Network Advertising Research group to see the exhibition activities

Let's start by interrupting some of the characteristics of this research group: the most important and valuable of all is new ideas, both in the form of advertising and in the creative itself. and whether or not a person who has been engaged in advertising-related work can come up with wonderful ideas ~ so we have to join the students do not set background restrictions, the more the more. At the same time, take a more relaxed way of communication and research, because people are more creative when relaxing and happy ~:)

Let's go back to the event: 3.8. The two or three station where we see the exhibition is a special exhibition of two female artists: the Japanese artist, who is the symbol of the wave point, and the Indian British female artist, Barr Carr.

As a contemporary painter and sculptor, Karl's creations over the past 20 years have involved ready-made goods, minimalism, abstraction (through repetitive gestures and forms), and the different art historiography traditions of myth and narration. For Karl, there is a close connection between the core issues of identity (such as body, gender, language, and motivation) and the metaphorically representation as an existential, aesthetic, biological, and moral. ”

The female image created in the self-portrait (the first row left) is a threshold state between a monotonous family life and a violent illusion effect--half man and half beast--both charming and dignified, both domineering and patient, as if with the role they have been given a certain kind of consensus, but also relish their duplicity and multiple personalities.

The artist's iconic element is the "forehead mole"-an Indian woman adorned with eyebrows. In contemporary India, moles have a variety of materials, colors, and shapes, some of which are of a solid color, some like tadpoles--or sperm.

A giant mural-type device is covered by the walls of the museum's north façade, the work of the "bull-Eye Queen" (the second row of the next) is made by artists for the Waitan Art Museum. 16 large moles of more than 4 meters in diameter, varying in color and stacked in layers, like giant targets, neatly arranged into square matrices. The title of the "Queen" has a strong colonial meaning, the early 17th century British Queen Elizabeth approved the establishment of the East India Company, in the middle of 19th century India was completely reduced to British colonies, Queen Victoria was crowned Queen of India, the British colonial history of India until 1947 India's independence was finally ended. The artist leads the audience back to this period of history, but also bring out their own life. Carl was born in London, the second-generation Indian immigrant, aged more than 20 and moved to New Delhi, India, from a foreign country in Britain to a stranger in India. Therefore, Karl's work has always been around the confusion of identity and the reflection on globalization.

Singing to the Zhang (lower left of the picture below), the idea of this work began with the author's reading of Tristan Chara's article, "How to make a dada poem": You only need to cut down all the words in the newspapers and magazines, and you will get a magical poem, and you can Tristan It's smoother and smarter than you write yourself. I think this work is really about love, about how people try to find love. It's a bowl of rice, and the words written on it come from the one issue I collected over the weekend newspaper for many years. On this day, people all over the country are in the newspaper for marriage, they describe their height and weight, how much money, from what culture, from India. So a small bowl of rice can be a grand anthropological study.