PS Advanced Synthesis Course Buddha and character synthesis effect

Before we started to learn PS I thought I'd say something. Because this tutorial is longer, I need to explain how we look forward to this tutorial, how it differs from most other tutorials, and my understanding of the tutorials.

It's not like a cookbook, you learn to make exactly the same picture as I do. However, I hope that through my introduction to my method, I can let you learn some PS techniques and learn something you didn't know about the program before.

Let's take a look at the effect chart:

Character Material Map:

Synthesizing such a photograph and finding the right picture is absolutely the key. I would probably buy only one of the top quality from 1000 photos. This has nothing to do with how superb your PS technology is, if you use some low quality pictures to synthesize. A little bit of kung fu here, the benefits are naturally apparent at the end of the chart. Here we go.

The last thing I did was to use the imitation stamp tool to decorate his face with pimples and freckles. I don't think it's necessary to keep them. You can also use the Healing brush tool if you like, but I think the clone stamp tool is more reliable.

The 2nd step is now a step that the synthesizer hates but can hardly avoid--pull the map. I want to pull the background off so it doesn't affect me. I can change the background later, if necessary. There are countless ways to pull it off, depending on what you want to do with it. In this example, my picture is very irregular but not particularly complicated. This means I can't just manually pull the map (it may refer to--www.46ps.com only with a lasso or a pen).

First, create a new layer below the photo and fill it with bright colors (yellow here)--a sharp contrast to the color of the photo. This is because I can easily see which pixels I hide when I pull the characters out. Then I create a layer mask, zoom in, and start painting his face with a small brush. Because I plan to cover my hair and neck, I'm just trying to make a rough cut of these two parts. In any case, smear it carefully and don't apply it to something that you want to hide (pull off).

3rd Step

When I pulled out the image I wanted, I converted the yellow background layer to black because I wanted the picture to have a dark background. This face is a bit off, so I want to pick it up to a better angle. I used some guides to help with the completion. Then I let my eyes and my nose align with the guides

4th Step Classification:

• PS Composite Picture Tutorial