PS God teaches you the mouse painted very delicate beautiful eyes

Source: Internet
Author: User

Although it is not difficult to draw the eyes, but the preparatory work to be very sufficient. To be able to accurately decompose every part of the eye, understand its structure and function, so that the effect of painting is exquisite, real.

 Final effect

1. Basic knowledge: function and Structure

The structure and composition of human eyes are similar: elliptical structure, taper on both sides, eyelids, eyes and eyebrows. It's easy to draw a recognizable eye, just like the following picture.

The top to bottom elements in the figure are listed below:

1. Eyebrows: It protects your eyes from dust and sweat on the forehead.

2. Eyelid pleat: When the eyes open, fold on the eyeball, eyeball up and down.

3. Orbital: The skin is divided in Split, due to the role of the eyeball, showing an oval shape.

4. Eyelash: Protects the eye from the dust, the strong light and the extra sensory stimulation damage, in the creation, the eyelash commonly manifests the feminine characteristic.

5. Whites: The main part of the eyeball.

6. Iris: is actually the muscle, is not very magical! The iris shrinks or expands to regulate the intensity of light entering the pupil.

7. Pupil: The black hole in the middle, we see things through this hole, the light enters this black hole, forms the image inside our eyeball.

8. Lacrimal gland: Located inside two eyes, the source of tears, color bias powder.

9. Lacrimal gland skin pleat: Located inside the lacrimal gland.

2, different eye shape

The eye sketch above is a typical example, and the shape of the eye in reality can vary by race, geography, and even age.

The first is the most important factor: race.

By looking closely at the photos of different people, you will definitely find the difference. Here are some basic shapes: from left to right, from top to bottom, almond eye shape, Mongolian eye shape (in the eyes of people in other countries, the Chinese people generally think this is the case.) ), concave eye shape, drooping eye.

3. Different perspectives and perspectives

Here are some examples of eye-shape changes at different angles.

4, eyes: The Mirror of the soul

Human beings express emotions through their eyes, although the shape and size of our eyes are not the same, but the response to stimuli is instinctively similar.

For example, we stare at eyes when we are focused, when we squint, when we are shocked, when we stare, surprise, and fear.

As long as it is human eyes, it will reveal the following expressions. You can try to quickly identify what these emotions are and try to draw them again. Practice these expressions so that you can give the character more emotion when you draw.

5, draw the outline of the eye

Now that we've learned so much through one eye, let's try to combine that. Quickly draw the top of the eyes, so that we can seriously start to make a break, come with me to become a new generation of Michelangelo!

Create a new canvas, name an existing layer as background, set the foreground color to #dcb6a3, and set the background color to #963931.

Using the Gradient tool (G), set the foreground color to the background color gradient, drag from left to right to create a gradient layer close to the skin tone. Then use the Brush tool (B), using a hard round brush, select the "Size" and "opacity" pressure to use (translator: You can not find these two students look at the map below Oh ~), the front color adjustment to #000000.

6, create a new layer, named "line Draft", on the above draw a you like the basic eye shape. You can refer directly to the first eye that we painted, or we can pick one out of the eye shapes listed later.

7, give eyes to Flesh and blood: painting The Whites

First step

Let's start with the build base--draw the whites. Although it is called "whites", but the eyeball is not pure white, its color in light gray, beige and red change between the surface also attached to red blood.

First build a new layer, named "Whites", drag the layer to the "background" and "line draft" layer, using a gray-white (#ddc6bc) hard round brush to draw the base color of the whites.

Step Two,

Create a new layer on top of the Whites layer, right-click, and select "Make clipping mask." We will use this layer to draw shadows. The eyeball is a sphere structure, because has the convex, the middle place receives the illumination most, is comparatively bright. Farther away from the center due to the occlusion of the eyelids and eyelashes, the illumination will be weaker, then use a deeper color.

Let's use the Brush tool (B), pick the hard round brush, and select the pressure on size and opacity (IBID.). Adjust the brush size to set the foreground color to #4f241e. On the created clipping mask, draw along the edges of the whites to create a lighting effect and 3D vision.

Third Step

Use a deeper hue, such as #220b07, to create a dark shadow over the whites of the upper eyelids and eyelashes.

8. Draw Lacrimal gland

First step

Because the skin near the lacrimal gland is not completely wrapped around the muscles, all use a little more pink. It should be noted that the eye and eye circumference muscles are not so distinct, they affect each other fusion. So when we are painting, pink will also penetrate to the whites of some, we will explain below.

Sets the foreground color to #853c2e and the background color to #5e2218.

Use the same brush, paint the interior of the eye with a light color, and then use a darker colour around the corner of the eye. At the same time add a little pink to the whites nearby. The following two picture is the result of the Wired manuscript and no line draft, everybody can compare.

Second Step

Next, set the foreground color to #d77661, set the background color to white #ffffff, and then reduce the brush. Enlarge the canvas and add some highlights in the light--use the light powder first, and then add a little bit of pure white highlights. This can reflect the surface humidity.

9, Iris and pupil

First step

Create a new layer in the middle of "whites" and "lines" and name it "Iris."

Set the foreground color to #6b3826, guide the draft, and draw a circle.

Second Step

With the eyes of the white pupil is still quite scary, now we use the black #000000, on the basis of the online manuscript in the middle draw a circle, to represent the pupil.

10, add the iris details

First step

New layer again! Add a layer on the iris layer, named Iris details.

The iris and pupil parts penetrate each other and penetrate the whites. In short, there is no absolute clear demarcation!

Set the foreground color to #240b02, and then adjust the brush size to apply along the iris and pupil edges, and be careful to blend naturally. Draw the time to pay attention to the upper part of the iris to create a shadow of eyelids and eyelashes cast, do not worry about painting out.

Second Step

Turn foreground tones to #54382a, the foreground color to #3f2315, shrink the brush smaller, enlarge the canvas, and try to draw different shades of color in the brown area. Notice that these strokes radiate around the center of the pupil.

Third Step

Next, we need to add more details to the iris. The foreground tones to the #9b643f, the background tones to the #511f05, and the brush to a few pixel sizes to depict the details of the iris muscles. You can use the "X" key to toggle between the foreground and background colors during the painting process. Remember to add these two colors to your swatches so it is convenient to use the eyedropper tool (I).

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