1. Create a new 600x600,72dpi image, fill the background color with black.
2. New Layer 1, with the toolbar in the custom shape of the heart shape to pull a heart, and the pen tool to hold down CTRL to drag the above node to adjust its shape, the shape is not ideal, you can add some nodes and then make adjustments, (Figure 1).
Figure 01
3. Again with the same heart shape, in just the chicken heart again pull a heart-shaped, the same as the second step of the same method of the heart of the internal contour adjustment (Figure 2).
Figure 02 4. Convert the path to a selection, with a gray fill (the RGB parameter is r218,g203,b206, and the meter gray used is the value), do not cancel the selection, go to the channel panel, create a new channel, fill it with white to the menu-filter-Blur-Gaussian blur, Blur radius 3, press CTRL + Alt+f again Gaussian blur, the radius of 2, and then again, the radius of 1, back to layer 1, to the menu-filter-rendering-lighting effect, in the palette (Figure 3) general settings, completed such as (Figure 4).
Figure 03
Figure 04
5. Copy layer 1, to the menu-filter-Sketch-branded yellow, adjust the details to 0, smooth to 10, after the press ctrl+i, the color inversion, and the layer blending mode set to overlay, (Figure 5).
Figure 05
6. Place this layer again on the top, press ctrl+i, invert the color, double-click the layer, select the relief in the pop-up layer style, and adjust the gloss contour to (Figure 6). Then hook and select the Gloss effect, adjust the contour to (Figure 7) style and finish as (Figure 8).
Figure 06
Figure 07
Figure 08 7. Create a new layer, hold down CTRL to select the originally completed gray heart of the layer, make its selection float, use the multilateral lasso tool, and hold down ALT to remove the extra selections (Figure 9).
Figure 09
8. Select the gradient style (Figure 10), drag from bottom to right in the selection (Figure 11), and set the blending mode of this layer to overlay.
Figure 10
Figure 11
9. In the same way as the 7th step above, the selection of the heart of the Heart will float, the darkened surface of the selection with the same deletion method will not need to remove the selection (Figure 12). Using the same white transparent gradient as above, pull from top down (Figure 13).
Figure 12
Figure 13
10. The shape of the heart first come to an end, we now to make chicken hearts in the diamond with the Claw box, a new layer, with the Oval marquee tool in the middle of the center to draw a circle, the foreground color is set to rice gray, background color set to black, and the foreground color fill the selection Execute menu-Filter-art effects-rough crayon, then execute menu-filter-pixel-lattice, cell size set to 15, (Figure 14).
Figure 14 11. Copy this diamond layer, flip the image vertically and flip it horizontally. Set the blending mode of the layer to multiply. Duplicate this layer one at the top, and then perform a grid effect. The cell size is set to 10, then to the menu-filter-art-smudge bar, the line length is set to 2, the high light area is 0, the strength is 10, then to the menu filter to make a sharpening process, and then execute the menu-filter-stylized-illuminate the edge, The edge width is set to 1, the brightness is 10, and the smoothing degree is 1. and set the blending mode of the layer to overlay (Figure 15).
Figure 15
12. Copy the top layer, press ctrl+t, press and hold shift+alt to reduce it to the same proportion, and ctrl+u its brightness, (Figure 16) then you can adjust the layer of all diamonds with ctrl+b or ctrl+u and contrast. Make it look more authentic (Fig. 17).
Figure 16
Figure 17
13. Well, the diamond is over, come down and make the Claw box, first create a new layer, with the Ellipse marquee tool in the diamond three corners to draw three circles, filled with rice gray, to the channel panel, and then create a new channel, filled with white, with Gaussian blur, Fuzzy three times, the fuzzy radius is 3,2,1. In the back to the layers panel, using the lighting effect, the parameters are the same as the previous lighting parameters, only the channel to select ALPHA2, double-click the layer, in the pop-up palette to select the embossed effect, cancel the global light setting, shading angle set to 75, height set to 67, other default, and adjust the gloss contour to look like (Figure 18) style. After completion (Figure 19).
Figure 18
Figure 19
14. Down to do the bottom of the Claw box, first in the background layer on top of a new layer, use the pen tool hook as shown in (Figure 20) with the base bracket outline, and fill it with a meter gray, double-click the layer, hook the bevel relief effect, and cancel the global light setting in the emboss, setting the shadow angle to 165 degrees, height 28, and the gloss and other High Line as (Fig 21) as the adjustment, will be equal to the High Line as (Fig 22) as the adjustment, gloss on the use of the default contour. After completion (Figure 23).
Figure 20
Figure 21
Figure 22
Figure 23
15. Create a new layer on top of the bottom bracket, hold down the CTRL key and select the bottom layer to float the selection, fill it with a meter gray on the newly created layer, add 3% noise to it, and then execute the menu-filter-Sketch-yellow, details set to 10, and the smoothness set to 0. (Figure 24).
Figure 24
16. Double click on this layer to select the inner shadow and luster in the palette and the default parameter. Create a new layer on this layer and use the elliptical marquee tool to pull a circle out of the base bracket and fill it with a meter-gray (Figure 25). Double-click this layer to select the embossed effect in the palette, style the pillow relief, and the gloss contour Select the second row of PS's own style and the third, after completion (Figure 26).
Figure 25
Figure 26
17. Create a new layer above the layer, using the pen tool, draw the Paw column of the Claw box as shown in (Fig. 27), turn to the selection, fill the rice gray, double-click the layer, select the embossed effect, cancel the global light setting, change the shadow angle to-83, and the height to 45, And it is inconvenient to hook the contour with the gradient superposition parameter (Figure 28).
Figure 27
Figure 28
18. Create a new layer to do the inner side of the heart, it's easy to hook up the profile with a pen (Figure 29), convert the path to a selection, fill the rice gray, double-click the layer, hook the gradient overlay to the gloss effect, set the gradient angle to-90 degrees, and the gloss contour to select the second row of the 3rd (Figure 30).
Figure 29
Figure 30
19. Now to make the top lock of the pendant, pull a circle with the Ellipse tool in the tool bar, and adjust his shape with the direct selection tool (Figure 31), convert the selection to fill the gray, and pull an ellipse in the middle of the lock with an elliptical tool. Also use the direct selection tool to resize the shape to make the lock hole (figure 32) and convert the path to a selection to delete the portion of the selection.
Figure 31
Figure 32
20. Hold down the CTRL point this layer, so that it floats, to the channel panel, new channel ALPHA3 filled with white, and then Gaussian Blur, Fuzzy three times, the fuzzy radius is 3,2,1. In the back layers panel, use the lighting effect, set as (Figure 33).
Figure 33
21. Copy this layer, execute menu-Filter-Sketch-seared yellow, detail 10, smoothness to 0, and set the layer's mode to overlay (Figure 34). Copy this layer to the top level, layer mode is still superimposed, press Ctrl+i to invert the color, double click on the layer, hook the gloss effect, set the angle to 0 degrees, contour style Select the second row, after the completion press the CTRL+M its color slightly bright a point (figure 35).
Figure 34
Figure 35
22. All Right! The pendant is almost done, the following is a chain, the first new layer, with the rounded rectangle tool pull a rectangular corner rectangle to the selection, filled with rice gray, and then in the middle of the rectangle to draw a rectangle, converted to a selection, press Ctrl+m will be selected gray part of the color adjustment of the light point, (Figure 36) also draws two rounded rectangles on either side of the rectangle, but a little distance from the lighter rectangle in the middle, and then into a selection, also lightens the color (Figure 37).
Figure 36
Figure 37
23. Again at both ends of the chain with rounded rectangular tool to draw two paths, convert to a selection, darken the color (Figure 38), and then use the rounded rectangle to draw 4 rounded rectangles on the four corners of the chain, convert to a selection, and press Ctrl+m to adjust the color darker (figure 39).
Figure 38
Figure 39
24. Use the Magic Wand tool, set the tolerance to 1, click (Figure 40) area, and the color with cyrl+m, and then use the Magic wand tool to the middle of the white color block selected, with a gray gradient pull a level out (Figure 41).
Figure 40
Figure 41
25. OK, now put a few more copies, then there is the order of the arrangement, in the arrangement can hold down the ctrl+alt to drag the chain to carry out the copy arrangement, arrangement is an angle of the problem, because the chain is soft, so each chain direction is not the same, so to adjust its direction, After the section is copied, we can roughly position it, press ctrl+t, and then hold down CTRL and drag the nodes on its four corners and rotate it to adjust its position and angle one by one (Figure 42).
Figure 42
26. Then merge all the chain layers and create a new layer on top of the merged layers. Fill to meter gray, do not cancel the selection, and then set the foreground color to black, the background color set to white, execute menu-filter-render-cloud, then to the channel panel, create a new channel, fill in white, with three times Gaussian Blur, The parameters are the same as before, with the menu-filter-render-lighting effect settings (Figure 43), and then press CTRL+F again when you are done (Figure 44).
Figure 43
Figure 44
27. Drag and drop this layer underneath the merged chain layer, set the blending mode of the chain layer to overlay, and add the layer below the chain layer with Ctrl+u to +25, double-click the layer, and select the inner shadow effect, the distance is set to 7, and the size is 0 (Figure 45).
Figure 45
28. Place the chain in the lock-and-pull junction with a lasso and remove the selected chain part (Figure 46).
Figure 46
29. Create a new layer below the chain layer, which is used to make chains in series, use the Pen tool to draw a path along the center of each chain (Figure 47) set the foreground color to gray, set the brush stroke size to 4 pixels, hardness to 0, and click the stroke path in the path panel (Figure 48).
Figure 47
Figure 48
30. All Right! Finally finished, give the girlfriend to go! Oh! The rest of the details themselves play it, you can make further artistic processing! If you think the chain is a bit thick, then connect the layers of all the chains, and then press Ctrl+t to reduce the chain to a smaller scale! Adjust position (Figure 49)
Figure 49
