Experts conclude that the collection of ancient Chinese paintings and calligraphy is determined by 10

In recent years, with the increasing development of the Chinese painting and calligraphy market and the increasing maturity of buyers, the artistic value and market value contained in ancient painting and calligraphy have been gradually recognized by buyers, and the market continues to heat up, with the auction price hitting new highs, for example, Song Huang tingjian's "Zhu Ming" shot 0.43 billion yuan, Yuan Wang Meng's "imimimkawa migration map" shot 0.402 billion yuan, and Wang's copy of "Ping An Post" shot 0.308 billion yuan, ming Wu Bin's "18" shot 0.169 billion yuan, Qing Zhu's "Bamboo 图" shot 0.118 billion yuan, as shown in the ancient painting and calligraphy are increasingly sought after by collectors.

However, because ancient paintings and calligraphy are far away from each other, the authenticity is difficult to identify, and there are a large number of pseudoworks in history, the collection of ancient paintings and calligraphy has become a "high threshold, high risk" variety. What problems should I pay attention to when investing in ancient calligraphy and painting? How to avoid fake purchases? The author briefly describes the following 10 aspects.

First, let's look at the truth. In the final analysis, the authenticity of the paintings and calligraphy works is a process of comparing authenticity and looking for differences between the two. To identify the truth, you must first identify the truth. It is hard to imagine that a Tibetan who has never witnessed the truth will make an accurate judgment on the authenticity of the work. Since the famous ancient paintings and paintings are mostly collected in famous museums, it is one of the most effective and feasible ways to improve the level and ability of identification of counterfeiting when the Museum sees them. Only by having a clear understanding of the development of ancient calligraphy and painting and the style of each famous artist can you go back to the art market.

Second, it is better to widely record images. The modern publishing and printing industry is very developed, and many famous Ancient Painters and painters have very detailed data. Many photos not only include the masterpiece of famous Ancient Painters and calligraphy masters, but even some works collected in foreign museums. It is helpful to study and understand collectors. Because the Viewing History is limited after all, it is necessary to read images and store each piece of work in memory.

Third, remember your personal style. A painter can have a place in the history, and must have a strong skill and unique style. Those who are far away, such as the beauty of the King's handsome, beautiful Yan; Wu Daozi Wu take the wind, graceful; Huai Su's continuous surroundings, a thousand miles; fan Kuan Qianyi, the mountains, these are the masters of the history of painting and calligraphy. Similar to Zhao Meng? The power of the retro, to draw books; Huang Gongwang's various methods are ready, "point" magic; Ni Yi's nonsense writing, Yi shi romantic; Shen Zhou's vigorous and vigorous, Style High ancient; the style of wenzhengming is exquisite, And the books are neat and unrestrained. The style of the person in the eight mountains is amazing and beyond the reach of things. Shi Tao's search is full of extraordinary peaks and wonderful to write naturally. Zheng Banqiao's participation in different levels leads the painting and calligraphy are superb. Being familiar with the style and ink language of painters is of great benefit to improve their appreciation ability, especially to familiarize themselves with the changes and genre evolution of the three generations of painting and calligraphy in the Ming and Qing dynasties.

Fourth, you should be aware of the pseudoscripts. There are usually two types of Chinese calligraphy and painting pseudoworks: one is the proxy and the other is the pseudo. The makeup is a special phenomenon in Chinese painting and calligraphy. It is true that there is no shortage in history. For example, wenjia serves as his father, wenzhengming, and broadcast TV tower as an anti-corrosion service. http://www.66gk?com/product-112.html#, Zhao zuochang. Because the writers are familiar with painters and are in the same era, the level of imitation is high. It is complicated to be pseudo and has a strong regionality. For example, "Suzhou film", "Yangzhou film", "Shandong film", "Kaifeng film", and "backdoors", many levels of crude production are rare. Contemporary fraud is rigid in every figure, and the pen and ink are rough.

Fifth, all aspects of vulnerability discovery. The identification of calligraphy and painting is a comprehensive study that involves both the painting and calligraphy itself, as well as the paper, printing mud, mounting, name system, clothing and crown utensils, the avoidance system, and interpersonal titles, we can find the fake "Horse horse ". For example, Song huizong Xuan and the inner's mounting formats and printing specifications have distinctive characteristics of the times. couplets are the mounting styles that appear only after the evening; in the painting and calligraphy section, "elder brother" and "altar" are unique titles in the late Ming and Early Qing Dynasties. Understanding this helps us grasp and judge the age and authenticity of the work from the aspect.

Its 6. The question was printed and exposed. In Chinese painting, it is not a long history to explicitly describe the funds. During the Northern Song Dynasty, painters hid their names in a very conspicuous place in the painting, such as on stone heads or branches. The first major prevalence of the deployment was in the Yuan Dynasty. How do we see Zhao Meng? There are many famous paintings. At this time, there are also a large number of Inscriptions and poems on the painting. In many cases, printing is also crucial for judging the authenticity of calligraphy and painting. Su Shi's "gongfu Post", the above three parties in the Ming Dynasty, the largest collectors of Xiang yuan, the Tibetan printing "zi jing" Zhu wenhulu printing, the "Xiang Shu zi" white text square printing and "? Li Xiang's ghost game was broken into "post-printing ". It can be seen how important it is for the identification of ancient paintings and calligraphy works.

Seven of them are separated by famous inscriptions. Since ancient calligraphy and painting were handed over to the Tibetan site, there were many inscriptions and views of the collectors and the anchor. These inscriptions are not only helpful for understanding the collection history of the work, but also for judging the authenticity of the work. They also greatly increase the color of the work. Just because the collectors are very important to the inscriptions of calligraphy and painting, the counterfeits are ready to give up and make a fuss. For example, in the Ming Dynasty, Zhang taizang made good use of this trick. His fake paintings often come with the fake scripts of different generations of famous artists. Currently, most of the common false questions on the photo market are Zhang Daqian, Wu hufan, Xie zhiliu, Xu bangda, Yang renkai, Shi Shuqing, and others. Therefore, when encountering these "Famous inscriptions", you should be extremely careful and review them.

8. others' opinions are for reference only. Many investors lack knowledge of art and look for investment consultants, which are very common for them by experts. Although it is a simple and easy way for experts to keep their eyes open, it is impossible for experts to be foolproof. Some so-called "experts" have low eyesight.

9. Focus on one or two. At present, most of the ancient paintings and paintings in the Chinese market are concentrated in the Ming and Qing Dynasties. Therefore, it is a feasible method to determine the collection scope and objects, and to develop collections for a certain genre or one or two people. After the eyesight is improved, it gradually becomes closer to the distance, from less to more.

Ten of them are self-built and ultimately successful. To collect ancient paintings and calligraphy, if you want to succeed, you still need to learn from the collectors and learn from each other. At present, the art market is mixed, and the speculative trend is prevalent. Only by doing some necessary research and understanding on the History of Chinese painting and calligraphy can we gain a foothold. (Jian Jianping)

 

Experts conclude that the collection of ancient Chinese paintings and calligraphy is determined by 10