Animated life: Wan yiming and his "tiangangtiangu"

 

(Reprinted) animated life-Wan yiming and his "tiangtiangtiao"

Author: Wan yiming

I have been engaged in animation for two times in the old society and the new society, and I have been directed by Sun Wukong for two times. The encounter is totally different, and it is hard to feel deeply.

I can no longer forget the last dubbing scene in tiangao last winter. I remember that one day, during the battle of the record Booth, the music division played a percussion instrument with a strong and rhythmic sound, sun Wukong, who has seen him hundreds of times on the big screen, is still watching him with enthusiasm. On that day, Sun Wukong seemed to be exceptionally cool and vigorous. He was wearing a goose-yellow coat, red trousers, a tiger-skin skirt around his waist, and a green scarf around his neck, waving a golden hoop and kill it together with a pair of shoes. As the drums keep getting tighter, I watch the screen with a close eye and get excited. Where is Sun Wukong's opponent? He lost the storm and went back. Sun Wukong pointed to the hacker who ran away and laughed ...... I breathed a sigh of relief, Sun Wukong's joy, the laughter of victory suddenly grabbed my feelings, a strong sense of happiness, immersed in my whole body, I also smiled. Sun Wukong, who has been with him for more than a year on paper, has finally stood in front of me. Sun Wukong, who has been interested in his mind and eager to see it in animation for more than two decades, has finally been born. But somehow, my eyes were wet. I'm so excited that I think about the ups and downs, time goes back, and the scenes of memories are rapidly changing. I clearly recall my experiences in the old society.

Draw travel to the west into an animation, especially part of Sun Wukong's most exciting "tiangtiangeong. It was something I had hoped for more than 20 years ago. In the old society, I have been bitter and cannot fulfill this desire. I 've been bored with it, because I 've been traveling all day long and "lobbying" everywhere, I have been white-eyed by the capitalists. I'm so glad that some capitalists are willing to invest in shooting, after more than half a year of hard work, the desire to become a bubble in the end, the capitalists suddenly changed their strings and ordered the shooting to stop. Due to soaring prices, the sale of film drugs was more profitable than the filming; I have been desperate for it because the animation industry has died since then, and I feel that it is no longer possible to render the "Grand noisy Palace" as an animation in my life.

After liberation, under the care of the party, I again picked up the paint brush to join the ranks of art films. In the busy work and study, the desire to die once again began to rise and grow, and the requirements for achieving it became increasingly strong. But feelings are complicated. This is a ministerial article, with high costs and high artistic and technical requirements. I am limited to my own level and cannot grasp it, So I dare not rashly propose it. The Party learned about my mood, handed over the task to me in the spring of the year before, and gave me great support in manpower and material resources.

Although the rich imagination and unique artistic conception of travel to the West have attracted me for a long time, I am familiar with it. In the old society, I have also made styling designs for several major figures in travel to the West, but the image of Sun Wukong on the screen today has been reborn, it is different from what I thought Sun Wukong did 20 years ago. What I thought in the past was just to look at the novelty and fun of the story. Sun Wukong may be treated as a comedy little guy.

When I adapted the original book "Journey to the West" into the literary script of "The Palace of Heaven", I also learned a lot. After receiving a task change, Comrade Li Ke and I first faced a problem that dared not "Touch. We have studied the first seven times of travel to the West and thought that it contains extremely profound practical significance. Although it is written in mythical form, it reflects the sharp conflict and struggle between the oppress and the oppressed. Therefore, in the literary scripts of tiangao, drama conflicts are manifested in a series of conflicts between Sun Wukong and the ruler headed by the Emperor Yudi, sun Wukong's brave, witty and unyielding personality gradually grew up and matured. However, due to the limitations of the original author's thinking, there are still some negative and imperfect aspects in the first seven times, especially considering the performance characteristics of the art film. If you do not extract the original plot, adapt it as appropriate, light mining and deep theme ideas that impair positive and romantic meanings. For example, in the fourth article of the original book, the conversation between the Monkey King and the police officers leads to a section where the Monkey King is too small. There are not only many conversations but also a lack of physical actions, it is not suitable for expressing it in an animated movie language. In this scene, we added the character Ma Tianjun to portray the oppression of tianting, and turned Sun Wukong out of the south Tianmen in anger, deepening the meaning of the contradiction.

When watching the repertoire of "Journey to the West" played by our brothers, we should pay attention to "Innovation. We can see from the perspective of animation that the performances of the brothers are based on the repertoire of Journey to the West, due to physiological and physical constraints, in terms of processing the time space, in the form and action performances, it cannot be affected. In terms of Animation art, it is not characteristic of other types of drama, such as the sky, the dragon and the Phoenix, the three heads and six arms, and the fog, therefore, we should try to show its particularity. In terms of Sun Wukong's appearance and internal quality, we believe that unification is necessary, but this unity must include the characteristics of monkey, God, and man.

Sun Wukong is a monkey and first has the clever and lively characteristics of the monkey. But he is also a god and has all the capabilities that humans cannot turn into. his thoughts and feelings, but it is also the noble quality of people with integrity in real life. Therefore, in terms of character image creation, apart from the advantages of different types of drama, we also provide the necessary exaggeration and imagination. In the mythical plot and realm, through the performances of the characters in physical actions, the characterization of the characters in psychological activities, and the rendering of the environmental atmosphere, sun Wukong has the opportunity to fully display his inner power and rich personality. By giving people a full and real feeling, they will be more attractive and touching. In combination with reality, this can give people a broad range of room to imagine.

According to the requirements of the script, we invite Comrade Zhang Guangyu to design the art for several major figures in the tiangao Palace. Comrade Guangyu's Character styles have a simple and heavy image and are dynamic and vivid, added a lot of luster to the film.

In terms of scenario processing, we have noticed that the background and atmosphere must serve the plot and character. The style requirements of scenes should be consistent with the character. It should not only absorb the fine traditions of folk art, but also exert the creative power of imagination and have a decorative flavor, but also be different from things of ordinary people. The building requirements must be concise and changing, the colors must be enriched in a unified manner to form the fantasy atmosphere of this drama. Therefore, the performance of heaven is misty, dark, and low. It seems that although the construction is luxurious and rich, it is gloomy and gloomy. Huaguo Shan is happy and clear, and Wonderland is also a paradise, giving people a vibrant and pleasing to the eye. In terms of scene processing, it is advisable to bring "virtual" rather than "real" in order to have a stronger mythical atmosphere and achieve greater artistic effects.

In terms of plot handling, we should pay attention to the rapid development of the plot, the pace should be bright, do not drag the water, and use a lot of methods of news. For example, if the Monkey King adopted the Dinghai magic needle, he turned his hand and walked away. The Dragon King was so angry that he pointed to the distant Sun Wukong and said, "You have to borrow the treasure of my town. I want to tell you in front of the Jade Emperor!" Just now, the scene was quickly transferred to the tianting, and longwang crawled in front of the Yudi and said, "Please make the decision as the minor minister ." Rapid Change of scenarios is of great benefit to deepening conflicts. The character dialogue is not completely like the Tao Bai of Peking Opera, nor is it like the dialogue of a drama. It has a charm in the dialogue, and sometimes the tail sounds long, showing the characteristics of the animation. In terms of music, we have adopted national music, using the percussion instrument and gongs and drums of Peking Opera to make the characters have a strong sense of rhythm.

After more than a year of hard work and nearly 70 thousand screenshots, all our shooting team members finally made Sun Wukong's Animated Image appear on the screen, realizing my desire for decades.

XI Mo and Yao are willing to pay.

Source: http://www.huaij.com/Html/anime/162702964.html