(Music box) sainkho namtchyaks

Sainkho namtchyaks are from the Tuva democratic republic in southern Siberia, which is adjacent to Mongolia. She is known as the National Treasure of Tuva. The most characteristic of tuwa's music is that it can send two voices at the same time.
　　
Sainkho namtchyak is the most amazing super girl in the world today. With its seven eight-degree broad phoneme and superb singing skills, the most important thing is the courage to absorb the experimental spirit of various music and art, combine the long-history dual-voice singing method with the Western avant-garde music tide to achieve the greatest daring and success. She has worked with many avant-garde masters to launch out of Tuva, Tun-Gus-ka gu-ska, letters, ser-gei Cher-now, seven songs for Tuva, naked spirit, stepmother City and other albums, her work does not take the traditional song line, but combines the dual-voice singing of Tuva and the long-tuned songs of Mongolia with Western jazz, classical music, and environmental music, creates an experimental Oriental music with a special emphasis on the Performance of sound techniques.
　　
Sainkho is thin and has a bright head. Many album covers are always clear. It is as exciting as her singing.
　　
　　
Sainkho namtchyak is a wandering singer on the edge of the world, and she is also walking on the edge of life. Her music cannot be classified and moved between the East and the West, and between the past and reality. Her music is a combination of Tuva throat, experimental jazz, classical, electronic and Buddhist music.
　　
She used to be a member of the Tuva National Orchestra and then left her distant country in southern Siberia and settled in Moscow. She met many jazz musicians and started her new career in the West. She once lived in Vienna, Berlin, and Moscow, but she never forgot her country. Every year, she invites Western musicians to present at Kyzyl to learn about her country, her culture, and her music.
　　
However, she is a controversial person. In her home country, she was even attacked by many people. As a musician, she is a special, weird, Pioneer, but she can still hear her love for the land and people in her hometown in her music. Her joy, sorrow, anger, passion are all completely in her music, and her soul is completely naked in her music. As her song said: "like the palm prints in my hands, like the mirror of my soul, my soul-Tuva, in my painful memories, it is the suffering history of my people. My pride, my sorrow, and soft voice, my cradle-Tuva. "
　　
Sainkho was born in a small village in the former Soviet Union, the republic of Tuva, South Siberia, near Mongolia. Her grandparents are herdsmen, and her parents are school teachers. She studied music at a local school, but she was rejected by the music Board to continue her professional study. Then she went to Moscow alone to complete her School of Music. She received professional vocal training at the gnesinsky Institute. At the same time, she also learned the traditional sound skills in the Siberian lamo and sarmania, as well as the vocal/PAN singing style and skills of Tuva and Mongolia. She started her career as a national artist at the Sayani-Tuva National Folk Art Troupe and toured Europe, Australia, New Zealand, the United States and Canada.
　　
Beginning in 1988, sainkho began to work with some creative musicians in the former Soviet Union. They tried to combine traditional music elements with avant-garde music to create different voices. She joined tri-O and created her own jazz with sergej letov, arkadij kiritschenko, and Alexander Alexandrov from Moscow. Since sainkho joined the band, Western media has become interested in them. At first, it was strange because she looked so exotic. However, their music was noticed. What people hear is a strange Melody. There are two voices with a wildcard music... ... These are integrated with jazz, a brand new jazz.
　　
In fact, before that, the West had known about Mongolia's Pan-music singing method, but it was only preserved as a heritage of World Music and circulated in a small circle. From the perspective of Westerners, their music has truly integrated the National Music of Tuva and Mongolia into western music, which is completely accepted by Westerners and is part of their music life.
　　
Of course, for national music from the East, it cannot be absolutely good or bad, but the integration of Eastern and Western music should be a good thing for the development of music. At least, it can make Westerners no longer look at folk music from the east just like watching a circus. It can make the connotation and strength of folk music in another way, an easy way for them to accept and understand. After all, what matters is what is inherent in music, an emotion, a spirit, and a power. Communication and understanding are important for ethnic and folk music.
　　
For sainkho, music does not have a category and there is no limit. She knows that her roots are stuck in the traditional soil of Tuva, but she needs to be free to express herself. She said that her singing does not include the traditional Tuva. She said: "If you want to listen to sygyt, which is a type of Tuva, you won't hear it... ... When a man is singing, he can expand his lungs, which requires a lot of strength. And I noticed that when a woman wants to sing in a man's way, they will lose their voice. So I decided not to do that. Instead, I wanted to create a sound like a Tuva, but not my own voice ."
　　
People who have heard sainkho sing are often surprised by the diversity of her voice, from opera-like high-pitched voices to birds-like voices, from baby-like grits to hypnosis-like low-pitched singing. In her music, modern electronic instruments and traditional folk instruments, such as shakuhachi (a Japanese bamboo), doshpuloor (three-string banzhuo piano), and maturon are integrated, the past and present are intertwined to make people forget the existence of time.
　　
Sainkho believes that music and spiritual spirit are linked by the kind of desire to awaken humanity. Her music is like a map, and she wants to draw some roads to bring people to the past and establish a connection with the spiritual world of the East for the existence of the western reality. Her thrilling rhythm and wild voice are destined to shake you and wake you up.
　　
Sainkho is an artist without borders. When she was still a Soviet Union joining the Republic of Tuva, she went to Moscow to learn vocal music and later became the CTO of the Tuva National Orchestra. After joining the TRI-O, she entered the jazz and experimental music circle, the waves of Vienna, Berlin and Moscow. Even if she is already famous in the experimental orchestra, she never forgets her hometown and carries her Western musicians to Kyzyl, the capital of Tuva every year, we hope that Western musicians will know her country, culture, and music.
　　
Although she is the best spokesperson for Tuva culture, not all Tuva people are willing to embrace her. Many people think that she has always lived in the Western world and betrayed her country.
　　
On March 13, 1997, she flew to Moscow and planned to return to kigi from Moscow to celebrate her 40-year-old birthday. However, she was attacked by a mob in Moscow and was seriously injured. She was discharged from the hospital after two weeks of treatment. After a period of silence, she launched Time Out: Seven songs for Tuva. This is a work of sainkho for Tuva in her motherland. On the cd Page, she wrote: I dedicate this work to the people of Tuva and my friends in Tuva and other countries. I hope that one day my fellow citizens will understand that I am an artist from all over the world and my music has no borders. I thank you for your support and help me recover. I hope I can sing for you for many years.
　　
Therefore, this album is filled with sorrow. The lyrics mostly involve the loneliness of death and the independence of the world:
　　
I was born to die, please give me freedom
　　
Maybe I have been dying, but I will still sing for you. I have no father, no mother, and I am walking and living alone. One day, I will fall down and die. My body is like a tree. Where is my burial ground? My singing is like Luming. When will it break down and disappear?
　　
I am a naked soul, yes, just like a naive child. Don't blame me. If the fruit is ripe, it will land. Like the sun and the moon, I am a naked soul.