PS European Wind Sexy portrait repair skills

Source: Internet
Author: User

Many photographers and girls like the European and American wind portrait, Sexy wild have tension, before many friends to ask Ghost This group of films later, today on the detailed explanation. This piece does not use big aperture to shoot, the parameter is 4.5 aperture, 160 ISO, the whole use natural light, the SUV and the fitness trainer, very conforms to her temperament, the female's modelling concave is very in place.

Before and after a rough picture of the revision before and after contrast:

First, the basic adjustment

Drag the picture into PS, you can see Camera Raw dialog box, start making simple adjustments. First adjust the color temperature, hue, the original piece is a bit blue, exposure minus some, contrast points, shaded by the light, so that the details of the dark rich.

Then adjust the hue, saturation, lightness.

This kind of film does not need to repair the skin is very white, want is the texture, therefore does not have to specially to carry on the light. Yellow refers to the high light of the skin, you can pull the light, Orange is the skin neutral position, you can press darker, and then the sky blue is also pressed dark.

Second, skin modification

Sister's skin is good, and this kind of film does not need to be like sugar tablets, small fresh that kind of demand white skin, maintain the original texture on the line. Start to repair the imperfections, such as acne, texture and so on.

First mend the wrinkles on the waist, copy a layer of background, I use a repair tool.

Copy the background layer, then start to repair the face, using the stamp tool, the transparency down to 26%, so more natural.

If you feel too clean, you can reduce background transparency and make the effect more natural.

Third, the body line adjustment

European and American figures do not necessarily skin white, but the body of the line is very important. Turn on the filter-liquefaction, you see I set the parameters, pressure and density do not open very large, otherwise it is easy to overdo.

Mainly liquefied waist line, this is before the appearance, the sister's stature itself has been very perfect, modelling and strength is in place, the early stage should pay attention to these problems, later on the waist and buttocks of the line liquefaction more s point on it.

The liquefaction brush increases, the position of the buttocks pulls out some, like this also appears the leg to be longer, also eliminates pulls the leg the step.

Four, color

First, add some dark angle, this is purely personal preference. Elliptical Marquee tool Draw an ellipse and select "Reverse".

Graph layer, begin to pull down.

Blur the mask to make it overly natural.

When you are sure, adjust the entire picture and use the curve to add contrast.

Adjusts the color of the sky, changing the hue and saturation of cyan and blue.

Adjust the color of the car to make the red darker.

Next choose "Optional color" to adjust the overall color, mainly for skin tone.

The black in the red channel can be deepened so that the skin will be darker, this step is very important, the color of the wheat skin is the key here. Blue and Cyan are mainly for the sky and clothing, white is mainly the bright part of the sky and the bright part of the skin, black used to make color bias.

The effect after this step color:

After the adjustment I found the skin a little bit red, then do a fine tuning again.

Then use the optional color adjustment, adjust to their desired color, white with a point of cyan, black inside with a little blue.

Now to get the high light area of the skin, click on the selection-color range, click on the body's highlight position (that is, the lighter part).

The selection will appear when the point is determined, and the curve adjustment layer opens. Masks can blur, allowing the edges to be overly natural.

High-light area adjustment before and after contrast:

The hue I want is now transferred out, almost finished.

Then sharpen, I sharpen with this method, create a new copy of the background, filter-high contrast retention, radius between 8-10. The blending mode uses a soft light, with transparency at 41%.

Now the skin texture is stronger, the pore is clearer.

The above steps are done, merged, and then want to do a bit of particle sense, first copy the background, then select the filter-add noise. The quantity is controlled within 10.

The advantage of copying a background is that if it comes out a little too far, it can be changed, for example, I don't want to let the particles look too much, and it reduces transparency.

Then, according to the situation, do some final fine-tuning, you can get out of the film!

Category:
    • PS Image Processing

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