To the users of the painter software for detailed analysis to share the drawing umbrella under the half squat young girl's tutorial.
Let's take a look at the final effect chart:
The specific painter drawing steps are as follows:
When I started making this work, I knew exactly what I wanted to achieve ...
A familiar and poetic form of emotional manifestation. and to use blood red as a substrate, as well as to add some more realistic elements and so on. So I chose some common colors, used them throughout the coloring process, and also picked some fuel for the characters to adjust their complexion.
After choosing the midtones, I fused them with the first pigment. In this work, the brushes I use are very much in line with my needs: round hardware with uneven edges, paint brushes, rotating brushes with mixed complexion and spray brushes. (Figure 01, 02)
Color block and shape block after selecting the color, I opened a new folder, start sketching out the overall color pattern (it's worth noting that you need to keep the character's color in a separate layer), and then spread the different shades completely across the set, which helps me coordinate the colors at the very beginning. To avoid excessive saturation of color. (Figure 03)
After that, I reduced the level of the characters and started adding more details to the girl. I just added a color block to this image and didn't use some classical sketches. Because the top is really messy. In addition, adding color blocks also gives me great inspiration, and it gives me an idea of how I will handle the style of this image in the next process. (Figure 04)
Background now let me give a detailed introduction to the background of the production process. Usually, I leave the background part to the final processing, but this time because most of the colors are placed in the sky, so I need to deal with this place first. I do not have a detailed definition of the background, I just put it in a little far away to leave a conceivable space. The entire background of the work is done using a rough and soft brush in Photoshop. (Figure 05)
Face in making this link, I first drafted the character's face, because it is one of the most important parts of the entire image, so I am very careful to deal with every detail. I often draw some confident and very sensational faces. But this time I wanted to sketch the girl as a young, subtle and fanciful figure. First of all, I removed the face I had sketched before and sketched another face to contrast. As you can see, the characters on the left tend to be modern and too focused.
So I decided to use the original one. After the facial selection was completed, I added some brightness to the picture and smoothed the rough place in the painter. Then add some details and focus on the eyes, nose and lips. The final synthesis is done using the "Add Water" tool inside the painter. (Figure 06, 07)
After the body had finished the basic part, I started making skirts and parts of the body. When I made these two parts, I also used the brushes mentioned above. First, I added details to the body and skirt I had drafted before. Most of the details of the dress were done in painter. The appearance of the clavicle can be easily created with slick, subtle brushes. While coloring the body, I chose the rough brushes inside Photoshop and I used them in combination with a rotary brush and a spray brush. (Figure 08)
After the fish had found enough information from the reference books, I began to make parts of goldfish and umbrellas. Because these two places have some symbolic meaning, so I decided to add some magical elements for them. I want to make the goldfish as an image of the soul of the object. If you do not observe carefully, you will not be aware of its existence. This will not only not take the lens of the characters, but also full of mystery. (Figure 09)
I sent it to the customer when I finished the submitted version of the work. Then I reassessed the picture myself. Although I am very satisfied with it. However, after careful observation, I still think there are several aspects that need to be changed. Therefore, I break the habit of the past, back to the old works to modify it. (Figure 10)
The new background first, I changed the aspect ratio of the paper, let it become higher, so I can draw a wider sky, as well as to increase the depth, so that the distance between the goldfish and the characters visually look farther. After that, I have experimentally rotated the entire image to the left 6 degrees, and the horizon is no longer balanced with the shaded edges. As a result, the whole picture looks more interesting and full of anger. (Figure 11)
At the bottom of the redraw, I immediately changed the background--the cloud, the sea, and the rock position. I try to make them look more obvious and meaningful, especially in contrast to girls. I am in the painter, the clouds, the foundation of the waves and the color of the rock to draw very in place. Then move them to Photoshop for textures and additions to the details. (Figure 12)
Face redraw now I begin to deal with the part of the face. First I added some new textures (mainly freckles) to my lips and skin. I wanted to make my eyes more divine, so I added some white and blue flashes. Let these two subtle colors occupy the brown ends, making the eyes more lifelike. At the same time, I placed a lot of color highlights on the top of my lip and raised the brightness of the outer part (between the upper lip and the lower lip), creating a lipstick effect that was very tempting. (Figure 13, 14)
The same hair I also modified most of the texture does not appear to be real hair. In making this link, I used Photoshop and some custom brushes. I often draw larger and darker places with the smoothest brushes, and then use a smaller brush to handle the lighter shapes. Subsequently, I created a "versatile" pattern and a spray brush to make the system more soft, deep, curly hair. However, the final effect is a little bit thick. Therefore, I use the standard Photoshop tool to adjust the color to moderate. (Figure 15)
Fish Glow making this part of the goldfish, I add a lot of spray strokes on the girl's Hair and skin (this will create a beautiful view of the afterglow) and it also makes it easier for me to elevate the width of the characters and backgrounds. Subsequently, I reconfigured and adjusted the size of the goldfish. I used a spray brush to add some light to them. Also, two classes were used to set the color for them. The final effect really made me ecstatic. Because, this is what I want to show the kind of soft, with a frenzy, fantasy revealed ambiguous atmosphere. (Figure 16)
Umbrella, the sky This is the final work of the effect of the show. I have to admit that making this work has not only made me grow a lot of experience, but also let me enjoy it very much. Because it let me know, in the production of a work, the details and color processing than the monotonous beautiful appearance more important. Finally, I would like to thank Frank Sinatra for that "Summer Breeze" once again. Because the title of this work is the inspiration for me from this song. Also, this song has become a source of inspiration for my courage. (Figure 17)
Well, the above information is small weave for you painter of this software users to bring the detailed drawing of umbrellas under the half squat young girl's tutorial analytic share of the entire content of the you see the users here, the way to draw the half squat young girl in the umbrella, So you guys just go and try to draw it yourself.
