate is 25 (PAL: 25 frames/second ), Finally, get a file name for the output video, and the video will be generated slowly and vividly. If you want to interrupt generation in the middle, just press the ESC key. After a long and sweet wait, we finally saw the first video clip. Is it quite appealing ?! In this lesson, you learned some of the most useful and basic video editing functions. Remember every step here. This will lay a good foundation for your future study, if you don't think it's boring, click "next lecture.
| Adobe Premiere 5.1 tutorial (2) initial contact with photo, motion, and filter |
Source: 5D multimedia
Responsible editor: zwg |
| [02-4-3 16:08] |
Author: Yan shengbiao |
Adobe Premiere 5.1 tutorial (1) highlights in-picture -------- first contact with portraits, motion, and filters In this article, we will give a picture-in-picture effect for a film to get a preliminary understanding of the image, motion, and filter. In some of the artist's MTV discs, we often see the effects of picture-in-picture. picture-in-picture is a very common production technique, which can be easily produced using premiere. First, we call all the materials in tour. Drag fastslow. Avi to the video 1A rail, and drag boys. Avi to the video 1B rail. The two films overlap for a period of time. In the transition window, select the clock wipe Image Drag it between fastslow. Avi and boys. Avi. In this way, the image is assigned to the-volume video in the Video 1 track. Select a clock wipe image to enclose it with a dotted box. Double-click it and the following window is displayed. Select show actual sources to display the current AB rail screen. You can drag a small cursor under the AB screen to see the effect. Note: The two cursor positions on the AB volume determine the start and end statuses of the current image. If both the start and end statuses are the same, your image is a static effect for splitting images. Border determines the margin width and color of the image. If we set The image is like |
There is also an important attribute setting area in the image, The arrow is used to set the AB volume to swap, and determines whether the stroke is from a-> B, or from B->. The direction keys of a stroke have two states: And. Click it to change the action direction of the stroke. The anti-tooth key has three states:, and switch to it to change the smoothness of the stroke edge. The red arrow in the figure is used to change the starting position of the image. We set these attributes to the values we expect. Press the OK key, return to the timeline window, press the Alt key, hold down the left mouse button on the ruler bar, drag left and right to see what we have done. Now drag explorers. Avi to the video 2 track. Place it in the middle of the entire video, select it, right-click it, pop-up function menu, and select the "video \ motion..." function. In the pop-up motion setting window, we first select the show all option in the upper left corner, so that the background screen can be seen in the pre-monitoring window. Set the scaling value of the starting image to 50%, and drag a new location. Place the small image in the upper left corner of the screen. Remember that the coordinates of the small image at the start position are (-14,-9 ). Now the end status is set. Click the end point, and change the coordinates of the end state to (-14,-9). The zoom value is changed to 50%, now, let's look at the preview window, which is already a small image in the upper left corner of the screen. Press the OK key, and we have set the motion attribute for schedulers. Avi. Looking at the effect, there is a picture in the picture, but it seems that something is missing ---- Oh, yes, the picture in the home TV is usually colored, it is not hard, let's give the referers. set a filter for Avi. In timeline, select schedulers. Avi, right-click it, and choose filters from the shortcut menu. In the pop-up filters window, select the clip filter and click "add ", Add it to the Film Filter attribute. In the pop-up clipping setting window, we set the size of the Left Border to 3% of the original painting surface, and the right, top, and bottom borders to 3%, select a side color you like. Click OK to confirm your settings. Return to the timeline Main Window and drag your ruler to check the editing result. Are you satisfied? If you think it is not cool enough, you can go back to the filter attribute window and make a side color change. Select the clip in the current list, select the last frame, and click "edit" to edit it. This time, select another edge color in the clipping setting window.
After confirming, return to the timeline window and check the effect! The side color is changing !! If you are not afraid of trouble, you can set a lot of key frames between the start and end frames and set different edges and edges. It will be much cooler in your picture. Finally, you have to do a very important thing. Click "file \ save" in the main menu to save the current working status, the video editing sequence, entry and exit points, and special effects of all your films are saved to meet the demand. The most practical thing is to continue learning in the next lecture. The next lecture will use the editing results in this lecture. Output the entire film to see the results of your work. The last generation time is always worth waiting.
| Adobe Premiere 5.1 tutorial (3) subtitle and Alpha score line Application |
Source: 5D multimedia
Responsible editor: linkai |
| [02-4-4 9:27] |
Author: Yan shengbiao |
Normally, a video without subtitles is obviously not good. This time we will add subtitles to the Film edited in the previous lecture to make it perfect. Import the labor results of the previous lesson (click "file \ open" in the main menu "). First, we need to add an opening blue screen to it. In the timeline window, select the multi-choice button range select tool, select all clips, and drag a distance to the right to leave a blank area in front of the entire video. Click "project \ create \ color matte .." on the main menu to generate a blue screen named Blue. The blue screen is automatically added to the project material library. Drag the blue in the project window to the video 1B track at the beginning of the film, and stretch it a little longer to make it consistent with fastslow. avi overlaps a bit, and then drag a cross disolve image into the transition window to make a light effect. Similarly, a blue screen fades out at the end of the screen. Click "file \ new \ title" in the main menu to enter the subtitle editing window. We can drag blue in the project window to the subtitle editing window for reference to facilitate the correct color of subtitles. Click the button in the toolbar under "else" and type the "The End" text in the window. On the left side of the window is set color. We set the word color to white green gradual color, and the shadow color to black. The detailed color settings are also very simple. They are nothing more than the starting color, ending color, gradient range, and transparency of each color. We can also move the small "T" in the right image to adjust the shadow size. In the main window, right-click the text, change the size of the word to 48, font to "Arial"
Bold italic "at last we can see the effect of the Set words. Close the subtitle window and name the subtitle file end. PTL. Call end. PTL into the project window and drag it into timeline. Define an action for end. PTL so that it can roll up from the bottom and stay in the middle for a while. The creation procedure is as follows: Define the starting coordinate as (), and click the left button in the middle of the moving timeline to add a key frame. The current moving status is. Set the coordinates of the key frame and the end frame to (0, 0). Then, we can see that the subtitles are moved from the bottom up on the pre-monitor screen, and stay on the screen for a while. Press the OK key, and we will be able to pull and roll the subtitles. Click the triangle next to video 2 in the timeline window to display the Alpha key of video 2. The so-called Alpha key is the transparency of the track film. It is represented by a red line in premiere, and we often call it the Alpha score line. Click the left button on the red line, set two key points, and then move the start and end two key points to the minimum. In this way, the transparency of explorers. Avi has a change process, from full transparency to full display, and finally to full transparency. Then, drag your ruler to view the output result, and you will find that alpha
When the key changes, the effect is the same as that of Fade-in and fade-out, and it is more convenient. You can also use the shift, Ctrl, and ALT keys of Adobe to see how to adjust the Alpha key more flexibly. Note that the video track we edited should be arranged in this way if there is no accident. Finally, I watched the final video completely. First, I started the blue screen opening. The pictures gradually appeared and gradually disappeared. The pictures were marked, the blue screen ended, and subtitles were rolled, our films are becoming more perfect. |
| Adobe Premiere 5.1 tutorial (4) creation of various transparent Images |
Source: 5D multimedia
Responsible editor: linkai |
| [02-4-5 9:10] |
Author: Yan shengbiao |
In this lecture, we will mainly explain a major category of Premiere's production skills-making various transparent images. 1. Image cutting technology:
In the TV series "Journey to the West", we can see Sun Wukong traveling through the mountains and rivers with colorful clouds. In fact, it was made with the oldest stunt in a movie-"photo shoot. Next, let's make a photo stunt. Let's first look for a blue background (blue backdrop or blue cart), arrange some objects in the foreground (such as the movement of a small toy or your hand) to take a film and collect it into the computer, save it as a blue1.avi file. Call blue1.avi in the project window and find another background image blue1.tga. Drag blue1.avi into the video2 rail, and place blue1.tga on the video1a rail. Drag the length of blue1.tga to the same length as that of blue1.avi. Then, select the foreground image, right-click the function menu, and select the transparent setting of transparency. In the transparency setting window, we can see the foreground image, and note that our blue backdrop is not very pure blue (of course, in actual production, the more pure the better your canvas color ). We turn on the transparent result preview switch to change the selected result to the selected one. In this case, change the "key" setting (in the professional video field, it is often called transparent superposition as the Key Signal Setting) to blue
Screen. Adjust the following two parameters threshold (degree) and cutoff (degree of shielding). When setting this parameter, we can turn on the mask switch and refer to the results of the image. When you adjust to black and white, the parts to be transparent are black and the areas to be transparent are white. If some areas are gray, the results of the image extraction must be translucent. You can set the smooth attribute to smooth the edges of the image. If the set parameters are good, the transparency of the Open and Close mask buttons should be like this ,. If you do not have a good background image when shooting an image, it is better to simply use the blue backdrop as the background and make another image. The background image only depends on your imagination. However, it should be noted that you should not have blue components in your clothes or anything. If you must wear blue clothes, you can use other strong colors as the background. You can select the chroma Color Key when performing image cutting, and then use a droplet to select a transparent color and adjust the similarity among other attributes. The same effect can be achieved. 2. Use of alpha masks:
Run your Photoshop and we will make a heart-shaped transparent mask. Select "file \ new..." in the menu to create a blank image with the same resolution as the one you created. Here, the edited image is 320*240. Use the path tool to draw a heart shape on the blank screen, and then press and hold the path tool to select the path adjustment tool to make the heart more beautiful and draw the path. In the path window, drag the path to the small button under the window and change the path to the selected range. In the channel window, add an alpha channel, select \ feather... in the main menu, and select a region. Select the paint barrel tool, set the current foreground color to white, and color the selected area to white. The current graph should be like. Select the box selection tool and click any position on the screen to cancel the selection. Finally, select "image \ adjust \ invert" in the main menu to reverse the alpha channel. Save the image as mask1.psd. Exit Photoshop and return to premiere. In premiere, we transferred several materials in the premiere tour directory to the timeline track. Put boys. Avi and reducers. Avi on the video 1A rail, and put mask1.psd on the video2 rail.
Select mask1.psd and set transparency. This time, we select the Alpha key for the effect. Change the selection button in timeline to the check button, and select the mask1.psd and reducers. Avi sections. Drag it to boys. Avi and edit it as a virtual image segment. To virtual
Clip sets the transparency attribute. Select the alpha channel key attribute to turn on the reverse key. Finally, the transparent image we see should be: Remember the method for setting up virtual clip. If you use this technique flexibly, you can see a lot of tricks. 2. Use of alpha masks:
Run your Photoshop and we will make a heart-shaped transparent mask. Select "file \ new..." in the menu to create a blank image with the same resolution as the one you created. Here, the edited image is 320*240. Use the path tool to draw a heart shape on the blank screen, and then press and hold the path tool to select the path adjustment tool to make the heart more beautiful and draw the path. In the path window, drag the path to the small button under the window and change the path to the selected range. In the channel window, add an alpha channel, select \ feather... in the main menu, and select a region. Select the paint barrel tool, set the current foreground color to white, and color the selected area to white. The current graph should be like. Select the box selection tool and click any position on the screen to cancel the selection. Finally, select "image \ adjust \ invert" in the main menu to reverse the alpha channel. Save the image as mask1.psd. Exit Photoshop and return to premiere. In premiere, we transferred several materials in the premiere tour directory to the timeline track. Put boys. Avi and reducers. Avi on the video 1A rail, and put mask1.psd on the video2 rail.
Select mask1.psd and set transparency. This time, we select the Alpha key for the effect. Change the selection button in timeline to the check button, and select the mask1.psd and reducers. Avi sections. Drag it to boys. Avi and edit it as a virtual image segment. To virtual
Clip sets the transparency attribute. Select the alpha channel key attribute to turn on the reverse key. Finally, the transparent image we see should be: Remember the method for setting up virtual clip. If you use this technique flexibly, you can see a lot of tricks.
3. Method of Image Filtering:
In actual production, there are several more commonly used mask methods, which are image masks. In Photoshop, call out the mask1.psd we just created. Select the alpha channel, click "select \ All" and "Edit \ Copy" in the main menu, and then click "Edit \ paste" in the layer settings ", copy the content of the alpha channel to the layer, and select "file \ save a copy..htm" to save it as mask1.bmp. In premiere, we call schedulers. Avi and boys. Avi to the video1 rail, select gradient wipefrom the transition window, select mask1.bmp as the image, and set the appearance to 60 or higher. Double-click the gradient wipe icon on the transition track for further settings. Finally, let's take a look at the effect. Is it the same as the Alpha mask we made above? If you look at an image mask, we will find that the image mask cannot be used as a feather edge mask (whether or not your masked image is a feather mask), but it is faster, it is also useful for situations with low requirements.
Speaking of this, I have already introduced several common methods for creating transparent effects. They have different methods and use different occasions. Watch the wonderful titles on TV at home, are you no longer aware of some of these production techniques? |
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